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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA1E8E it is the complementary color #15E171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA1E8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA1E8E shade: #EF1E89, #FF309C, #FF42AF, #FF54C2 and #FF66D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA1E8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA1E8E shade: #EA1E8E, #D90C7B, #C80068, #B70055 and #A60042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA1E8E shade: #EA1F8E, #EA1F57, #EA1F20 and #EA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA1E8E shade: #EA1F8E, #EA1FC5, #D81FEA, #A11FEA and #6A1FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA1E8E shade matches the following richer shades: #EA1F8E and #FD0B90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA1E8E shade: #EA1F8E, #D6328C, #C2468A, #AE5A88 and #9A6E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA1E8E shade: #D91FEA, #EA1FC4, #EA1F8E, #EA1F58 and #EA1F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA1E8E shade: #A70F62, #CC1379, #EA1F8E, #ED44A1 and #F16AB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA1E8E shade: #EA1E8E, #EAA31F and #1FE0EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA1E8E shade: #EA1E8E, #8EEA1F and #1F8EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA1E8E shade: #EA1E8E, #EAA31F, #1FEA7A and #1F66EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA1E8E shade: #EA1E8E, #EAE01F, #1FEA7A and #1F29EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

Complementary color

CMYK 91 / 0 / 50 / 12

HEX #15E171

RGB 21 225 113

HSL 147.06, 0.83%, 0.48%

LAB 79.16, -68.92, 42.11

 

CMYK 0 / 87 / 43 / 6

HEX #EF1E89

RGB 239 30 137

HSL 329.28, 0.87%, 0.53%

LAB 53.04, 78.89, -4.4

 

CMYK 0 / 81 / 39 / 0

HEX #FF309C

RGB 255 48 156

HSL 328.7, 1%, 0.59%

LAB 57.82, 80.79, -8.25

 

CMYK 0 / 74 / 31 / 0

HEX #FF42AF

RGB 255 66 175

HSL 325.4, 1%, 0.63%

LAB 60.12, 78.02, -15.87

 

CMYK 0 / 67 / 24 / 0

HEX #FF54C2

RGB 255 84 194

HSL 321.4, 1%, 0.66%

LAB 62.92, 74.3, -22.49

 

CMYK 0 / 60 / 16 / 0

HEX #FF66D5

RGB 255 102 213

HSL 316.47, 1%, 0.7%

LAB 66.19, 69.85, -28.2

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

CMYK 0 / 94 / 43 / 15

HEX #D90C7B

RGB 217 12 123

HSL 327.51, 0.9%, 0.45%

LAB 47.55, 75.06, -4.51

 

CMYK 0 / 100 / 48 / 22

HEX #C80068

RGB 200 0 104

HSL 328.8, 1%, 0.39%

LAB 43.18, 70.81, 0.44

 

CMYK 0 / 100 / 54 / 28

HEX #B70055

RGB 183 0 85

HSL 332.13, 1%, 0.36%

LAB 39.11, 65.53, 6.16

 

CMYK 0 / 100 / 60 / 35

HEX #A60042

RGB 166 0 66

HSL 336.14, 1%, 0.33%

LAB 35, 60.25, 12.19

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 87 / 63 / 8

HEX #EA1F57

RGB 234 31 87

HSL 343.45, 0.83%, 0.52%

LAB 50.87, 73.99, 22.69

 

CMYK 0 / 87 / 86 / 8

HEX #EA1F20

RGB 234 31 32

HSL 359.7, 0.83%, 0.52%

LAB 50.19, 72, 52.89

 

CMYK 0 / 87 / 87 / 8

HEX #EA1F1F

RGB 234 31 31

HSL 0, 0.83%, 0.52%

LAB 50.18, 71.98, 53.34

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 87 / 16 / 8

HEX #EA1FC5

RGB 234 31 197

HSL 310.94, 0.83%, 0.52%

LAB 54.56, 84.12, -37.46

 

CMYK 8 / 87 / 0 / 8

HEX #D81FEA

RGB 216 31 234

HSL 294.68, 0.83%, 0.52%

LAB 53.51, 86.16, -60.39

 

CMYK 31 / 87 / 0 / 8

HEX #A11FEA

RGB 161 31 234

HSL 278.42, 0.83%, 0.52%

LAB 44.94, 77.92, -74.69

 

CMYK 55 / 87 / 0 / 8

HEX #6A1FEA

RGB 106 31 234

HSL 262.17, 0.83%, 0.52%

LAB 37.81, 71.67, -86.66

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 96 / 43 / 1

HEX #FD0B90

RGB 253 11 144

HSL 327.02, 0.98%, 0.52%

LAB 55.21, 84.65, -5.07

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 77 / 35 / 16

HEX #D6328C

RGB 214 50 140

HSL 327.07, 0.67%, 0.52%

LAB 50.06, 68.81, -11.13

 

CMYK 0 / 64 / 29 / 24

HEX #C2468A

RGB 194 70 138

HSL 327.1, 0.5%, 0.52%

LAB 49.11, 56.05, -11.7

 

CMYK 0 / 48 / 22 / 32

HEX #AE5A88

RGB 174 90 136

HSL 327.14, 0.34%, 0.52%

LAB 49.6, 39.94, -10.07

 

CMYK 0 / 29 / 13 / 40

HEX #9A6E86

RGB 154 110 134

HSL 327.27, 0.18%, 0.52%

LAB 51.55, 21.36, -6.24

 

CMYK 7 / 87 / 0 / 8

HEX #D91FEA

RGB 217 31 234

HSL 294.98, 0.83%, 0.52%

LAB 53.68, 86.33, -60.12

 

CMYK 0 / 87 / 16 / 8

HEX #EA1FC4

RGB 234 31 196

HSL 311.23, 0.83%, 0.52%

LAB 54.51, 84, -36.96

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 87 / 62 / 8

HEX #EA1F58

RGB 234 31 88

HSL 343.15, 0.83%, 0.52%

LAB 50.89, 74.04, 22.11

 

CMYK 0 / 87 / 85 / 8

HEX #EA1F22

RGB 234 31 34

HSL 359.11, 0.83%, 0.52%

LAB 50.2, 72.04, 51.96

 

CMYK 0 / 91 / 41 / 35

HEX #A70F62

RGB 167 15 98

HSL 327.24, 0.84%, 0.36%

LAB 36.82, 61.12, -5.91

 

CMYK 0 / 91 / 41 / 20

HEX #CC1379

RGB 204 19 121

HSL 326.92, 0.83%, 0.44%

LAB 45.2, 71.21, -7.06

 

CMYK 0 / 87 / 39 / 8

HEX #EA1F8E

RGB 234 31 142

HSL 327.19, 0.83%, 0.52%

LAB 52.31, 78.05, -8.58

 

CMYK 0 / 71 / 32 / 7

HEX #ED44A1

RGB 237 68 161

HSL 326.98, 0.82%, 0.6%

LAB 56.79, 71.33, -13.04

 

CMYK 0 / 56 / 25 / 5

HEX #F16AB4

RGB 241 106 180

HSL 327.11, 0.83%, 0.68%

LAB 63.59, 59.66, -13.7

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

CMYK 0 / 30 / 87 / 8

HEX #EAA31F

RGB 234 163 31

HSL 39.01, 0.83%, 0.52%

LAB 72.09, 16.48, 70.79

 

CMYK 87 / 4 / 0 / 8

HEX #1FE0EA

RGB 31 224 234

HSL 182.96, 0.83%, 0.52%

LAB 81.59, -39.59, -17.41

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

CMYK 39 / 0 / 87 / 8

HEX #8EEA1F

RGB 142 234 31

HSL 87.19, 0.83%, 0.52%

LAB 84.33, -55.19, 78.08

 

CMYK 87 / 39 / 0 / 8

HEX #1F8EEA

RGB 31 142 234

HSL 207.19, 0.83%, 0.52%

LAB 57.63, 3.35, -54.6

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

CMYK 0 / 30 / 87 / 8

HEX #EAA31F

RGB 234 163 31

HSL 39.01, 0.83%, 0.52%

LAB 72.09, 16.48, 70.79

 

CMYK 87 / 0 / 48 / 8

HEX #1FEA7A

RGB 31 234 122

HSL 146.9, 0.83%, 0.52%

LAB 82.13, -69.79, 41.51

 

CMYK 87 / 56 / 0 / 8

HEX #1F66EA

RGB 31 102 234

HSL 219.01, 0.83%, 0.52%

LAB 46.62, 28.29, -72.36

 

CMYK 0 / 87 / 39 / 8

HEX #EA1E8E

RGB 234 30 142

HSL 327.06, 0.83%, 0.52%

LAB 52.26, 78.21, -8.67

 

CMYK 0 / 4 / 87 / 8

HEX #EAE01F

RGB 234 224 31

HSL 57.04, 0.83%, 0.52%

LAB 87.44, -14.95, 83.05

 

CMYK 87 / 0 / 48 / 8

HEX #1FEA7A

RGB 31 234 122

HSL 146.9, 0.83%, 0.52%

LAB 82.13, -69.79, 41.51

 

CMYK 87 / 82 / 0 / 8

HEX #1F29EA

RGB 31 41 234

HSL 237.04, 0.83%, 0.52%

LAB 33.6, 63.48, -93.82

 

Description

Color code: HEX #EA1E8E | qconv.com Color code: HEX #EA1E8E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 30 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 30 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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