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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA29D8 it is the complementary color #15D627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA29D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA29D8 shade: #EF29D3, #FF3BE6, #FF4DF9, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA29D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA29D8 shade: #EA29D8, #D917C5, #C805B2, #B7009F and #A6008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA29D8 shade: #E929D7, #E929A4, #E92970, #E9293C and #E92929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA29D8 shade: #E929D7, #C729E9, #9429E9, #6029E9 and #2C29E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA29D8 shade matches the following richer shades: #E929D7 and #FC16E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA29D8 shade: #E929D7, #D63CC8, #C34FB9, #B062A9 and #9D759A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA29D8 shade: #9329E9, #C629E9, #E929D9, #E929A6 and #E92973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA29D8 shade: #AF11A0, #D515C3, #E929D7, #ED4FDE and #F174E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA29D8 shade: #EA29D8, #E96029 and #29E9AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA29D8 shade: #EA29D8, #D9E929 and #29D9E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA29D8 shade: #EA29D8, #E96029, #29E939 and #29B3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA29D8 shade: #EA29D8, #E99929, #29E939 and #2979E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

Complementary color

CMYK 90 / 0 / 82 / 16

HEX #15D627

RGB 21 214 39

HSL 125.6, 0.82%, 0.46%

LAB 75.08, -73.4, 66.92

 

CMYK 0 / 83 / 12 / 6

HEX #EF29D3

RGB 239 41 211

HSL 308.48, 0.86%, 0.55%

LAB 56.72, 85.12, -42.02

 

CMYK 0 / 77 / 10 / 0

HEX #FF3BE6

RGB 255 59 230

HSL 307.65, 1%, 0.62%

LAB 61.74, 86.77, -44.66

 

CMYK 0 / 70 / 2 / 0

HEX #FF4DF9

RGB 255 77 249

HSL 302.02, 1%, 0.65%

LAB 64.49, 84.33, -50.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

CMYK 0 / 89 / 9 / 15

HEX #D917C5

RGB 217 23 197

HSL 306.19, 0.81%, 0.47%

LAB 51.15, 82.12, -43.04

 

CMYK 0 / 98 / 11 / 22

HEX #C805B2

RGB 200 5 178

HSL 306.77, 0.95%, 0.4%

LAB 46.45, 78.33, -39.57

 

CMYK 0 / 100 / 13 / 28

HEX #B7009F

RGB 183 0 159

HSL 307.87, 1%, 0.36%

LAB 42.11, 73.21, -35.32

 

CMYK 0 / 100 / 16 / 35

HEX #A6008C

RGB 166 0 140

HSL 309.4, 1%, 0.33%

LAB 37.84, 67.57, -30.71

 

CMYK 0 / 82 / 8 / 9

HEX #E929D7

RGB 233 41 215

HSL 305.63, 0.81%, 0.54%

LAB 55.9, 84.51, -45.66

 

CMYK 0 / 82 / 30 / 9

HEX #E929A4

RGB 233 41 164

HSL 321.56, 0.81%, 0.54%

LAB 53.59, 78.14, -19.74

 

CMYK 0 / 82 / 52 / 9

HEX #E92970

RGB 233 41 112

HSL 337.81, 0.81%, 0.54%

LAB 51.93, 73.35, 8.92

 

CMYK 0 / 82 / 74 / 9

HEX #E9293C

RGB 233 41 60

HSL 354.06, 0.81%, 0.54%

LAB 50.96, 70.48, 38.79

 

CMYK 0 / 82 / 82 / 9

HEX #E92929

RGB 233 41 41

HSL 0, 0.81%, 0.54%

LAB 50.77, 69.89, 48.94

 

CMYK 0 / 82 / 8 / 9

HEX #E929D7

RGB 233 41 215

HSL 305.63, 0.81%, 0.54%

LAB 55.9, 84.51, -45.66

 

CMYK 15 / 82 / 0 / 9

HEX #C729E9

RGB 199 41 233

HSL 289.38, 0.81%, 0.54%

LAB 51.39, 81.22, -63.38

 

CMYK 36 / 82 / 0 / 9

HEX #9429E9

RGB 148 41 233

HSL 273.44, 0.81%, 0.54%

LAB 43.89, 73.39, -75.91

 

CMYK 59 / 82 / 0 / 9

HEX #6029E9

RGB 96 41 233

HSL 257.19, 0.81%, 0.54%

LAB 37.76, 67.26, -86.21

 

CMYK 81 / 82 / 0 / 9

HEX #2C29E9

RGB 44 41 233

HSL 240.94, 0.81%, 0.54%

LAB 33.99, 63.66, -92.58

 

CMYK 0 / 82 / 8 / 9

HEX #E929D7

RGB 233 41 215

HSL 305.63, 0.81%, 0.54%

LAB 55.9, 84.51, -45.66

 

CMYK 0 / 91 / 8 / 1

HEX #FC16E7

RGB 252 22 231

HSL 305.48, 0.97%, 0.54%

LAB 59.01, 92.97, -49.57

 

CMYK 0 / 82 / 8 / 9

HEX #E929D7

RGB 233 41 215

HSL 305.63, 0.81%, 0.54%

LAB 55.9, 84.51, -45.66

 

CMYK 0 / 72 / 7 / 16

HEX #D63CC8

RGB 214 60 200

HSL 305.45, 0.65%, 0.54%

LAB 53.71, 73.53, -40.76

 

CMYK 0 / 59 / 5 / 24

HEX #C34FB9

RGB 195 79 185

HSL 305.17, 0.49%, 0.54%

LAB 52.62, 59.38, -34.02

 

CMYK 0 / 44 / 4 / 31

HEX #B062A9

RGB 176 98 169

HSL 305.38, 0.33%, 0.54%

LAB 52.76, 41.88, -24.69

 

CMYK 0 / 25 / 2 / 38

HEX #9D759A

RGB 157 117 154

HSL 304.5, 0.17%, 0.54%

LAB 54.26, 22.12, -13.85

 

CMYK 37 / 82 / 0 / 9

HEX #9329E9

RGB 147 41 233

HSL 273.13, 0.81%, 0.54%

LAB 43.76, 73.25, -76.13

 

CMYK 15 / 82 / 0 / 9

HEX #C629E9

RGB 198 41 233

HSL 289.06, 0.81%, 0.54%

LAB 51.24, 81.06, -63.64

 

CMYK 0 / 82 / 7 / 9

HEX #E929D9

RGB 233 41 217

HSL 305, 0.81%, 0.54%

LAB 56.01, 84.79, -46.63

 

CMYK 0 / 82 / 29 / 9

HEX #E929A6

RGB 233 41 166

HSL 320.94, 0.81%, 0.54%

LAB 53.67, 78.36, -20.8

 

CMYK 0 / 82 / 51 / 9

HEX #E92973

RGB 233 41 115

HSL 336.88, 0.81%, 0.54%

LAB 52, 73.57, 7.21

 

CMYK 0 / 90 / 9 / 31

HEX #AF11A0

RGB 175 17 160

HSL 305.7, 0.82%, 0.38%

LAB 41.3, 70.03, -37.3

 

CMYK 0 / 90 / 8 / 16

HEX #D515C3

RGB 213 21 195

HSL 305.63, 0.82%, 0.46%

LAB 50.24, 81.38, -43.36

 

CMYK 0 / 82 / 8 / 9

HEX #E929D7

RGB 233 41 215

HSL 305.63, 0.81%, 0.54%

LAB 55.9, 84.51, -45.66

 

CMYK 0 / 67 / 6 / 7

HEX #ED4FDE

RGB 237 79 222

HSL 305.7, 0.81%, 0.62%

LAB 60.67, 75.59, -42.06

 

CMYK 0 / 52 / 5 / 5

HEX #F174E5

RGB 241 116 229

HSL 305.76, 0.82%, 0.7%

LAB 67.16, 62.35, -35.76

 

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

CMYK 0 / 59 / 82 / 9

HEX #E96029

RGB 233 96 41

HSL 17.19, 0.81%, 0.54%

LAB 57.89, 50.44, 55.43

 

CMYK 82 / 0 / 26 / 9

HEX #29E9AC

RGB 41 233 172

HSL 160.94, 0.81%, 0.54%

LAB 82.77, -59.01, 17.06

 

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

CMYK 7 / 0 / 82 / 9

HEX #D9E929

RGB 217 233 41

HSL 65, 0.81%, 0.54%

LAB 88.54, -26.12, 81.35

 

CMYK 82 / 7 / 0 / 9

HEX #29D9E9

RGB 41 217 233

HSL 185, 0.81%, 0.54%

LAB 79.6, -36.03, -19.87

 

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

CMYK 0 / 59 / 82 / 9

HEX #E96029

RGB 233 96 41

HSL 17.19, 0.81%, 0.54%

LAB 57.89, 50.44, 55.43

 

CMYK 82 / 0 / 76 / 9

HEX #29E939

RGB 41 233 57

HSL 125, 0.81%, 0.54%

LAB 81.32, -76.06, 67.7

 

CMYK 82 / 23 / 0 / 9

HEX #29B3E9

RGB 41 179 233

HSL 196.88, 0.81%, 0.54%

LAB 68.46, -17.14, -36.99

 

CMYK 0 / 82 / 8 / 8

HEX #EA29D8

RGB 234 41 216

HSL 305.6, 0.82%, 0.54%

LAB 56.12, 84.84, -45.86

 

CMYK 0 / 34 / 82 / 9

HEX #E99929

RGB 233 153 41

HSL 35, 0.81%, 0.54%

LAB 69.66, 21.62, 65.79

 

CMYK 82 / 0 / 76 / 9

HEX #29E939

RGB 41 233 57

HSL 125, 0.81%, 0.54%

LAB 81.32, -76.06, 67.7

 

CMYK 82 / 48 / 0 / 9

HEX #2979E9

RGB 41 121 233

HSL 215, 0.81%, 0.54%

LAB 51.87, 16.57, -63.28

 

Description

Color code: HEX #EA29D8 | qconv.com Color code: HEX #EA29D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 41 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 41 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 8 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 8% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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