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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2387 it is the complementary color #15DC78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2387 shade: #EF2382, #FF3595, #FF47A8, #FF59BB and #FF6BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2387 shade: #EA2387, #D91174, #C80061, #B7004E and #A6003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2387 shade: #EA2387, #EA2351 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2387 shade: #EA2387, #EA23BD, #E223EA, #AC23EA and #7723EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2387 shade matches the following richer shades: #EA2387 and #FE1087

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2387 shade: #EA2387, #D73787, #C34A87, #B05D87 and #9D7187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2387 shade: #E023EA, #EA23BF, #EA238A, #EA2355 and #EA2623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2387 shade: #AB0F5E, #D11372, #EA2387, #EE499C and #F16FB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2387 shade: #EA2387, #EAAB23 and #23DAEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2387 shade: #EA2387, #8AEA23 and #238AEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2387 shade: #EA2387, #EAAB23, #23EA83 and #2362EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2387 shade: #EA2387, #EAE723, #23EA83 and #2326EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

Complementary color

CMYK 90 / 0 / 45 / 14

HEX #15DC78

RGB 21 220 120

HSL 149.85, 0.83%, 0.47%

LAB 77.7, -66.14, 36.84

 

CMYK 0 / 85 / 46 / 6

HEX #EF2382

RGB 239 35 130

HSL 332.06, 0.86%, 0.54%

LAB 53.13, 77.43, -0.07

 

CMYK 0 / 79 / 42 / 0

HEX #FF3595

RGB 255 53 149

HSL 331.49, 1%, 0.6%

LAB 58.01, 78.97, -3.85

 

CMYK 0 / 72 / 34 / 0

HEX #FF47A8

RGB 255 71 168

HSL 328.37, 1%, 0.64%

LAB 60.42, 75.73, -11.36

 

CMYK 0 / 65 / 27 / 0

HEX #FF59BB

RGB 255 89 187

HSL 324.58, 1%, 0.67%

LAB 63.34, 71.59, -17.88

 

CMYK 0 / 58 / 19 / 0

HEX #FF6BCE

RGB 255 107 206

HSL 319.86, 1%, 0.71%

LAB 66.7, 66.76, -23.5

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 92 / 47 / 15

HEX #D91174

RGB 217 17 116

HSL 330.3, 0.85%, 0.46%

LAB 47.51, 73.96, -0.27

 

CMYK 0 / 100 / 52 / 22

HEX #C80061

RGB 200 0 97

HSL 330.9, 1%, 0.39%

LAB 42.98, 70.27, 4.54

 

CMYK 0 / 100 / 57 / 28

HEX #B7004E

RGB 183 0 78

HSL 334.43, 1%, 0.36%

LAB 38.93, 65.05, 10.4

 

CMYK 0 / 100 / 64 / 35

HEX #A6003B

RGB 166 0 59

HSL 338.67, 1%, 0.33%

LAB 34.85, 59.84, 16.56

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 85 / 65 / 8

HEX #EA2351

RGB 234 35 81

HSL 346.13, 0.83%, 0.53%

LAB 51.02, 72.93, 26.51

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 85 / 19 / 8

HEX #EA23BD

RGB 234 35 189

HSL 313.57, 0.83%, 0.53%

LAB 54.42, 82.44, -33.06

 

CMYK 3 / 85 / 0 / 8

HEX #E223EA

RGB 226 35 234

HSL 297.59, 0.83%, 0.53%

LAB 55.39, 87.15, -57.29

 

CMYK 26 / 85 / 0 / 8

HEX #AC23EA

RGB 172 35 234

HSL 281.31, 0.83%, 0.53%

LAB 46.86, 78.56, -71.49

 

CMYK 49 / 85 / 0 / 8

HEX #7723EA

RGB 119 35 234

HSL 265.33, 0.83%, 0.53%

LAB 39.69, 71.81, -83.52

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 94 / 47 / 0

HEX #FE1087

RGB 254 16 135

HSL 330, 0.99%, 0.53%

LAB 55.27, 83.75, 0.4

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 74 / 37 / 16

HEX #D73787

RGB 215 55 135

HSL 330, 0.67%, 0.53%

LAB 50.6, 67.03, -7.3

 

CMYK 0 / 62 / 31 / 24

HEX #C34A87

RGB 195 74 135

HSL 329.75, 0.5%, 0.53%

LAB 49.8, 54.26, -8.86

 

CMYK 0 / 47 / 23 / 31

HEX #B05D87

RGB 176 93 135

HSL 329.64, 0.34%, 0.53%

LAB 50.46, 38.9, -8.16

 

CMYK 0 / 28 / 14 / 38

HEX #9D7187

RGB 157 113 135

HSL 330, 0.18%, 0.53%

LAB 52.65, 20.92, -5.15

 

CMYK 4 / 85 / 0 / 8

HEX #E023EA

RGB 224 35 234

HSL 296.98, 0.83%, 0.53%

LAB 55.06, 86.81, -57.83

 

CMYK 0 / 85 / 18 / 8

HEX #EA23BF

RGB 234 35 191

HSL 312.96, 0.83%, 0.53%

LAB 54.51, 82.69, -34.07

 

CMYK 0 / 85 / 41 / 8

HEX #EA238A

RGB 234 35 138

HSL 328.94, 0.83%, 0.53%

LAB 52.43, 76.97, -6.01

 

CMYK 0 / 85 / 64 / 8

HEX #EA2355

RGB 234 35 85

HSL 344.92, 0.83%, 0.53%

LAB 51.09, 73.14, 24.19

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 0 / 91 / 45 / 33

HEX #AB0F5E

RGB 171 15 94

HSL 329.62, 0.84%, 0.36%

LAB 37.5, 61.7, -2.26

 

CMYK 0 / 91 / 45 / 18

HEX #D11372

RGB 209 19 114

HSL 330, 0.83%, 0.45%

LAB 45.96, 71.73, -1.51

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 69 / 34 / 7

HEX #EE499C

RGB 238 73 156

HSL 329.82, 0.83%, 0.61%

LAB 57.41, 69.33, -9.18

 

CMYK 0 / 54 / 27 / 5

HEX #F16FB0

RGB 241 111 176

HSL 330, 0.82%, 0.69%

LAB 64.33, 56.85, -10.33

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 27 / 85 / 8

HEX #EAAB23

RGB 234 171 35

HSL 41.01, 0.83%, 0.53%

LAB 74.02, 12.34, 71.31

 

CMYK 85 / 7 / 0 / 8

HEX #23DAEA

RGB 35 218 234

HSL 184.82, 0.83%, 0.53%

LAB 79.86, -36.6, -20.02

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 41 / 0 / 85 / 8

HEX #8AEA23

RGB 138 234 35

HSL 88.94, 0.83%, 0.53%

LAB 84.16, -56.38, 77.08

 

CMYK 85 / 41 / 0 / 8

HEX #238AEA

RGB 35 138 234

HSL 208.94, 0.83%, 0.53%

LAB 56.56, 6.02, -56.32

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 27 / 85 / 8

HEX #EAAB23

RGB 234 171 35

HSL 41.01, 0.83%, 0.53%

LAB 74.02, 12.34, 71.31

 

CMYK 85 / 0 / 44 / 8

HEX #23EA83

RGB 35 234 131

HSL 148.94, 0.83%, 0.53%

LAB 82.29, -68, 37.32

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 0 / 85 / 42 / 8

HEX #EA2387

RGB 234 35 135

HSL 329.85, 0.83%, 0.53%

LAB 52.34, 76.7, -4.35

 

CMYK 0 / 1 / 85 / 8

HEX #EAE723

RGB 234 231 35

HSL 59.1, 0.83%, 0.53%

LAB 89.28, -18.29, 83.78

 

CMYK 85 / 0 / 44 / 8

HEX #23EA83

RGB 35 234 131

HSL 148.94, 0.83%, 0.53%

LAB 82.29, -68, 37.32

 

CMYK 85 / 84 / 0 / 8

HEX #2326EA

RGB 35 38 234

HSL 239.1, 0.83%, 0.53%

LAB 33.32, 64.87, -94.28

 

Description

Color code: HEX #EA2387 | qconv.com Color code: HEX #EA2387 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 35 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 35 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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