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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2394 it is the complementary color #15DC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2394 shade: #EF238F, #FF35A2, #FF47B5, #FF59C8 and #FF6BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2394 shade: #EA2394, #D91181, #C8006E, #B7005B and #A60048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2394 shade: #EA2394, #EA235E, #EA2329 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2394 shade: #EA2394, #EA23CA, #D523EA, #9F23EA and #6A23EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2394 shade matches the following richer shades: #EA2394 and #FE1097

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2394 shade: #EA2394, #D73792, #C34A8F, #B05D8C and #9D718A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2394 shade: #D323EA, #EA23CC, #EA2397, #EA2362 and #EA232D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2394 shade: #AB0F68, #D1137F, #EA2394, #EE49A6 and #F16FB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2394 shade: #EA2394, #EA9E23 and #23E7EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2394 shade: #EA2394, #97EA23 and #2397EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2394 shade: #EA2394, #EA9E23, #23EA76 and #236FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2394 shade: #EA2394, #EADA23, #23EA76 and #2334EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

Complementary color

CMYK 90 / 0 / 51 / 14

HEX #15DC6B

RGB 21 220 107

HSL 145.93, 0.83%, 0.47%

LAB 77.52, -68.24, 42.97

 

CMYK 0 / 85 / 40 / 6

HEX #EF238F

RGB 239 35 143

HSL 328.24, 0.86%, 0.54%

LAB 53.53, 78.57, -7.26

 

CMYK 0 / 79 / 36 / 0

HEX #FF35A2

RGB 255 53 162

HSL 327.62, 1%, 0.6%

LAB 58.43, 80.2, -10.86

 

CMYK 0 / 72 / 29 / 0

HEX #FF47B5

RGB 255 71 181

HSL 324.13, 1%, 0.64%

LAB 60.87, 77.16, -18.18

 

CMYK 0 / 65 / 22 / 0

HEX #FF59C8

RGB 255 89 200

HSL 319.88, 1%, 0.67%

LAB 63.82, 73.22, -24.53

 

CMYK 0 / 58 / 14 / 0

HEX #FF6BDB

RGB 255 107 219

HSL 314.59, 1%, 0.71%

LAB 67.19, 68.61, -30

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 92 / 41 / 15

HEX #D91181

RGB 217 17 129

HSL 326.4, 0.85%, 0.46%

LAB 47.93, 75.08, -7.62

 

CMYK 0 / 100 / 45 / 22

HEX #C8006E

RGB 200 0 110

HSL 327, 1%, 0.39%

LAB 43.37, 71.3, -3.04

 

CMYK 0 / 100 / 50 / 28

HEX #B7005B

RGB 183 0 91

HSL 330.16, 1%, 0.36%

LAB 39.28, 65.98, 2.57

 

CMYK 0 / 100 / 57 / 35

HEX #A60048

RGB 166 0 72

HSL 333.98, 1%, 0.33%

LAB 35.15, 60.65, 8.47

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 85 / 60 / 8

HEX #EA235E

RGB 234 35 94

HSL 342.21, 0.83%, 0.53%

LAB 51.27, 73.65, 18.97

 

CMYK 0 / 85 / 82 / 8

HEX #EA2329

RGB 234 35 41

HSL 358.19, 0.83%, 0.53%

LAB 50.52, 71.44, 48.78

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 85 / 14 / 8

HEX #EA23CA

RGB 234 35 202

HSL 309.65, 0.83%, 0.53%

LAB 55.03, 84.09, -39.59

 

CMYK 9 / 85 / 0 / 8

HEX #D523EA

RGB 213 35 234

HSL 293.67, 0.83%, 0.53%

LAB 53.26, 84.97, -60.82

 

CMYK 32 / 85 / 0 / 8

HEX #9F23EA

RGB 159 35 234

HSL 277.39, 0.83%, 0.53%

LAB 44.96, 76.72, -74.67

 

CMYK 55 / 85 / 0 / 8

HEX #6A23EA

RGB 106 35 234

HSL 261.41, 0.83%, 0.53%

LAB 38.21, 70.49, -86.01

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 94 / 41 / 0

HEX #FE1097

RGB 254 16 151

HSL 325.97, 0.99%, 0.53%

LAB 55.76, 85.07, -8.39

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 74 / 32 / 16

HEX #D73792

RGB 215 55 146

HSL 325.88, 0.67%, 0.53%

LAB 50.98, 68.22, -13.32

 

CMYK 0 / 62 / 27 / 24

HEX #C34A8F

RGB 195 74 143

HSL 325.79, 0.5%, 0.53%

LAB 50.08, 55.29, -13.22

 

CMYK 0 / 47 / 20 / 31

HEX #B05D8C

RGB 176 93 140

HSL 326.02, 0.34%, 0.53%

LAB 50.63, 39.65, -10.88

 

CMYK 0 / 28 / 12 / 38

HEX #9D718A

RGB 157 113 138

HSL 325.91, 0.18%, 0.53%

LAB 52.74, 21.45, -6.78

 

CMYK 10 / 85 / 0 / 8

HEX #D323EA

RGB 211 35 234

HSL 293.07, 0.83%, 0.53%

LAB 52.94, 84.64, -61.35

 

CMYK 0 / 85 / 13 / 8

HEX #EA23CC

RGB 234 35 204

HSL 309.05, 0.83%, 0.53%

LAB 55.13, 84.35, -40.59

 

CMYK 0 / 85 / 35 / 8

HEX #EA2397

RGB 234 35 151

HSL 325.03, 0.83%, 0.53%

LAB 52.87, 78.2, -13.12

 

CMYK 0 / 85 / 58 / 8

HEX #EA2362

RGB 234 35 98

HSL 341.01, 0.83%, 0.53%

LAB 51.35, 73.89, 16.65

 

CMYK 0 / 85 / 81 / 8

HEX #EA232D

RGB 234 35 45

HSL 356.98, 0.83%, 0.53%

LAB 50.55, 71.55, 46.73

 

CMYK 0 / 91 / 39 / 33

HEX #AB0F68

RGB 171 15 104

HSL 325.77, 0.84%, 0.36%

LAB 37.84, 62.64, -8.12

 

CMYK 0 / 91 / 39 / 18

HEX #D1137F

RGB 209 19 127

HSL 325.89, 0.83%, 0.45%

LAB 46.38, 72.89, -8.87

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 69 / 30 / 7

HEX #EE49A6

RGB 238 73 166

HSL 326.18, 0.83%, 0.61%

LAB 57.75, 70.45, -14.51

 

CMYK 0 / 54 / 23 / 5

HEX #F16FB9

RGB 241 111 185

HSL 325.85, 0.82%, 0.69%

LAB 64.62, 58.04, -14.99

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 32 / 85 / 8

HEX #EA9E23

RGB 234 158 35

HSL 37.09, 0.83%, 0.53%

LAB 70.92, 19.23, 68.75

 

CMYK 85 / 1 / 0 / 8

HEX #23E7EA

RGB 35 231 234

HSL 180.9, 0.83%, 0.53%

LAB 83.68, -42.51, -14.27

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 35 / 0 / 85 / 8

HEX #97EA23

RGB 151 234 35

HSL 85.03, 0.83%, 0.53%

LAB 84.76, -52.02, 77.84

 

CMYK 85 / 35 / 0 / 8

HEX #2397EA

RGB 35 151 234

HSL 205.03, 0.83%, 0.53%

LAB 60.28, -1.68, -50.4

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 32 / 85 / 8

HEX #EA9E23

RGB 234 158 35

HSL 37.09, 0.83%, 0.53%

LAB 70.92, 19.23, 68.75

 

CMYK 85 / 0 / 50 / 8

HEX #23EA76

RGB 35 234 118

HSL 145.03, 0.83%, 0.53%

LAB 82.12, -70.12, 43.42

 

CMYK 85 / 53 / 0 / 8

HEX #236FEA

RGB 35 111 234

HSL 217.09, 0.83%, 0.53%

LAB 49.09, 22.81, -68.35

 

CMYK 0 / 85 / 37 / 8

HEX #EA2394

RGB 234 35 148

HSL 325.93, 0.83%, 0.53%

LAB 52.77, 77.91, -11.49

 

CMYK 0 / 7 / 85 / 8

HEX #EADA23

RGB 234 218 35

HSL 55.18, 0.83%, 0.53%

LAB 85.88, -11.9, 81.01

 

CMYK 85 / 0 / 50 / 8

HEX #23EA76

RGB 35 234 118

HSL 145.03, 0.83%, 0.53%

LAB 82.12, -70.12, 43.42

 

CMYK 85 / 78 / 0 / 8

HEX #2334EA

RGB 35 52 234

HSL 234.87, 0.83%, 0.53%

LAB 35.51, 58.44, -90.64

 

Description

Color code: HEX #EA2394 | qconv.com Color code: HEX #EA2394 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 35 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 35 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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