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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA3788 it is the complementary color #15C877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA3788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA3788 shade: #EF3783, #FF4996, #FF5BA9, #FF6DBC and #FF7FCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA3788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA3788 shade: #EA3788, #D92575, #C81362, #B7014F and #A6003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA3788 shade: #EA3888, #EA3859 and #EA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA3788 shade: #EA3888, #EA38B8, #EA38E8, #BB38EA and #8B38EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA3788 shade matches the following richer shades: #EA3888 and #FB2687

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA3788 shade: #EA3888, #D84A8A, #C65C8C, #B46D8D and #A37F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA3788 shade: #EA38EA, #EA38BA, #EA388B, #EA385C and #EA4438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA3788 shade: #BC1360, #E11773, #EA3888, #EE5D9F and #F283B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA3788 shade: #EA3788, #EABA38 and #38D2EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA3788 shade: #EA3788, #8BEA38 and #388BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA3788 shade: #EA3788, #EABA38, #38EA97 and #3867EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA3788 shade: #EA3788, #E4EA38, #38EA97 and #3E38EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

Complementary color

CMYK 90 / 0 / 41 / 22

HEX #15C877

RGB 21 200 119

HSL 152.85, 0.81%, 0.43%

LAB 71.42, -59.49, 29.19

 

CMYK 0 / 77 / 45 / 6

HEX #EF3783

RGB 239 55 131

HSL 335.22, 0.85%, 0.58%

LAB 54.78, 72.87, 1.74

 

CMYK 0 / 71 / 41 / 0

HEX #FF4996

RGB 255 73 150

HSL 334.62, 1%, 0.64%

LAB 60.09, 73.28, -1.38

 

CMYK 0 / 64 / 34 / 0

HEX #FF5BA9

RGB 255 91 169

HSL 331.46, 1%, 0.68%

LAB 63.02, 68.72, -8.06

 

CMYK 0 / 57 / 26 / 0

HEX #FF6DBC

RGB 255 109 188

HSL 327.53, 1%, 0.71%

LAB 66.39, 63.51, -13.83

 

CMYK 0 / 50 / 19 / 0

HEX #FF7FCF

RGB 255 127 207

HSL 322.5, 1%, 0.75%

LAB 70.14, 57.86, -18.82

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 0 / 83 / 46 / 15

HEX #D92575

RGB 217 37 117

HSL 333.33, 0.71%, 0.5%

LAB 48.71, 70.67, 0.86

 

CMYK 0 / 91 / 51 / 22

HEX #C81362

RGB 200 19 98

HSL 333.81, 0.83%, 0.43%

LAB 43.69, 68.34, 4.94

 

CMYK 0 / 99 / 57 / 28

HEX #B7014F

RGB 183 1 79

HSL 334.29, 0.99%, 0.36%

LAB 38.99, 65.01, 9.84

 

CMYK 0 / 100 / 64 / 35

HEX #A6003C

RGB 166 0 60

HSL 338.31, 1%, 0.33%

LAB 34.87, 59.89, 15.94

 

CMYK 0 / 76 / 42 / 8

HEX #EA3888

RGB 234 56 136

HSL 333.03, 0.81%, 0.57%

LAB 54.13, 71.75, -2.3

 

CMYK 0 / 76 / 62 / 8

HEX #EA3859

RGB 234 56 89

HSL 348.88, 0.81%, 0.57%

LAB 53, 68.18, 24.27

 

CMYK 0 / 76 / 76 / 8

HEX #EA3838

RGB 234 56 56

HSL 0, 0.81%, 0.57%

LAB 52.52, 66.64, 42.8

 

CMYK 0 / 76 / 42 / 8

HEX #EA3888

RGB 234 56 136

HSL 333.03, 0.81%, 0.57%

LAB 54.13, 71.75, -2.3

 

CMYK 0 / 76 / 21 / 8

HEX #EA38B8

RGB 234 56 184

HSL 316.85, 0.81%, 0.57%

LAB 55.87, 77.01, -27.9

 

CMYK 0 / 76 / 1 / 8

HEX #EA38E8

RGB 234 56 232

HSL 300.67, 0.81%, 0.57%

LAB 58.18, 83.66, -51.64

 

CMYK 20 / 76 / 0 / 8

HEX #BB38EA

RGB 187 56 234

HSL 284.16, 0.81%, 0.57%

LAB 51.08, 75.17, -64.55

 

CMYK 41 / 76 / 0 / 8

HEX #8B38EA

RGB 139 56 234

HSL 267.98, 0.81%, 0.57%

LAB 44.6, 67.12, -75.36

 

CMYK 0 / 76 / 42 / 8

HEX #EA3888

RGB 234 56 136

HSL 333.03, 0.81%, 0.57%

LAB 54.13, 71.75, -2.3

 

CMYK 0 / 85 / 46 / 2

HEX #FB2687

RGB 251 38 135

HSL 332.68, 0.96%, 0.57%

LAB 55.73, 80.08, 1.01

 

CMYK 0 / 76 / 42 / 8

HEX #EA3888

RGB 234 56 136

HSL 333.03, 0.81%, 0.57%

LAB 54.13, 71.75, -2.3

 

CMYK 0 / 66 / 36 / 15

HEX #D84A8A

RGB 216 74 138

HSL 332.96, 0.65%, 0.57%

LAB 53.31, 60.84, -5.05

 

CMYK 0 / 54 / 29 / 22

HEX #C65C8C

RGB 198 92 140

HSL 332.83, 0.48%, 0.57%

LAB 53.55, 47.5, -6.19

 

CMYK 0 / 39 / 22 / 29

HEX #B46D8D

RGB 180 109 141

HSL 332.96, 0.32%, 0.57%

LAB 54.62, 32.59, -5.46

 

CMYK 0 / 22 / 12 / 36

HEX #A37F8F

RGB 163 127 143

HSL 333.33, 0.16%, 0.57%

LAB 57.03, 16.54, -3.28

 

CMYK 0 / 76 / 0 / 8

HEX #EA38EA

RGB 234 56 234

HSL 300, 0.81%, 0.57%

LAB 58.28, 83.97, -52.59

 

CMYK 0 / 76 / 21 / 8

HEX #EA38BA

RGB 234 56 186

HSL 316.18, 0.81%, 0.57%

LAB 55.95, 77.26, -28.93

 

CMYK 0 / 76 / 41 / 8

HEX #EA388B

RGB 234 56 139

HSL 332.02, 0.81%, 0.57%

LAB 54.22, 72.03, -3.95

 

CMYK 0 / 76 / 61 / 8

HEX #EA385C

RGB 234 56 92

HSL 347.87, 0.81%, 0.57%

LAB 53.05, 68.36, 22.55

 

CMYK 0 / 71 / 76 / 8

HEX #EA4438

RGB 234 68 56

HSL 4.04, 0.81%, 0.57%

LAB 53.93, 62.7, 44.32

 

CMYK 0 / 90 / 49 / 26

HEX #BC1360

RGB 188 19 96

HSL 332.66, 0.82%, 0.41%

LAB 41.22, 65.32, 2.32

 

CMYK 0 / 90 / 49 / 12

HEX #E11773

RGB 225 23 115

HSL 332.67, 0.81%, 0.49%

LAB 49.32, 74.94, 3.17

 

CMYK 0 / 76 / 42 / 8

HEX #EA3888

RGB 234 56 136

HSL 333.03, 0.81%, 0.57%

LAB 54.13, 71.75, -2.3

 

CMYK 0 / 61 / 33 / 7

HEX #EE5D9F

RGB 238 93 159

HSL 332.69, 0.81%, 0.65%

LAB 60.35, 61.86, -6.55

 

CMYK 0 / 46 / 25 / 5

HEX #F283B5

RGB 242 131 181

HSL 332.97, 0.81%, 0.73%

LAB 68.35, 48.17, -7.15

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 0 / 21 / 76 / 8

HEX #EABA38

RGB 234 186 56

HSL 43.82, 0.81%, 0.57%

LAB 77.81, 5.11, 68.04

 

CMYK 76 / 10 / 0 / 8

HEX #38D2EA

RGB 56 210 234

HSL 188.09, 0.81%, 0.57%

LAB 77.8, -31.1, -23.12

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 41 / 0 / 76 / 8

HEX #8BEA38

RGB 139 234 56

HSL 92.02, 0.81%, 0.57%

LAB 84.29, -55.15, 71.81

 

CMYK 76 / 41 / 0 / 8

HEX #388BEA

RGB 56 139 234

HSL 212.02, 0.81%, 0.57%

LAB 57.31, 7.37, -55.08

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 0 / 21 / 76 / 8

HEX #EABA38

RGB 234 186 56

HSL 43.82, 0.81%, 0.57%

LAB 77.81, 5.11, 68.04

 

CMYK 76 / 0 / 35 / 8

HEX #38EA97

RGB 56 234 151

HSL 152.02, 0.81%, 0.57%

LAB 82.87, -62.28, 28.07

 

CMYK 76 / 56 / 0 / 8

HEX #3867EA

RGB 56 103 234

HSL 224.16, 0.81%, 0.57%

LAB 47.6, 29.72, -70.74

 

CMYK 0 / 76 / 42 / 8

HEX #EA3788

RGB 234 55 136

HSL 332.85, 0.81%, 0.57%

LAB 54.03, 72.04, -2.45

 

CMYK 3 / 0 / 76 / 8

HEX #E4EA38

RGB 228 234 56

HSL 62.02, 0.81%, 0.57%

LAB 89.69, -21.6, 78.78

 

CMYK 76 / 0 / 35 / 8

HEX #38EA97

RGB 56 234 151

HSL 152.02, 0.81%, 0.57%

LAB 82.87, -62.28, 28.07

 

CMYK 74 / 76 / 0 / 8

HEX #3E38EA

RGB 62 56 234

HSL 242.02, 0.81%, 0.57%

LAB 37.47, 58, -87.35

 

Description

Color code: HEX #EA3788 | qconv.com Color code: HEX #EA3788 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 55 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 55 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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