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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA3298 it is the complementary color #15CD67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA3298. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA3298 shade: #EF3293, #FF44A6, #FF56B9, #FF68CC and #FF7ADF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA3298. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA3298 shade: #EA3298, #D92085, #C80E72, #B7005F and #A6004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA3298 shade: #E93398, #E93367, #E93336 and #E93333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA3298 shade: #E93398, #E933C9, #D833E9, #A733E9 and #7633E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA3298 shade matches the following richer shades: #E93398 and #FB219A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA3298 shade: #E93398, #D74696, #C55894, #B36A92 and #A17C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA3298 shade: #D733E9, #E933CB, #E9339A, #E9336A and #E93339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA3298 shade: #B7136E, #DD1784, #E93398, #ED59AB and #F17EBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA3298 shade: #EA3298, #E9A733 and #33E3E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA3298 shade: #EA3298, #9AE933 and #339AE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA3298 shade: #EA3298, #E9A733, #33E982 and #3376E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA3298 shade: #EA3298, #E9DD33, #33E982 and #3340E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

Complementary color

CMYK 90 / 0 / 50 / 20

HEX #15CD67

RGB 21 205 103

HSL 146.74, 0.81%, 0.44%

LAB 72.76, -64, 39

 

CMYK 0 / 79 / 38 / 6

HEX #EF3293

RGB 239 50 147

HSL 329.21, 0.86%, 0.57%

LAB 54.8, 75.67, -7.75

 

CMYK 0 / 73 / 35 / 0

HEX #FF44A6

RGB 255 68 166

HSL 328.56, 1%, 0.63%

LAB 60.02, 76.46, -10.8

 

CMYK 0 / 66 / 27 / 0

HEX #FF56B9

RGB 255 86 185

HSL 324.85, 1%, 0.67%

LAB 62.86, 72.47, -17.46

 

CMYK 0 / 59 / 20 / 0

HEX #FF68CC

RGB 255 104 204

HSL 320.26, 1%, 0.7%

LAB 66.15, 67.76, -23.21

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADF

RGB 255 122 223

HSL 314.44, 1%, 0.74%

LAB 69.83, 62.55, -28.17

 

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

CMYK 0 / 85 / 39 / 15

HEX #D92085

RGB 217 32 133

HSL 327.24, 0.74%, 0.49%

LAB 48.86, 73.16, -8.66

 

CMYK 0 / 93 / 43 / 22

HEX #C80E72

RGB 200 14 114

HSL 327.74, 0.87%, 0.42%

LAB 43.96, 70.31, -4.66

 

CMYK 0 / 100 / 48 / 28

HEX #B7005F

RGB 183 0 95

HSL 328.85, 1%, 0.36%

LAB 39.4, 66.3, 0.19

 

CMYK 0 / 100 / 54 / 35

HEX #A6004C

RGB 166 0 76

HSL 332.53, 1%, 0.33%

LAB 35.26, 60.93, 6.01

 

CMYK 0 / 78 / 35 / 9

HEX #E93398

RGB 233 51 152

HSL 326.7, 0.81%, 0.56%

LAB 53.98, 74.46, -12.05

 

CMYK 0 / 78 / 56 / 9

HEX #E93367

RGB 233 51 103

HSL 342.86, 0.81%, 0.56%

LAB 52.59, 70.22, 15.28

 

CMYK 0 / 78 / 77 / 9

HEX #E93336

RGB 233 51 54

HSL 359.01, 0.81%, 0.56%

LAB 51.79, 67.73, 43.06

 

CMYK 0 / 78 / 78 / 9

HEX #E93333

RGB 233 51 51

HSL 0, 0.81%, 0.56%

LAB 51.76, 67.63, 44.67

 

CMYK 0 / 78 / 35 / 9

HEX #E93398

RGB 233 51 152

HSL 326.7, 0.81%, 0.56%

LAB 53.98, 74.46, -12.05

 

CMYK 0 / 78 / 14 / 9

HEX #E933C9

RGB 233 51 201

HSL 310.55, 0.81%, 0.56%

LAB 56, 80.32, -37.51

 

CMYK 7 / 78 / 0 / 9

HEX #D833E9

RGB 216 51 233

HSL 294.4, 0.81%, 0.56%

LAB 54.92, 81.73, -57.57

 

CMYK 28 / 78 / 0 / 9

HEX #A733E9

RGB 167 51 233

HSL 278.24, 0.81%, 0.56%

LAB 47.58, 73.16, -69.78

 

CMYK 49 / 78 / 0 / 9

HEX #7633E9

RGB 118 51 233

HSL 262.09, 0.81%, 0.56%

LAB 41.38, 65.89, -80.18

 

CMYK 0 / 78 / 35 / 9

HEX #E93398

RGB 233 51 152

HSL 326.7, 0.81%, 0.56%

LAB 53.98, 74.46, -12.05

 

CMYK 0 / 87 / 39 / 2

HEX #FB219A

RGB 251 33 154

HSL 326.7, 0.96%, 0.56%

LAB 56.02, 82.6, -9.85

 

CMYK 0 / 78 / 35 / 9

HEX #E93398

RGB 233 51 152

HSL 326.7, 0.81%, 0.56%

LAB 53.98, 74.46, -12.05

 

CMYK 0 / 67 / 30 / 16

HEX #D74696

RGB 215 70 150

HSL 326.9, 0.64%, 0.56%

LAB 52.98, 63.49, -12.68

 

CMYK 0 / 55 / 25 / 23

HEX #C55894

RGB 197 88 148

HSL 326.97, 0.48%, 0.56%

LAB 52.94, 50.19, -11.85

 

CMYK 0 / 41 / 18 / 30

HEX #B36A92

RGB 179 106 146

HSL 327.12, 0.32%, 0.56%

LAB 53.99, 34.66, -9.33

 

CMYK 0 / 23 / 11 / 37

HEX #A17C90

RGB 161 124 144

HSL 327.57, 0.16%, 0.56%

LAB 56.09, 17.69, -5.26

 

CMYK 8 / 78 / 0 / 9

HEX #D733E9

RGB 215 51 233

HSL 294.07, 0.81%, 0.56%

LAB 54.76, 81.54, -57.84

 

CMYK 0 / 78 / 13 / 9

HEX #E933CB

RGB 233 51 203

HSL 309.89, 0.81%, 0.56%

LAB 56.09, 80.59, -38.51

 

CMYK 0 / 78 / 34 / 9

HEX #E9339A

RGB 233 51 154

HSL 326.04, 0.81%, 0.56%

LAB 54.05, 74.67, -13.13

 

CMYK 0 / 78 / 55 / 9

HEX #E9336A

RGB 233 51 106

HSL 341.87, 0.81%, 0.56%

LAB 52.65, 70.43, 13.57

 

CMYK 0 / 78 / 76 / 9

HEX #E93339

RGB 233 51 57

HSL 358.02, 0.81%, 0.56%

LAB 51.82, 67.83, 41.44

 

CMYK 0 / 90 / 40 / 28

HEX #B7136E

RGB 183 19 110

HSL 326.71, 0.81%, 0.4%

LAB 40.67, 65.39, -7.42

 

CMYK 0 / 90 / 40 / 13

HEX #DD1784

RGB 221 23 132

HSL 326.97, 0.81%, 0.48%

LAB 49.07, 75.47, -7.66

 

CMYK 0 / 78 / 35 / 9

HEX #E93398

RGB 233 51 152

HSL 326.7, 0.81%, 0.56%

LAB 53.98, 74.46, -12.05

 

CMYK 0 / 62 / 28 / 7

HEX #ED59AB

RGB 237 89 171

HSL 326.76, 0.8%, 0.64%

LAB 59.97, 64.68, -14.07

 

CMYK 0 / 48 / 21 / 5

HEX #F17EBE

RGB 241 126 190

HSL 326.61, 0.8%, 0.72%

LAB 67.53, 51.57, -13.43

 

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

CMYK 0 / 28 / 78 / 9

HEX #E9A733

RGB 233 167 51

HSL 38.24, 0.81%, 0.56%

LAB 73.02, 14.51, 65.33

 

CMYK 78 / 3 / 0 / 9

HEX #33E3E9

RGB 51 227 233

HSL 181.98, 0.81%, 0.56%

LAB 82.66, -39.82, -15.25

 

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

CMYK 34 / 0 / 78 / 9

HEX #9AE933

RGB 154 233 51

HSL 86.04, 0.81%, 0.56%

LAB 84.68, -49.95, 73.9

 

CMYK 78 / 34 / 0 / 9

HEX #339AE9

RGB 51 154 233

HSL 206.04, 0.81%, 0.56%

LAB 61.39, -2.37, -48.06

 

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

CMYK 0 / 28 / 78 / 9

HEX #E9A733

RGB 233 167 51

HSL 38.24, 0.81%, 0.56%

LAB 73.02, 14.51, 65.33

 

CMYK 78 / 0 / 44 / 9

HEX #33E982

RGB 51 233 130

HSL 146.04, 0.81%, 0.56%

LAB 82.16, -66.32, 37.68

 

CMYK 78 / 49 / 0 / 9

HEX #3376E9

RGB 51 118 233

HSL 217.91, 0.81%, 0.56%

LAB 51.32, 19.38, -64.16

 

CMYK 0 / 79 / 35 / 8

HEX #EA3298

RGB 234 50 152

HSL 326.74, 0.81%, 0.56%

LAB 54.07, 74.96, -11.9

 

CMYK 0 / 5 / 78 / 9

HEX #E9DD33

RGB 233 221 51

HSL 56.04, 0.81%, 0.56%

LAB 86.64, -13.36, 77.64

 

CMYK 78 / 0 / 44 / 9

HEX #33E982

RGB 51 233 130

HSL 146.04, 0.81%, 0.56%

LAB 82.16, -66.32, 37.68

 

CMYK 78 / 73 / 0 / 9

HEX #3340E9

RGB 51 64 233

HSL 235.71, 0.81%, 0.56%

LAB 38.29, 52.61, -85.44

 

Description

Color code: HEX #EA3298 | qconv.com Color code: HEX #EA3298 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 50 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 50 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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