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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA33B6 it is the complementary color #15CC49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA33B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA33B6 shade: #EF33B1, #FF45C4, #FF57D7, #FF69EA and #FF7BFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA33B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA33B6 shade: #EA33B6, #D921A3, #C80F90, #B7007D and #A6006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA33B6 shade: #E933B6, #E93385, #E93353 and #E93333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA33B6 shade: #E933B6, #E933E7, #BB33E9, #8A33E9 and #5933E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA33B6 shade matches the following richer shades: #E933B6 and #FB21BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA33B6 shade: #E933B6, #D746AE, #C558A6, #B36A9E and #A17C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA33B6 shade: #BC33E9, #E933E6, #E933B6, #E93385 and #E93355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA33B6 shade: #B71389, #DD17A4, #E933B6, #ED59C3 and #F17ED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA33B6 shade: #EA33B6, #E98B33 and #33E9D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA33B6 shade: #EA33B6, #B6E933 and #33B6E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA33B6 shade: #EA33B6, #E98B33, #33E967 and #3391E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA33B6 shade: #EA33B6, #E9C233, #33E967 and #335BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

Complementary color

CMYK 90 / 0 / 64 / 20

HEX #15CC49

RGB 21 204 73

HSL 137.05, 0.81%, 0.44%

LAB 72.11, -67.74, 52.08

 

CMYK 0 / 79 / 26 / 6

HEX #EF33B1

RGB 239 51 177

HSL 319.79, 0.85%, 0.57%

LAB 55.98, 78.62, -23.59

 

CMYK 0 / 73 / 23 / 0

HEX #FF45C4

RGB 255 69 196

HSL 319.03, 1%, 0.64%

LAB 61.22, 79.55, -26.24

 

CMYK 0 / 66 / 16 / 0

HEX #FF57D7

RGB 255 87 215

HSL 314.29, 1%, 0.67%

LAB 64.15, 75.97, -32.48

 

CMYK 0 / 59 / 8 / 0

HEX #FF69EA

RGB 255 105 234

HSL 308.4, 1%, 0.71%

LAB 67.5, 71.69, -37.86

 

CMYK 0 / 52 / 1 / 0

HEX #FF7BFD

RGB 255 123 253

HSL 300.91, 1%, 0.74%

LAB 71.23, 66.91, -42.48

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

CMYK 0 / 85 / 25 / 15

HEX #D921A3

RGB 217 33 163

HSL 317.61, 0.74%, 0.49%

LAB 50.08, 76.17, -24.79

 

CMYK 0 / 93 / 28 / 22

HEX #C80F90

RGB 200 15 144

HSL 318.16, 0.86%, 0.42%

LAB 45.13, 73.21, -21.3

 

CMYK 0 / 100 / 32 / 28

HEX #B7007D

RGB 183 0 125

HSL 319.02, 1%, 0.36%

LAB 40.49, 69.13, -17.06

 

CMYK 0 / 100 / 36 / 35

HEX #A6006A

RGB 166 0 106

HSL 321.69, 1%, 0.33%

LAB 36.27, 63.57, -11.87

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 78 / 43 / 9

HEX #E93385

RGB 233 51 133

HSL 332.97, 0.81%, 0.56%

LAB 53.37, 72.61, -1.65

 

CMYK 0 / 78 / 64 / 9

HEX #E93353

RGB 233 51 83

HSL 349.45, 0.81%, 0.56%

LAB 52.19, 69, 26.77

 

CMYK 0 / 78 / 78 / 9

HEX #E93333

RGB 233 51 51

HSL 0, 0.81%, 0.56%

LAB 51.76, 67.63, 44.67

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 78 / 1 / 9

HEX #E933E7

RGB 233 51 231

HSL 300.66, 0.81%, 0.56%

LAB 57.52, 84.59, -52.13

 

CMYK 20 / 78 / 0 / 9

HEX #BB33E9

RGB 187 51 233

HSL 284.84, 0.81%, 0.56%

LAB 50.47, 76.54, -64.96

 

CMYK 41 / 78 / 0 / 9

HEX #8A33E9

RGB 138 51 233

HSL 268.68, 0.81%, 0.56%

LAB 43.73, 68.65, -76.22

 

CMYK 62 / 78 / 0 / 9

HEX #5933E9

RGB 89 51 233

HSL 252.53, 0.81%, 0.56%

LAB 38.51, 62.51, -85.01

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 87 / 25 / 2

HEX #FB21BD

RGB 251 33 189

HSL 317.06, 0.96%, 0.56%

LAB 57.34, 86.2, -28.28

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 67 / 19 / 16

HEX #D746AE

RGB 215 70 174

HSL 316.97, 0.64%, 0.56%

LAB 53.9, 66.57, -25.38

 

CMYK 0 / 55 / 16 / 23

HEX #C558A6

RGB 197 88 166

HSL 317.06, 0.48%, 0.56%

LAB 53.6, 52.82, -21.4

 

CMYK 0 / 41 / 12 / 30

HEX #B36A9E

RGB 179 106 158

HSL 317.26, 0.32%, 0.56%

LAB 54.41, 36.63, -15.73

 

CMYK 0 / 23 / 7 / 37

HEX #A17C96

RGB 161 124 150

HSL 317.84, 0.16%, 0.56%

LAB 56.28, 18.78, -8.46

 

CMYK 19 / 78 / 0 / 9

HEX #BC33E9

RGB 188 51 233

HSL 285.16, 0.81%, 0.56%

LAB 50.62, 76.71, -64.71

 

CMYK 0 / 78 / 1 / 9

HEX #E933E6

RGB 233 51 230

HSL 300.99, 0.81%, 0.56%

LAB 57.47, 84.44, -51.66

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 78 / 43 / 9

HEX #E93385

RGB 233 51 133

HSL 332.97, 0.81%, 0.56%

LAB 53.37, 72.61, -1.65

 

CMYK 0 / 78 / 64 / 9

HEX #E93355

RGB 233 51 85

HSL 348.79, 0.81%, 0.56%

LAB 52.23, 69.11, 25.62

 

CMYK 0 / 90 / 25 / 28

HEX #B71389

RGB 183 19 137

HSL 316.83, 0.81%, 0.4%

LAB 41.75, 68.32, -22.52

 

CMYK 0 / 90 / 26 / 13

HEX #DD17A4

RGB 221 23 164

HSL 317.27, 0.81%, 0.48%

LAB 50.29, 78.76, -24.99

 

CMYK 0 / 78 / 22 / 9

HEX #E933B6

RGB 233 51 182

HSL 316.81, 0.81%, 0.56%

LAB 55.14, 77.87, -27.88

 

CMYK 0 / 62 / 18 / 7

HEX #ED59C3

RGB 237 89 195

HSL 317.03, 0.8%, 0.64%

LAB 60.86, 67.84, -26.47

 

CMYK 0 / 48 / 14 / 5

HEX #F17ED0

RGB 241 126 208

HSL 317.22, 0.8%, 0.72%

LAB 68.15, 54.25, -22.57

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

CMYK 0 / 40 / 78 / 9

HEX #E98B33

RGB 233 139 51

HSL 29.01, 0.81%, 0.56%

LAB 66.54, 29.34, 59.26

 

CMYK 78 / 0 / 9 / 9

HEX #33E9D4

RGB 51 233 212

HSL 173.08, 0.81%, 0.56%

LAB 83.83, -48.29, -2.41

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

CMYK 22 / 0 / 78 / 9

HEX #B6E933

RGB 182 233 51

HSL 76.81, 0.81%, 0.56%

LAB 86.24, -39.68, 75.9

 

CMYK 78 / 22 / 0 / 9

HEX #33B6E9

RGB 51 182 233

HSL 196.81, 0.81%, 0.56%

LAB 69.5, -17.82, -35.35

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

CMYK 0 / 40 / 78 / 9

HEX #E98B33

RGB 233 139 51

HSL 29.01, 0.81%, 0.56%

LAB 66.54, 29.34, 59.26

 

CMYK 78 / 0 / 56 / 9

HEX #33E967

RGB 51 233 103

HSL 137.14, 0.81%, 0.56%

LAB 81.82, -70.37, 50.11

 

CMYK 78 / 38 / 0 / 9

HEX #3391E9

RGB 51 145 233

HSL 209.01, 0.81%, 0.56%

LAB 58.82, 2.88, -52.13

 

CMYK 0 / 78 / 22 / 8

HEX #EA33B6

RGB 234 51 182

HSL 317.05, 0.81%, 0.56%

LAB 55.32, 78.1, -27.59

 

CMYK 0 / 17 / 78 / 9

HEX #E9C233

RGB 233 194 51

HSL 47.14, 0.81%, 0.56%

LAB 79.7, 0.33, 71.43

 

CMYK 78 / 0 / 56 / 9

HEX #33E967

RGB 51 233 103

HSL 137.14, 0.81%, 0.56%

LAB 81.82, -70.37, 50.11

 

CMYK 78 / 61 / 0 / 9

HEX #335BE9

RGB 51 91 233

HSL 226.81, 0.81%, 0.56%

LAB 44.33, 36.42, -75.51

 

Description

Color code: HEX #EA33B6 | qconv.com Color code: HEX #EA33B6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 51 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 51 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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