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Color name
HEX #EA4367

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA4367 it is the complementary color #15BC98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA4367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA4367 shade: #EF4362, #FF5575, #FF6788, #FF799B and #FF8BAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA4367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA4367 shade: #EA4367, #D93154, #C81F41, #B70D2E and #A6001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA4367 shade: #EA4266 and #EA4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA4367 shade: #EA4266, #EA4293, #EA42C1, #E542EA and #B842EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA4367 shade matches the following richer shades: #EA4266 and #FB315D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA4367 shade: #EA4266, #D95370, #C8647A, #B77583 and #A6868D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA4367 shade: #EA42C0, #EA4293, #EA4267, #EA4B42 and #EA7742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA4367 shade: #C4153B, #E51D48, #EA4266, #EE6784 and #F28DA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA4367 shade: #EA4367, #EAE742 and #42A9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA4367 shade: #EA4367, #67EA42 and #4267EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA4367 shade: #EA4367, #EAE742, #42EAC5 and #4245EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA4367 shade: #EA4367, #BAEA42, #42EAC5 and #7242EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

Complementary color

CMYK 89 / 0 / 19 / 26

HEX #15BC98

RGB 21 188 152

HSL 167.07, 0.8%, 0.41%

LAB 68.31, -47.55, 7.25

 

CMYK 0 / 72 / 59 / 6

HEX #EF4362

RGB 239 67 98

HSL 349.19, 0.84%, 0.6%

LAB 55.33, 66.66, 22.16

 

CMYK 0 / 67 / 54 / 0

HEX #FF5575

RGB 255 85 117

HSL 348.71, 1%, 0.67%

LAB 60.82, 66.23, 18.91

 

CMYK 0 / 60 / 47 / 0

HEX #FF6788

RGB 255 103 136

HSL 346.97, 1%, 0.7%

LAB 63.95, 60.46, 12.27

 

CMYK 0 / 53 / 39 / 0

HEX #FF799B

RGB 255 121 155

HSL 344.78, 1%, 0.74%

LAB 67.5, 54.18, 6.49

 

CMYK 0 / 45 / 32 / 0

HEX #FF8BAE

RGB 255 139 174

HSL 341.9, 1%, 0.77%

LAB 71.41, 47.62, 1.46

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 0 / 77 / 61 / 15

HEX #D93154

RGB 217 49 84

HSL 347.5, 0.69%, 0.52%

LAB 48.99, 65.19, 21.43

 

CMYK 0 / 85 / 68 / 22

HEX #C81F41

RGB 200 31 65

HSL 347.93, 0.73%, 0.45%

LAB 43.71, 64.09, 25.59

 

CMYK 0 / 93 / 75 / 28

HEX #B70D2E

RGB 183 13 46

HSL 348.35, 0.87%, 0.38%

LAB 38.82, 61.94, 30.57

 

CMYK 0 / 100 / 84 / 35

HEX #A6001B

RGB 166 0 27

HSL 350.24, 1%, 0.33%

LAB 34.37, 58.54, 36.1

 

CMYK 0 / 72 / 56 / 8

HEX #EA4266

RGB 234 66 102

HSL 347.14, 0.8%, 0.59%

LAB 54.39, 65.81, 18.38

 

CMYK 0 / 72 / 72 / 8

HEX #EA4242

RGB 234 66 66

HSL 0, 0.8%, 0.59%

LAB 53.8, 63.79, 38.66

 

CMYK 0 / 72 / 56 / 8

HEX #EA4266

RGB 234 66 102

HSL 347.14, 0.8%, 0.59%

LAB 54.39, 65.81, 18.38

 

CMYK 0 / 72 / 37 / 8

HEX #EA4293

RGB 234 66 147

HSL 331.07, 0.8%, 0.59%

LAB 55.58, 69.71, -6.69

 

CMYK 0 / 72 / 18 / 8

HEX #EA42C1

RGB 234 66 193

HSL 314.64, 0.8%, 0.59%

LAB 57.31, 75.17, -30.86

 

CMYK 2 / 72 / 0 / 8

HEX #E542EA

RGB 229 66 234

HSL 298.21, 0.8%, 0.59%

LAB 58.5, 80.09, -52.29

 

CMYK 21 / 72 / 0 / 8

HEX #B842EA

RGB 184 66 234

HSL 282.14, 0.8%, 0.59%

LAB 51.87, 71.12, -63.29

 

CMYK 0 / 72 / 56 / 8

HEX #EA4266

RGB 234 66 102

HSL 347.14, 0.8%, 0.59%

LAB 54.39, 65.81, 18.38

 

CMYK 0 / 80 / 63 / 2

HEX #FB315D

RGB 251 49 93

HSL 346.93, 0.96%, 0.59%

LAB 55.58, 74.88, 25.87

 

CMYK 0 / 72 / 56 / 8

HEX #EA4266

RGB 234 66 102

HSL 347.14, 0.8%, 0.59%

LAB 54.39, 65.81, 18.38

 

CMYK 0 / 62 / 48 / 15

HEX #D95370

RGB 217 83 112

HSL 347.01, 0.64%, 0.59%

LAB 54.14, 54.79, 11.63

 

CMYK 0 / 50 / 39 / 22

HEX #C8647A

RGB 200 100 122

HSL 346.8, 0.48%, 0.59%

LAB 54.86, 41.98, 6.38

 

CMYK 0 / 36 / 28 / 28

HEX #B77583

RGB 183 117 131

HSL 347.27, 0.31%, 0.59%

LAB 56.51, 27.82, 3.2

 

CMYK 0 / 19 / 15 / 35

HEX #A6868D

RGB 166 134 141

HSL 346.88, 0.15%, 0.59%

LAB 59.05, 13.35, 0.87

 

CMYK 0 / 72 / 18 / 8

HEX #EA42C0

RGB 234 66 192

HSL 315, 0.8%, 0.59%

LAB 57.26, 75.04, -30.35

 

CMYK 0 / 72 / 37 / 8

HEX #EA4293

RGB 234 66 147

HSL 331.07, 0.8%, 0.59%

LAB 55.58, 69.71, -6.69

 

CMYK 0 / 72 / 56 / 8

HEX #EA4267

RGB 234 66 103

HSL 346.79, 0.8%, 0.59%

LAB 54.42, 65.88, 17.82

 

CMYK 0 / 68 / 72 / 8

HEX #EA4B42

RGB 234 75 66

HSL 3.21, 0.8%, 0.59%

LAB 54.99, 60.51, 40.03

 

CMYK 0 / 49 / 72 / 8

HEX #EA7742

RGB 234 119 66

HSL 18.93, 0.8%, 0.59%

LAB 62.57, 40.67, 48.46

 

CMYK 0 / 89 / 70 / 23

HEX #C4153B

RGB 196 21 59

HSL 346.97, 0.81%, 0.43%

LAB 42.14, 64.66, 27.16

 

CMYK 0 / 87 / 69 / 10

HEX #E51D48

RGB 229 29 72

HSL 347.1, 0.79%, 0.51%

LAB 49.5, 72.33, 29.81

 

CMYK 0 / 72 / 56 / 8

HEX #EA4266

RGB 234 66 102

HSL 347.14, 0.8%, 0.59%

LAB 54.39, 65.81, 18.38

 

CMYK 0 / 57 / 45 / 7

HEX #EE6784

RGB 238 103 132

HSL 347.11, 0.8%, 0.67%

LAB 61.26, 54.58, 10.41

 

CMYK 0 / 42 / 33 / 5

HEX #F28DA2

RGB 242 141 162

HSL 347.52, 0.8%, 0.75%

LAB 69.85, 40.63, 5.7

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 0 / 1 / 72 / 8

HEX #EAE742

RGB 234 231 66

HSL 58.93, 0.8%, 0.59%

LAB 89.41, -17.28, 75.57

 

CMYK 72 / 28 / 0 / 8

HEX #42A9EA

RGB 66 169 234

HSL 203.21, 0.8%, 0.59%

LAB 66.12, -8.72, -41.15

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 56 / 0 / 72 / 8

HEX #67EA42

RGB 103 234 66

HSL 106.79, 0.8%, 0.59%

LAB 82.98, -64.87, 66.79

 

CMYK 72 / 56 / 0 / 8

HEX #4267EA

RGB 66 103 234

HSL 226.79, 0.8%, 0.59%

LAB 48.01, 30.87, -70.06

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 0 / 1 / 72 / 8

HEX #EAE742

RGB 234 231 66

HSL 58.93, 0.8%, 0.59%

LAB 89.41, -17.28, 75.57

 

CMYK 72 / 0 / 16 / 8

HEX #42EAC5

RGB 66 234 197

HSL 166.79, 0.8%, 0.59%

LAB 83.98, -50.89, 5.74

 

CMYK 72 / 71 / 0 / 8

HEX #4245EA

RGB 66 69 234

HSL 238.93, 0.8%, 0.59%

LAB 40.17, 51.39, -82.88

 

CMYK 0 / 71 / 56 / 8

HEX #EA4367

RGB 234 67 103

HSL 347.07, 0.8%, 0.59%

LAB 54.54, 65.54, 17.98

 

CMYK 21 / 0 / 72 / 8

HEX #BAEA42

RGB 186 234 66

HSL 77.14, 0.8%, 0.59%

LAB 86.84, -37.89, 71.91

 

CMYK 72 / 0 / 16 / 8

HEX #42EAC5

RGB 66 234 197

HSL 166.79, 0.8%, 0.59%

LAB 83.98, -50.89, 5.74

 

CMYK 51 / 72 / 0 / 8

HEX #7242EA

RGB 114 66 234

HSL 257.14, 0.8%, 0.59%

LAB 43.38, 58.93, -77.47

 

Description

Color code: HEX #EA4367 | qconv.com Color code: HEX #EA4367 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 67 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 67 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 56 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 56% 8% C M Y K

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