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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA4EC0 it is the complementary color #15B13F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA4EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA4EC0 shade: #EF4EBB, #FF60CE, #FF72E1, #FF84F4 and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA4EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA4EC0 shade: #EA4EC0, #D93CAD, #C82A9A, #B71887 and #A60674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA4EC0 shade: #EA4CBF, #EA4C95, #EA4C6B and #EA4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA4EC0 shade: #EA4CBF, #EA4CEA, #BF4CEA, #954CEA and #6A4CEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA4EC0 shade matches the following richer shades: #EA4CBF and #FA3CC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA4EC0 shade: #EA4CBF, #DA5DB8, #C96DB0, #B97DA9 and #A98DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA4EC0 shade: #C04CEA, #EA4CEA, #EA4CC0, #EA4C96 and #EA4C6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA4EC0 shade: #CC189B, #E528B2, #EA4CBF, #EE71CC and #F296DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA4EC0 shade: #EA4EC0, #EA964C and #4CEAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA4EC0 shade: #EA4EC0, #C0EA4C and #4CC0EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA4EC0 shade: #EA4EC0, #EA964C, #4CEA76 and #4CA0EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA4EC0 shade: #EA4EC0, #EAC54C, #4CEA76 and #4C71EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

Complementary color

CMYK 88 / 0 / 64 / 31

HEX #15B13F

RGB 21 177 63

HSL 136.15, 0.79%, 0.39%

LAB 63.31, -60.54, 46.57

 

CMYK 0 / 67 / 22 / 6

HEX #EF4EBB

RGB 239 78 187

HSL 319.38, 0.83%, 0.62%

LAB 59.33, 71.5, -24.22

 

CMYK 0 / 62 / 19 / 0

HEX #FF60CE

RGB 255 96 206

HSL 318.49, 1%, 0.69%

LAB 65.03, 71.31, -26.06

 

CMYK 0 / 55 / 12 / 0

HEX #FF72E1

RGB 255 114 225

HSL 312.77, 1%, 0.72%

LAB 68.56, 66.46, -31.24

 

CMYK 0 / 48 / 4 / 0

HEX #FF84F4

RGB 255 132 244

HSL 305.37, 1%, 0.76%

LAB 72.42, 61.22, -35.7

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

CMYK 0 / 72 / 20 / 15

HEX #D93CAD

RGB 217 60 173

HSL 316.82, 0.67%, 0.54%

LAB 52.95, 70.41, -26.24

 

CMYK 0 / 79 / 23 / 22

HEX #C82A9A

RGB 200 42 154

HSL 317.47, 0.65%, 0.47%

LAB 47.32, 69.29, -23.94

 

CMYK 0 / 87 / 26 / 28

HEX #B71887

RGB 183 24 135

HSL 318.11, 0.77%, 0.41%

LAB 41.95, 67.23, -20.98

 

CMYK 0 / 96 / 30 / 35

HEX #A60674

RGB 166 6 116

HSL 318.75, 0.93%, 0.34%

LAB 36.93, 63.93, -17.19

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CBF

RGB 234 76 191

HSL 316.33, 0.79%, 0.61%

LAB 58.44, 71.49, -27.96

 

CMYK 0 / 68 / 36 / 8

HEX #EA4C95

RGB 234 76 149

HSL 332.28, 0.79%, 0.61%

LAB 56.91, 66.39, -5.89

 

CMYK 0 / 68 / 54 / 8

HEX #EA4C6B

RGB 234 76 107

HSL 348.23, 0.79%, 0.61%

LAB 55.81, 62.56, 17.34

 

CMYK 0 / 68 / 68 / 8

HEX #EA4C4C

RGB 234 76 76

HSL 0, 0.79%, 0.61%

LAB 55.26, 60.6, 34.72

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CBF

RGB 234 76 191

HSL 316.33, 0.79%, 0.61%

LAB 58.44, 71.49, -27.96

 

CMYK 0 / 68 / 0 / 8

HEX #EA4CEA

RGB 234 76 234

HSL 300, 0.79%, 0.61%

LAB 60.43, 77.84, -49.19

 

CMYK 18 / 68 / 0 / 8

HEX #BF4CEA

RGB 191 76 234

HSL 283.67, 0.79%, 0.61%

LAB 54.22, 68.61, -59.45

 

CMYK 36 / 68 / 0 / 8

HEX #954CEA

RGB 149 76 234

HSL 267.72, 0.79%, 0.61%

LAB 48.88, 60.12, -68.34

 

CMYK 55 / 68 / 0 / 8

HEX #6A4CEA

RGB 106 76 234

HSL 251.39, 0.79%, 0.61%

LAB 44.48, 52.59, -75.7

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CBF

RGB 234 76 191

HSL 316.33, 0.79%, 0.61%

LAB 58.44, 71.49, -27.96

 

CMYK 0 / 76 / 20 / 2

HEX #FA3CC7

RGB 250 60 199

HSL 316.11, 0.95%, 0.61%

LAB 59.6, 81.37, -30.54

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CBF

RGB 234 76 191

HSL 316.33, 0.79%, 0.61%

LAB 58.44, 71.49, -27.96

 

CMYK 0 / 57 / 16 / 15

HEX #DA5DB8

RGB 218 93 184

HSL 316.32, 0.63%, 0.61%

LAB 58.22, 59.34, -24.48

 

CMYK 0 / 46 / 12 / 21

HEX #C96DB0

RGB 201 109 176

HSL 316.3, 0.46%, 0.61%

LAB 58.5, 45.25, -19.66

 

CMYK 0 / 32 / 9 / 27

HEX #B97DA9

RGB 185 125 169

HSL 316, 0.3%, 0.61%

LAB 59.75, 30.17, -13.93

 

CMYK 0 / 17 / 4 / 34

HEX #A98DA2

RGB 169 141 162

HSL 315, 0.14%, 0.61%

LAB 61.73, 14.25, -7.13

 

CMYK 18 / 68 / 0 / 8

HEX #C04CEA

RGB 192 76 234

HSL 284.05, 0.79%, 0.61%

LAB 54.36, 68.82, -59.22

 

CMYK 0 / 68 / 0 / 8

HEX #EA4CEA

RGB 234 76 234

HSL 300, 0.79%, 0.61%

LAB 60.43, 77.84, -49.19

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CC0

RGB 234 76 192

HSL 315.95, 0.79%, 0.61%

LAB 58.48, 71.63, -28.47

 

CMYK 0 / 68 / 36 / 8

HEX #EA4C96

RGB 234 76 150

HSL 331.9, 0.79%, 0.61%

LAB 56.94, 66.5, -6.43

 

CMYK 0 / 68 / 54 / 8

HEX #EA4C6C

RGB 234 76 108

HSL 347.85, 0.79%, 0.61%

LAB 55.83, 62.64, 16.78

 

CMYK 0 / 88 / 24 / 20

HEX #CC189B

RGB 204 24 155

HSL 316.33, 0.79%, 0.45%

LAB 46.79, 74.08, -25.31

 

CMYK 0 / 83 / 22 / 10

HEX #E528B2

RGB 229 40 178

HSL 316.19, 0.78%, 0.53%

LAB 53.37, 79.1, -28.34

 

CMYK 0 / 68 / 18 / 8

HEX #EA4CBF

RGB 234 76 191

HSL 316.33, 0.79%, 0.61%

LAB 58.44, 71.49, -27.96

 

CMYK 0 / 53 / 14 / 7

HEX #EE71CC

RGB 238 113 204

HSL 316.32, 0.79%, 0.69%

LAB 65.24, 58.95, -24.82

 

CMYK 0 / 38 / 10 / 5

HEX #F296DA

RGB 242 150 218

HSL 315.65, 0.78%, 0.77%

LAB 73.38, 44.07, -20.12

 

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

CMYK 0 / 36 / 68 / 8

HEX #EA964C

RGB 234 150 76

HSL 28.1, 0.79%, 0.61%

LAB 69.35, 25.1, 51.01

 

CMYK 68 / 0 / 9 / 8

HEX #4CEAD5

RGB 76 234 213

HSL 172.03, 0.79%, 0.61%

LAB 84.58, -45.54, -1.79

 

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

CMYK 18 / 0 / 68 / 8

HEX #C0EA4C

RGB 192 234 76

HSL 75.95, 0.79%, 0.61%

LAB 87.28, -35.01, 68.92

 

CMYK 68 / 18 / 0 / 8

HEX #4CC0EA

RGB 76 192 234

HSL 195.95, 0.79%, 0.61%

LAB 73.01, -19.62, -30.42

 

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

CMYK 0 / 36 / 68 / 8

HEX #EA964C

RGB 234 150 76

HSL 28.1, 0.79%, 0.61%

LAB 69.35, 25.1, 51.01

 

CMYK 68 / 0 / 50 / 8

HEX #4CEA76

RGB 76 234 118

HSL 135.95, 0.79%, 0.61%

LAB 82.75, -64.97, 44.35

 

CMYK 68 / 32 / 0 / 8

HEX #4CA0EA

RGB 76 160 234

HSL 208.1, 0.79%, 0.61%

LAB 63.85, -2.24, -44.68

 

CMYK 0 / 67 / 18 / 8

HEX #EA4EC0

RGB 234 78 192

HSL 316.15, 0.79%, 0.61%

LAB 58.74, 70.9, -28.07

 

CMYK 0 / 16 / 68 / 8

HEX #EAC54C

RGB 234 197 76

HSL 45.95, 0.79%, 0.61%

LAB 80.71, 0.32, 63.19

 

CMYK 68 / 0 / 50 / 8

HEX #4CEA76

RGB 76 234 118

HSL 135.95, 0.79%, 0.61%

LAB 82.75, -64.97, 44.35

 

CMYK 68 / 52 / 0 / 8

HEX #4C71EA

RGB 76 113 234

HSL 225.95, 0.79%, 0.61%

LAB 51.02, 25.98, -65.15

 

Description

Color code: HEX #EA4EC0 | qconv.com Color code: HEX #EA4EC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 78 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 78 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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