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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA52DA it is the complementary color #15AD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA52DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA52DA shade: #EF52D5, #FF64E8, #FF76FB, #FF88FF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA52DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA52DA shade: #EA52DA, #D940C7, #C82EB4, #B71CA1 and #A60A8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA52DA shade: #E952D9, #E952B0, #E95288, #E9525F and #E95252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA52DA shade: #E952D9, #D052E9, #A852E9, #7F52E9 and #5652E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA52DA shade matches the following richer shades: #E952D9 and #F942E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA52DA shade: #E952D9, #DA62CD, #CA71C1, #BA81B4 and #AA91A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA52DA shade: #A852E9, #D052E9, #E952DA, #E952B2 and #E95289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA52DA shade: #CF19BC, #E52DD1, #E952D9, #EE77E1 and #F29BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA52DA shade: #EA52DA, #E97F52 and #52E9BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA52DA shade: #EA52DA, #DAE952 and #52DAE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA52DA shade: #EA52DA, #E97F52, #52E961 and #52BCE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA52DA shade: #EA52DA, #E9AD52, #52E961 and #528EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

Complementary color

CMYK 88 / 0 / 79 / 32

HEX #15AD25

RGB 21 173 37

HSL 126.32, 0.78%, 0.38%

LAB 61.81, -61.71, 54.98

 

CMYK 0 / 66 / 11 / 6

HEX #EF52D5

RGB 239 82 213

HSL 309.94, 0.83%, 0.63%

LAB 60.95, 73.63, -36.52

 

CMYK 0 / 61 / 9 / 0

HEX #FF64E8

RGB 255 100 232

HSL 308.9, 1%, 0.7%

LAB 66.67, 73.43, -38.04

 

CMYK 0 / 54 / 2 / 0

HEX #FF76FB

RGB 255 118 251

HSL 301.75, 1%, 0.73%

LAB 70.3, 68.82, -42.84

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

CMYK 0 / 71 / 8 / 15

HEX #D940C7

RGB 217 64 199

HSL 307.06, 0.67%, 0.55%

LAB 54.6, 72.75, -38.75

 

CMYK 0 / 77 / 10 / 22

HEX #C82EB4

RGB 200 46 180

HSL 307.79, 0.63%, 0.48%

LAB 48.92, 71.72, -36.85

 

CMYK 0 / 85 / 12 / 28

HEX #B71CA1

RGB 183 28 161

HSL 308.52, 0.73%, 0.41%

LAB 43.46, 69.82, -34.38

 

CMYK 0 / 94 / 14 / 35

HEX #A60A8E

RGB 166 10 142

HSL 309.23, 0.89%, 0.35%

LAB 38.34, 66.7, -31.16

 

CMYK 0 / 65 / 7 / 9

HEX #E952D9

RGB 233 82 217

HSL 306.36, 0.77%, 0.62%

LAB 60.22, 72.78, -39.98

 

CMYK 0 / 65 / 24 / 9

HEX #E952B0

RGB 233 82 176

HSL 322.65, 0.77%, 0.62%

LAB 58.5, 67, -19.24

 

CMYK 0 / 65 / 42 / 9

HEX #E95288

RGB 233 82 136

HSL 338.54, 0.77%, 0.62%

LAB 57.21, 62.44, 2.17

 

CMYK 0 / 65 / 59 / 9

HEX #E9525F

RGB 233 82 95

HSL 354.83, 0.77%, 0.62%

LAB 56.27, 59.03, 24.99

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

CMYK 0 / 65 / 7 / 9

HEX #E952D9

RGB 233 82 217

HSL 306.36, 0.77%, 0.62%

LAB 60.22, 72.78, -39.98

 

CMYK 11 / 65 / 0 / 9

HEX #D052E9

RGB 208 82 233

HSL 290.07, 0.77%, 0.62%

LAB 57.39, 69.67, -53.69

 

CMYK 28 / 65 / 0 / 9

HEX #A852E9

RGB 168 82 233

HSL 274.17, 0.77%, 0.62%

LAB 52.11, 60.92, -62.44

 

CMYK 45 / 65 / 0 / 9

HEX #7F52E9

RGB 127 82 233

HSL 257.88, 0.77%, 0.62%

LAB 47.53, 52.7, -70.07

 

CMYK 63 / 65 / 0 / 9

HEX #5652E9

RGB 86 82 233

HSL 241.59, 0.77%, 0.62%

LAB 44.08, 45.97, -75.85

 

CMYK 0 / 65 / 7 / 9

HEX #E952D9

RGB 233 82 217

HSL 306.36, 0.77%, 0.62%

LAB 60.22, 72.78, -39.98

 

CMYK 0 / 73 / 8 / 2

HEX #F942E6

RGB 249 66 230

HSL 306.23, 0.94%, 0.62%

LAB 61.44, 83.63, -45.2

 

CMYK 0 / 65 / 7 / 9

HEX #E952D9

RGB 233 82 217

HSL 306.36, 0.77%, 0.62%

LAB 60.22, 72.78, -39.98

 

CMYK 0 / 55 / 6 / 15

HEX #DA62CD

RGB 218 98 205

HSL 306.5, 0.62%, 0.62%

LAB 59.93, 60.37, -33.81

 

CMYK 0 / 44 / 4 / 21

HEX #CA71C1

RGB 202 113 193

HSL 306.07, 0.46%, 0.62%

LAB 60.08, 46.39, -26.93

 

CMYK 0 / 31 / 3 / 27

HEX #BA81B4

RGB 186 129 180

HSL 306.32, 0.29%, 0.62%

LAB 61.16, 30.29, -18.05

 

CMYK 0 / 15 / 1 / 33

HEX #AA91A8

RGB 170 145 168

HSL 304.8, 0.13%, 0.62%

LAB 63.03, 13.49, -8.6

 

CMYK 28 / 65 / 0 / 9

HEX #A852E9

RGB 168 82 233

HSL 274.17, 0.77%, 0.62%

LAB 52.11, 60.92, -62.44

 

CMYK 11 / 65 / 0 / 9

HEX #D052E9

RGB 208 82 233

HSL 290.07, 0.77%, 0.62%

LAB 57.39, 69.67, -53.69

 

CMYK 0 / 65 / 6 / 9

HEX #E952DA

RGB 233 82 218

HSL 305.96, 0.77%, 0.62%

LAB 60.27, 72.94, -40.48

 

CMYK 0 / 65 / 24 / 9

HEX #E952B2

RGB 233 82 178

HSL 321.85, 0.77%, 0.62%

LAB 58.58, 67.26, -20.28

 

CMYK 0 / 65 / 41 / 9

HEX #E95289

RGB 233 82 137

HSL 338.15, 0.77%, 0.62%

LAB 57.24, 62.54, 1.62

 

CMYK 0 / 88 / 9 / 19

HEX #CF19BC

RGB 207 25 188

HSL 306.26, 0.78%, 0.45%

LAB 49, 78.76, -41.33

 

CMYK 0 / 80 / 9 / 10

HEX #E52DD1

RGB 229 45 209

HSL 306.52, 0.78%, 0.54%

LAB 55.21, 82.05, -43.37

 

CMYK 0 / 65 / 7 / 9

HEX #E952D9

RGB 233 82 217

HSL 306.36, 0.77%, 0.62%

LAB 60.22, 72.78, -39.98

 

CMYK 0 / 50 / 5 / 7

HEX #EE77E1

RGB 238 119 225

HSL 306.55, 0.78%, 0.7%

LAB 67.13, 59.46, -33.62

 

CMYK 0 / 36 / 4 / 5

HEX #F29BE9

RGB 242 155 233

HSL 306.21, 0.77%, 0.78%

LAB 74.95, 44.02, -25.94

 

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

CMYK 0 / 45 / 65 / 9

HEX #E97F52

RGB 233 127 82

HSL 17.88, 0.77%, 0.62%

LAB 64.25, 37.08, 42.15

 

CMYK 65 / 0 / 19 / 9

HEX #52E9BC

RGB 82 233 188

HSL 162.12, 0.77%, 0.62%

LAB 83.81, -50.3, 10.26

 

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

CMYK 6 / 0 / 65 / 9

HEX #DAE952

RGB 218 233 82

HSL 65.96, 0.77%, 0.62%

LAB 88.82, -23.93, 68.8

 

CMYK 65 / 6 / 0 / 9

HEX #52DAE9

RGB 82 218 233

HSL 185.96, 0.77%, 0.62%

LAB 80.64, -31.94, -18.24

 

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

CMYK 0 / 45 / 65 / 9

HEX #E97F52

RGB 233 127 82

HSL 17.88, 0.77%, 0.62%

LAB 64.25, 37.08, 42.15

 

CMYK 65 / 0 / 58 / 9

HEX #52E961

RGB 82 233 97

HSL 125.96, 0.77%, 0.62%

LAB 82.34, -66.28, 53.57

 

CMYK 65 / 19 / 0 / 9

HEX #52BCE9

RGB 82 188 233

HSL 197.88, 0.77%, 0.62%

LAB 71.99, -16.93, -31.44

 

CMYK 0 / 65 / 7 / 8

HEX #EA52DA

RGB 234 82 218

HSL 306.32, 0.78%, 0.62%

LAB 60.42, 73.17, -40.23

 

CMYK 0 / 26 / 65 / 9

HEX #E9AD52

RGB 233 173 82

HSL 36.16, 0.77%, 0.62%

LAB 74.71, 12.82, 54.09

 

CMYK 65 / 0 / 58 / 9

HEX #52E961

RGB 82 233 97

HSL 125.96, 0.77%, 0.62%

LAB 82.34, -66.28, 53.57

 

CMYK 65 / 39 / 0 / 9

HEX #528EE9

RGB 82 142 233

HSL 216.16, 0.77%, 0.62%

LAB 59, 8.88, -51.8

 

Description

Color code: HEX #EA52DA | qconv.com Color code: HEX #EA52DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 82 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 82 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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