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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA5B71 it is the complementary color #15A48E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA5B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA5B71 shade: #EF5B6C, #FF6D7F, #FF7F92, #FF91A5 and #FFA3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA5B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA5B71 shade: #EA5B71, #D9495E, #C8374B, #B72538 and #A61325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA5B71 shade: #E95C72 and #E95C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA5B71 shade: #E95C72, #E95C98, #E95CBE, #E95CE4 and #C95CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA5B71 shade matches the following richer shades: #E95C72 and #F84D67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA5B71 shade: #E95C72, #DB6B7C, #CC7A86, #BD8991 and #AE979B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA5B71 shade: #E95CBF, #E95C99, #E95C74, #E96A5C and #E9905C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA5B71 shade: #D71C38, #E53752, #E95C72, #EE8191 and #F3A5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA5B71 shade: #EA5B71, #E5E95C and #5CACE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA5B71 shade: #EA5B71, #74E95C and #5C74E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA5B71 shade: #EA5B71, #E5E95C, #5CE9D2 and #615CE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA5B71 shade: #EA5B71, #BAE95C, #5CE9D2 and #8B5CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

Complementary color

CMYK 87 / 0 / 13 / 36

HEX #15A48E

RGB 21 164 142

HSL 170.77, 0.77%, 0.36%

LAB 60.48, -40.07, 1.51

 

CMYK 0 / 62 / 55 / 6

HEX #EF5B6C

RGB 239 91 108

HSL 353.11, 0.82%, 0.65%

LAB 58.9, 58.14, 21.09

 

CMYK 0 / 57 / 50 / 0

HEX #FF6D7F

RGB 255 109 127

HSL 352.6, 1%, 0.71%

LAB 64.75, 57.02, 18.53

 

CMYK 0 / 50 / 43 / 0

HEX #FF7F92

RGB 255 127 146

HSL 351.09, 1%, 0.75%

LAB 68.4, 50.38, 12.85

 

CMYK 0 / 43 / 35 / 0

HEX #FF91A5

RGB 255 145 165

HSL 349.09, 1%, 0.78%

LAB 72.38, 43.53, 7.88

 

CMYK 0 / 36 / 28 / 0

HEX #FFA3B8

RGB 255 163 184

HSL 346.3, 1%, 0.82%

LAB 76.63, 36.67, 3.52

 

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

CMYK 0 / 66 / 57 / 15

HEX #D9495E

RGB 217 73 94

HSL 351.25, 0.65%, 0.57%

LAB 52.2, 57.51, 19.69

 

CMYK 0 / 73 / 63 / 22

HEX #C8374B

RGB 200 55 75

HSL 351.72, 0.57%, 0.5%

LAB 46.34, 57.76, 22.82

 

CMYK 0 / 80 / 69 / 28

HEX #B72538

RGB 183 37 56

HSL 352.19, 0.66%, 0.43%

LAB 40.7, 57.43, 26.65

 

CMYK 0 / 89 / 78 / 35

HEX #A61325

RGB 166 19 37

HSL 352.65, 0.79%, 0.36%

LAB 35.41, 56.14, 31.26

 

CMYK 0 / 61 / 51 / 9

HEX #E95C72

RGB 233 92 114

HSL 350.64, 0.76%, 0.64%

LAB 58.22, 56.24, 16.51

 

CMYK 0 / 61 / 61 / 9

HEX #E95C5C

RGB 233 92 92

HSL 0, 0.76%, 0.64%

LAB 57.8, 54.59, 28.71

 

CMYK 0 / 61 / 51 / 9

HEX #E95C72

RGB 233 92 114

HSL 350.64, 0.76%, 0.64%

LAB 58.22, 56.24, 16.51

 

CMYK 0 / 61 / 35 / 9

HEX #E95C98

RGB 233 92 152

HSL 334.47, 0.76%, 0.64%

LAB 59.2, 59.99, -4.27

 

CMYK 0 / 61 / 18 / 9

HEX #E95CBE

RGB 233 92 190

HSL 318.3, 0.76%, 0.64%

LAB 60.51, 64.82, -24.2

 

CMYK 0 / 61 / 2 / 9

HEX #E95CE4

RGB 233 92 228

HSL 302.13, 0.76%, 0.64%

LAB 62.15, 70.59, -43.13

 

CMYK 14 / 61 / 0 / 9

HEX #C95CE9

RGB 201 92 233

HSL 286.38, 0.76%, 0.64%

LAB 57.99, 63.77, -52.78

 

CMYK 0 / 61 / 51 / 9

HEX #E95C72

RGB 233 92 114

HSL 350.64, 0.76%, 0.64%

LAB 58.22, 56.24, 16.51

 

CMYK 0 / 69 / 58 / 3

HEX #F84D67

RGB 248 77 103

HSL 350.88, 0.92%, 0.64%

LAB 58.27, 66.12, 23.42

 

CMYK 0 / 61 / 51 / 9

HEX #E95C72

RGB 233 92 114

HSL 350.64, 0.76%, 0.64%

LAB 58.22, 56.24, 16.51

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7C

RGB 219 107 124

HSL 350.89, 0.61%, 0.64%

LAB 59, 45.41, 11.46

 

CMYK 0 / 40 / 34 / 20

HEX #CC7A86

RGB 204 122 134

HSL 351.22, 0.45%, 0.64%

LAB 60.32, 33.36, 7.27

 

CMYK 0 / 28 / 23 / 26

HEX #BD8991

RGB 189 137 145

HSL 350.77, 0.28%, 0.64%

LAB 62.3, 21.03, 3.6

 

CMYK 0 / 13 / 11 / 32

HEX #AE979B

RGB 174 151 155

HSL 349.57, 0.12%, 0.64%

LAB 64.56, 9.2, 1.04

 

CMYK 0 / 61 / 18 / 9

HEX #E95CBF

RGB 233 92 191

HSL 317.87, 0.76%, 0.64%

LAB 60.55, 64.96, -24.72

 

CMYK 0 / 61 / 34 / 9

HEX #E95C99

RGB 233 92 153

HSL 334.04, 0.76%, 0.64%

LAB 59.23, 60.11, -4.81

 

CMYK 0 / 61 / 50 / 9

HEX #E95C74

RGB 233 92 116

HSL 349.79, 0.76%, 0.64%

LAB 58.26, 56.41, 15.4

 

CMYK 0 / 55 / 61 / 9

HEX #E96A5C

RGB 233 106 92

HSL 5.96, 0.76%, 0.64%

LAB 60.25, 48.16, 31.83

 

CMYK 0 / 38 / 61 / 9

HEX #E9905C

RGB 233 144 92

HSL 22.13, 0.76%, 0.64%

LAB 68.05, 28.87, 41.46

 

CMYK 0 / 87 / 74 / 16

HEX #D71C38

RGB 215 28 56

HSL 351.02, 0.77%, 0.48%

LAB 46.4, 68.25, 34.98

 

CMYK 0 / 76 / 64 / 10

HEX #E53752

RGB 229 55 82

HSL 350.69, 0.77%, 0.56%

LAB 51.84, 66.67, 26.76

 

CMYK 0 / 61 / 51 / 9

HEX #E95C72

RGB 233 92 114

HSL 350.64, 0.76%, 0.64%

LAB 58.22, 56.24, 16.51

 

CMYK 0 / 46 / 39 / 7

HEX #EE8191

RGB 238 129 145

HSL 351.19, 0.76%, 0.72%

LAB 66.46, 43.35, 10.35

 

CMYK 0 / 32 / 27 / 5

HEX #F3A5B1

RGB 243 165 177

HSL 350.77, 0.76%, 0.8%

LAB 75.54, 30.4, 5.6

 

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

CMYK 2 / 0 / 61 / 9

HEX #E5E95C

RGB 229 233 92

HSL 61.7, 0.76%, 0.64%

LAB 89.72, -18.87, 66

 

CMYK 61 / 26 / 0 / 9

HEX #5CACE9

RGB 92 172 233

HSL 205.96, 0.76%, 0.64%

LAB 67.77, -6.59, -37.95

 

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

CMYK 50 / 0 / 61 / 9

HEX #74E95C

RGB 116 233 92

HSL 109.79, 0.76%, 0.64%

LAB 83.32, -58.87, 57.13

 

CMYK 61 / 50 / 0 / 9

HEX #5C74E9

RGB 92 116 233

HSL 229.79, 0.76%, 0.64%

LAB 52.56, 26.39, -62.06

 

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

CMYK 2 / 0 / 61 / 9

HEX #E5E95C

RGB 229 233 92

HSL 61.7, 0.76%, 0.64%

LAB 89.72, -18.87, 66

 

CMYK 61 / 0 / 10 / 9

HEX #5CE9D2

RGB 92 233 210

HSL 170.21, 0.76%, 0.64%

LAB 84.59, -43.34, -0.15

 

CMYK 58 / 61 / 0 / 9

HEX #615CE9

RGB 97 92 233

HSL 242.13, 0.76%, 0.64%

LAB 47.08, 41.78, -70.93

 

CMYK 0 / 61 / 52 / 8

HEX #EA5B71

RGB 234 91 113

HSL 350.77, 0.77%, 0.64%

LAB 58.2, 56.92, 17.09

 

CMYK 20 / 0 / 61 / 9

HEX #BAE95C

RGB 186 233 92

HSL 80, 0.76%, 0.64%

LAB 86.75, -35.72, 61.9

 

CMYK 61 / 0 / 10 / 9

HEX #5CE9D2

RGB 92 233 210

HSL 170.21, 0.76%, 0.64%

LAB 84.59, -43.34, -0.15

 

CMYK 40 / 61 / 0 / 9

HEX #8B5CE9

RGB 139 92 233

HSL 260, 0.76%, 0.64%

LAB 50.72, 49.73, -64.85

 

Description

Color code: HEX #EA5B71 | qconv.com Color code: HEX #EA5B71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 91 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 91 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 52 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 52% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - ラインナップ【Re:animation ...
Link: http://reanimation.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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