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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA69EC it is the complementary color #159613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA69EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA69EC shade: #EF69E7, #FF7BFA, #FF8DFF, #FF9FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA69EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA69EC shade: #EA69EC, #D957D9, #C845C6, #B733B3 and #A621A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA69EC shade: #EA69EC, #EC69CB, #EC69A7, #EC6984 and #EC6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA69EC shade: #EA69EC, #C769EC, #A369EC, #8069EC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA69EC shade matches the following richer shades: #EA69EC and #F75BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA69EC shade: #EA69EC, #DD76DE, #D084D1, #C292C3 and #B59FB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA69EC shade: #A469EC, #C769EC, #EA69EC, #EC69CB and #EC69A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA69EC shade: #E01FE3, #E544E7, #EA69EC, #EF8DF1 and #F4B2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA69EC shade: #EA69EC, #EC8169 and #69ECB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA69EC shade: #EA69EC, #ECEA69 and #69ECEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA69EC shade: #EA69EC, #EC8169, #6BEC69 and #69D4EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA69EC shade: #EA69EC, #ECA869, #6BEC69 and #69ADEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

Complementary color

CMYK 86 / 0 / 87 / 41

HEX #159613

RGB 21 150 19

HSL 119.08, 0.78%, 0.33%

LAB 54.05, -55.83, 52.83

 

CMYK 0 / 56 / 3 / 6

HEX #EF69E7

RGB 239 105 231

HSL 303.58, 0.81%, 0.67%

LAB 65.14, 67.1, -40.05

 

CMYK 0 / 52 / 2 / 0

HEX #FF7BFA

RGB 255 123 250

HSL 302.27, 1%, 0.74%

LAB 71.1, 66.4, -41.05

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 60 / 0 / 15

HEX #D957D9

RGB 217 87 217

HSL 300, 0.63%, 0.6%

LAB 58.58, 66.92, -42.72

 

CMYK 0 / 66 / 1 / 22

HEX #C845C6

RGB 200 69 198

HSL 300.92, 0.54%, 0.53%

LAB 52.52, 66.88, -41.62

 

CMYK 0 / 72 / 2 / 28

HEX #B733B3

RGB 183 51 179

HSL 301.82, 0.56%, 0.46%

LAB 46.56, 66.35, -40.17

 

CMYK 0 / 80 / 4 / 35

HEX #A621A0

RGB 166 33 160

HSL 302.71, 0.67%, 0.39%

LAB 40.79, 65.05, -38.21

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 56 / 14 / 7

HEX #EC69CB

RGB 236 105 203

HSL 315.11, 0.78%, 0.67%

LAB 63.55, 61.89, -26.88

 

CMYK 0 / 56 / 29 / 7

HEX #EC69A7

RGB 236 105 167

HSL 331.6, 0.78%, 0.67%

LAB 62.28, 56.92, -8.32

 

CMYK 0 / 56 / 44 / 7

HEX #EC6984

RGB 236 105 132

HSL 347.63, 0.78%, 0.67%

LAB 61.31, 53, 10.44

 

CMYK 0 / 56 / 56 / 7

HEX #EC6969

RGB 236 105 105

HSL 0, 0.78%, 0.67%

LAB 60.74, 50.63, 25.19

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 16 / 56 / 0 / 7

HEX #C769EC

RGB 199 105 236

HSL 283.05, 0.78%, 0.67%

LAB 60.16, 57.77, -51.03

 

CMYK 31 / 56 / 0 / 7

HEX #A369EC

RGB 163 105 236

HSL 266.56, 0.78%, 0.67%

LAB 56.03, 48.9, -57.85

 

CMYK 46 / 56 / 0 / 7

HEX #8069EC

RGB 128 105 236

HSL 250.53, 0.78%, 0.67%

LAB 52.67, 40.97, -63.43

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 1 / 64 / 0 / 2

HEX #F75BFA

RGB 247 91 250

HSL 298.87, 0.94%, 0.67%

LAB 65.09, 77.86, -50.57

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 47 / 0 / 13

HEX #DD76DE

RGB 221 118 222

HSL 299.42, 0.61%, 0.67%

LAB 64.65, 54.62, -35.99

 

CMYK 0 / 37 / 0 / 18

HEX #D084D1

RGB 208 132 209

HSL 299.22, 0.46%, 0.67%

LAB 65.37, 41.18, -27.74

 

CMYK 1 / 25 / 0 / 24

HEX #C292C3

RGB 194 146 195

HSL 298.78, 0.29%, 0.67%

LAB 66.49, 26.39, -18.33

 

CMYK 1 / 13 / 0 / 29

HEX #B59FB6

RGB 181 159 182

HSL 297.39, 0.14%, 0.67%

LAB 68.02, 12.23, -8.91

 

CMYK 31 / 56 / 0 / 7

HEX #A469EC

RGB 164 105 236

HSL 267.02, 0.78%, 0.67%

LAB 56.14, 49.14, -57.68

 

CMYK 16 / 56 / 0 / 7

HEX #C769EC

RGB 199 105 236

HSL 283.05, 0.78%, 0.67%

LAB 60.16, 57.77, -51.03

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 56 / 14 / 7

HEX #EC69CB

RGB 236 105 203

HSL 315.11, 0.78%, 0.67%

LAB 63.55, 61.89, -26.88

 

CMYK 0 / 56 / 29 / 7

HEX #EC69A8

RGB 236 105 168

HSL 331.15, 0.78%, 0.67%

LAB 62.31, 57.05, -8.85

 

CMYK 1 / 86 / 0 / 11

HEX #E01FE3

RGB 224 31 227

HSL 299.08, 0.78%, 0.51%

LAB 54.42, 86.44, -54.91

 

CMYK 1 / 71 / 0 / 9

HEX #E544E7

RGB 229 68 231

HSL 299.26, 0.77%, 0.59%

LAB 58.57, 78.98, -50.51

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 1 / 41 / 0 / 5

HEX #EF8DF1

RGB 239 141 241

HSL 298.8, 0.78%, 0.75%

LAB 72.06, 51.71, -34.78

 

CMYK 0 / 27 / 0 / 4

HEX #F4B2F5

RGB 244 178 245

HSL 299.1, 0.77%, 0.83%

LAB 80.55, 34.73, -23.86

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 45 / 56 / 7

HEX #EC8169

RGB 236 129 105

HSL 10.99, 0.78%, 0.67%

LAB 65.4, 38.82, 31.27

 

CMYK 56 / 0 / 23 / 7

HEX #69ECB5

RGB 105 236 181

HSL 154.81, 0.78%, 0.67%

LAB 85.16, -48.79, 15.93

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 1 / 56 / 7

HEX #ECEA69

RGB 236 234 105

HSL 59.08, 0.78%, 0.67%

LAB 90.64, -15.64, 61.64

 

CMYK 56 / 0 / 1 / 7

HEX #69ECEA

RGB 105 236 234

HSL 179.08, 0.78%, 0.67%

LAB 86.47, -36.26, -9.96

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 45 / 56 / 7

HEX #EC8169

RGB 236 129 105

HSL 10.99, 0.78%, 0.67%

LAB 65.4, 38.82, 31.27

 

CMYK 55 / 0 / 56 / 7

HEX #6BEC69

RGB 107 236 105

HSL 119.08, 0.78%, 0.67%

LAB 84.04, -60.89, 52.15

 

CMYK 56 / 10 / 0 / 7

HEX #69D4EC

RGB 105 212 236

HSL 190.99, 0.78%, 0.67%

LAB 79.7, -24.21, -21.19

 

CMYK 1 / 56 / 0 / 7

HEX #EA69EC

RGB 234 105 236

HSL 299.08, 0.78%, 0.67%

LAB 64.69, 66.65, -43.59

 

CMYK 0 / 29 / 56 / 7

HEX #ECA869

RGB 236 168 105

HSL 28.85, 0.78%, 0.67%

LAB 74.1, 18.33, 42.2

 

CMYK 55 / 0 / 56 / 7

HEX #6BEC69

RGB 107 236 105

HSL 119.08, 0.78%, 0.67%

LAB 84.04, -60.89, 52.15

 

CMYK 56 / 27 / 0 / 7

HEX #69ADEC

RGB 105 173 236

HSL 208.85, 0.78%, 0.67%

LAB 68.71, -3.68, -38.09

 

Description

Color code: HEX #EA69EC | qconv.com Color code: HEX #EA69EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 105 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 105 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 56 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 56% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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