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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA60F0 it is the complementary color #159F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA60F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA60F0 shade: #EF60EB, #FF72FE, #FF84FF, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA60F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA60F0 shade: #EA60F0, #D94EDD, #C83CCA, #B72AB7 and #A618A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA60F0 shade: #EA60F0, #F060CF, #F060A8, #F06081 and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA60F0 shade: #EA60F0, #C360F0, #9C60F0, #7560F0 and #6060F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA60F0 shade matches the following richer shades: #EA60F0 and #F752FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA60F0 shade: #EA60F0, #DD6EE2, #D07CD4, #C38AC6 and #B698B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA60F0 shade: #9C60F0, #C260F0, #E960F0, #F060D1 and #F060AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA60F0 shade: #DF15E8, #E53AEC, #EA60F0, #EF86F3 and #F4ABF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA60F0 shade: #EA60F0, #F07560 and #60F0AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA60F0 shade: #EA60F0, #F0E960 and #60F0E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA60F0 shade: #EA60F0, #F07560, #67F060 and #60DAF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA60F0 shade: #EA60F0, #F0A160, #67F060 and #60AFF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

Complementary color

CMYK 87 / 0 / 91 / 38

HEX #159F0F

RGB 21 159 15

HSL 117.5, 0.83%, 0.34%

LAB 57.07, -58.69, 56.31

 

CMYK 0 / 60 / 2 / 6

HEX #EF60EB

RGB 239 96 235

HSL 301.68, 0.82%, 0.66%

LAB 63.93, 71.56, -44.17

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FE

RGB 255 114 254

HSL 300.43, 1%, 0.72%

LAB 69.79, 71.07, -45.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 2 / 65 / 0 / 13

HEX #D94EDD

RGB 217 78 221

HSL 298.32, 0.68%, 0.59%

LAB 57.48, 71.19, -46.72

 

CMYK 1 / 70 / 0 / 21

HEX #C83CCA

RGB 200 60 202

HSL 299.15, 0.57%, 0.51%

LAB 51.58, 70.78, -45.41

 

CMYK 0 / 77 / 0 / 28

HEX #B72AB7

RGB 183 42 183

HSL 300, 0.63%, 0.44%

LAB 45.83, 69.73, -43.69

 

CMYK 0 / 86 / 1 / 35

HEX #A618A4

RGB 166 24 164

HSL 300.85, 0.75%, 0.37%

LAB 40.31, 67.73, -41.37

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 0 / 60 / 14 / 6

HEX #F060CF

RGB 240 96 207

HSL 313.75, 0.83%, 0.66%

LAB 62.84, 67.48, -30.18

 

CMYK 0 / 60 / 30 / 6

HEX #F060A8

RGB 240 96 168

HSL 330, 0.83%, 0.66%

LAB 61.41, 62.24, -10.12

 

CMYK 0 / 60 / 46 / 6

HEX #F06081

RGB 240 96 129

HSL 346.25, 0.83%, 0.66%

LAB 60.32, 58.08, 10.86

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 19 / 60 / 0 / 6

HEX #C360F0

RGB 195 96 240

HSL 281.25, 0.83%, 0.66%

LAB 58.28, 61.91, -56.28

 

CMYK 35 / 60 / 0 / 6

HEX #9C60F0

RGB 156 96 240

HSL 265, 0.83%, 0.66%

LAB 53.73, 53.04, -63.82

 

CMYK 51 / 60 / 0 / 6

HEX #7560F0

RGB 117 96 240

HSL 248.75, 0.83%, 0.66%

LAB 50.02, 45.1, -70

 

CMYK 60 / 60 / 0 / 6

HEX #6060F0

RGB 96 96 240

HSL 240, 0.83%, 0.66%

LAB 48.44, 41.46, -72.65

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 3 / 68 / 0 / 0

HEX #F752FE

RGB 247 82 254

HSL 297.56, 0.99%, 0.66%

LAB 64.13, 81.76, -54.29

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 2 / 51 / 0 / 11

HEX #DD6EE2

RGB 221 110 226

HSL 297.41, 0.67%, 0.66%

LAB 63.36, 59.2, -40.23

 

CMYK 2 / 42 / 0 / 17

HEX #D07CD4

RGB 208 124 212

HSL 297.27, 0.51%, 0.66%

LAB 63.82, 45.95, -31.81

 

CMYK 2 / 30 / 0 / 22

HEX #C38AC6

RGB 195 138 198

HSL 297, 0.34%, 0.66%

LAB 64.85, 31.71, -22.51

 

CMYK 1 / 17 / 0 / 28

HEX #B698B8

RGB 182 152 184

HSL 296.25, 0.18%, 0.66%

LAB 66.41, 16.85, -12.42

 

CMYK 35 / 60 / 0 / 6

HEX #9C60F0

RGB 156 96 240

HSL 265, 0.83%, 0.66%

LAB 53.73, 53.04, -63.82

 

CMYK 19 / 60 / 0 / 6

HEX #C260F0

RGB 194 96 240

HSL 280.83, 0.83%, 0.66%

LAB 58.16, 61.68, -56.49

 

CMYK 3 / 60 / 0 / 6

HEX #E960F0

RGB 233 96 240

HSL 297.08, 0.83%, 0.66%

LAB 63.33, 70.95, -47.95

 

CMYK 0 / 60 / 13 / 6

HEX #F060D1

RGB 240 96 209

HSL 312.92, 0.83%, 0.66%

LAB 62.92, 67.77, -31.18

 

CMYK 0 / 60 / 29 / 6

HEX #F060AA

RGB 240 96 170

HSL 329.17, 0.83%, 0.66%

LAB 61.48, 62.49, -11.18

 

CMYK 4 / 91 / 0 / 9

HEX #DF15E8

RGB 223 21 232

HSL 297.44, 0.83%, 0.5%

LAB 54.08, 88.39, -58.29

 

CMYK 3 / 75 / 0 / 7

HEX #E53AEC

RGB 229 58 236

HSL 297.64, 0.82%, 0.58%

LAB 57.79, 82.77, -54.55

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 2 / 45 / 0 / 5

HEX #EF86F3

RGB 239 134 243

HSL 297.8, 0.82%, 0.74%

LAB 70.78, 55.57, -37.86

 

CMYK 1 / 31 / 0 / 3

HEX #F4ABF7

RGB 244 171 247

HSL 297.63, 0.83%, 0.82%

LAB 79.08, 38.79, -27.18

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 0 / 51 / 60 / 6

HEX #F07560

RGB 240 117 96

HSL 8.75, 0.83%, 0.66%

LAB 63.42, 45.66, 33.82

 

CMYK 60 / 0 / 27 / 6

HEX #60F0AF

RGB 96 240 175

HSL 152.92, 0.83%, 0.66%

LAB 85.96, -53.5, 20.1

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 0 / 3 / 60 / 6

HEX #F0E960

RGB 240 233 96

HSL 57.08, 0.83%, 0.66%

LAB 90.62, -14.17, 65.56

 

CMYK 60 / 0 / 3 / 6

HEX #60F0E9

RGB 96 240 233

HSL 177.08, 0.83%, 0.66%

LAB 87.33, -39.93, -8.18

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 0 / 51 / 60 / 6

HEX #F07560

RGB 240 117 96

HSL 8.75, 0.83%, 0.66%

LAB 63.42, 45.66, 33.82

 

CMYK 57 / 0 / 60 / 6

HEX #67F060

RGB 103 240 96

HSL 117.08, 0.83%, 0.66%

LAB 85.02, -64.32, 57.23

 

CMYK 60 / 9 / 0 / 6

HEX #60DAF0

RGB 96 218 240

HSL 189.17, 0.83%, 0.66%

LAB 81.25, -27.68, -21

 

CMYK 3 / 60 / 0 / 6

HEX #EA60F0

RGB 234 96 240

HSL 297.5, 0.83%, 0.66%

LAB 63.47, 71.19, -47.72

 

CMYK 0 / 33 / 60 / 6

HEX #F0A160

RGB 240 161 96

HSL 27.08, 0.83%, 0.66%

LAB 72.8, 22.99, 45.31

 

CMYK 57 / 0 / 60 / 6

HEX #67F060

RGB 103 240 96

HSL 117.08, 0.83%, 0.66%

LAB 85.02, -64.32, 57.23

 

CMYK 60 / 27 / 0 / 6

HEX #60AFF0

RGB 96 175 240

HSL 207.08, 0.83%, 0.66%

LAB 69.07, -5.3, -39.74

 

Description

Color code: HEX #EA60F0 | qconv.com Color code: HEX #EA60F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 96 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 96 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 60 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 60% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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