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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA7A7B it is the complementary color #158584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA7A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA7A7B shade: #EF7A76, #FF8C89, #FF9E9C, #FFB0AF and #FFC2C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA7A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA7A7B shade: #EA7A7B, #D96868, #C85655, #B74442 and #A6322F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA7A7B shade: #EA7A7B and #EA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA7A7B shade: #EA7A7B, #EA7A99, #EA7AB7, #EA7AD6 and #E07AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA7A7B shade matches the following richer shades: #EA7A7B and #F66E6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA7A7B shade: #EA7A7B, #DD8787, #D19393, #C59FA0 and #B8ACAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA7A7B shade: #EA7AB8, #EA7A9A, #EA7A7C, #EA967A and #EAB47A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA7A7B shade: #DF3334, #E45658, #EA7A7B, #EF9E9F and #F5C2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA7A7B shade: #EA7A7B, #D5EA7A and #7AA9EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA7A7B shade: #EA7A7B, #7CEA7A and #7A7CEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA7A7B shade: #EA7A7B, #D5EA7A, #7AEAE8 and #8F7AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA7A7B shade: #EA7A7B, #B4EA7A, #7AEAE8 and #B07AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

Complementary color

CMYK 84 / 0 / 1 / 48

HEX #158584

RGB 21 133 132

HSL 179.46, 0.73%, 0.3%

LAB 50.22, -28.72, -7.88

 

CMYK 0 / 49 / 51 / 6

HEX #EF7A76

RGB 239 122 118

HSL 1.98, 0.79%, 0.7%

LAB 64.63, 44.54, 23.08

 

CMYK 0 / 45 / 46 / 0

HEX #FF8C89

RGB 255 140 137

HSL 1.53, 1%, 0.77%

LAB 70.75, 43.08, 21.13

 

CMYK 0 / 38 / 39 / 0

HEX #FF9E9C

RGB 255 158 156

HSL 1.21, 1%, 0.81%

LAB 74.9, 35.85, 16.4

 

CMYK 0 / 31 / 31 / 0

HEX #FFB0AF

RGB 255 176 175

HSL 0.75, 1%, 0.84%

LAB 79.27, 28.73, 12.21

 

CMYK 0 / 24 / 24 / 0

HEX #FFC2C2

RGB 255 194 194

HSL 0, 1%, 0.88%

LAB 83.83, 21.81, 8.48

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 52 / 52 / 15

HEX #D96868

RGB 217 104 104

HSL 0, 0.6%, 0.63%

LAB 57.71, 44.28, 21.22

 

CMYK 0 / 57 / 58 / 22

HEX #C85655

RGB 200 86 85

HSL 0.52, 0.51%, 0.56%

LAB 51.37, 45.39, 23.41

 

CMYK 0 / 63 / 64 / 28

HEX #B74442

RGB 183 68 66

HSL 1.03, 0.47%, 0.49%

LAB 45.07, 46.41, 26.02

 

CMYK 0 / 70 / 72 / 35

HEX #A6322F

RGB 166 50 47

HSL 1.51, 0.56%, 0.42%

LAB 38.89, 47.21, 29.17

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 48 / 48 / 8

HEX #EA7A7A

RGB 234 122 122

HSL 0, 0.73%, 0.7%

LAB 64.01, 43.09, 19.87

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 48 / 35 / 8

HEX #EA7A99

RGB 234 122 153

HSL 343.39, 0.73%, 0.7%

LAB 64.73, 46.39, 3.26

 

CMYK 0 / 48 / 22 / 8

HEX #EA7AB7

RGB 234 122 183

HSL 327.32, 0.73%, 0.7%

LAB 65.62, 50.32, -12.46

 

CMYK 0 / 48 / 9 / 8

HEX #EA7AD6

RGB 234 122 214

HSL 310.71, 0.73%, 0.7%

LAB 66.72, 55.05, -28.18

 

CMYK 4 / 48 / 0 / 8

HEX #E07AEA

RGB 224 122 234

HSL 294.64, 0.73%, 0.7%

LAB 66.3, 55.66, -40.05

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 55 / 55 / 4

HEX #F66E6F

RGB 246 110 111

HSL 359.56, 0.88%, 0.7%

LAB 63.25, 52.23, 25.38

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 39 / 39 / 13

HEX #DD8787

RGB 221 135 135

HSL 0, 0.56%, 0.7%

LAB 65.32, 32.9, 14.07

 

CMYK 0 / 30 / 30 / 18

HEX #D19393

RGB 209 147 147

HSL 0, 0.4%, 0.7%

LAB 66.92, 23.4, 9.39

 

CMYK 0 / 19 / 19 / 23

HEX #C59FA0

RGB 197 159 160

HSL 358.42, 0.25%, 0.7%

LAB 68.9, 14.19, 4.8

 

CMYK 0 / 7 / 7 / 28

HEX #B8ACAC

RGB 184 172 172

HSL 0, 0.08%, 0.7%

LAB 71.33, 4.3, 1.54

 

CMYK 0 / 48 / 21 / 8

HEX #EA7AB8

RGB 234 122 184

HSL 326.79, 0.73%, 0.7%

LAB 65.65, 50.46, -12.98

 

CMYK 0 / 48 / 34 / 8

HEX #EA7A9A

RGB 234 122 154

HSL 342.86, 0.73%, 0.7%

LAB 64.76, 46.51, 2.73

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7C

RGB 234 122 124

HSL 358.93, 0.73%, 0.7%

LAB 64.05, 43.28, 18.8

 

CMYK 0 / 36 / 48 / 8

HEX #EA967A

RGB 234 150 122

HSL 15, 0.73%, 0.7%

LAB 69.97, 28.57, 27.88

 

CMYK 0 / 23 / 48 / 8

HEX #EAB47A

RGB 234 180 122

HSL 31.07, 0.73%, 0.7%

LAB 77.01, 12.63, 37.03

 

CMYK 0 / 77 / 77 / 13

HEX #DF3334

RGB 223 51 52

HSL 359.65, 0.73%, 0.54%

LAB 49.86, 64.8, 41.54

 

CMYK 0 / 62 / 61 / 11

HEX #E45658

RGB 228 86 88

HSL 359.15, 0.72%, 0.62%

LAB 55.94, 55.27, 28.46

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 0 / 34 / 33 / 6

HEX #EF9E9F

RGB 239 158 159

HSL 359.26, 0.72%, 0.78%

LAB 73.09, 30.3, 11.94

 

CMYK 0 / 21 / 21 / 4

HEX #F5C2C2

RGB 245 194 194

HSL 0, 0.72%, 0.86%

LAB 82.86, 18.19, 6.96

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 9 / 0 / 48 / 8

HEX #D5EA7A

RGB 213 234 122

HSL 71.25, 0.73%, 0.7%

LAB 89.11, -23.25, 51.68

 

CMYK 48 / 28 / 0 / 8

HEX #7AA9EA

RGB 122 169 234

HSL 214.82, 0.73%, 0.7%

LAB 68.35, 1.7, -37.49

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 47 / 0 / 48 / 8

HEX #7CEA7A

RGB 124 234 122

HSL 118.93, 0.73%, 0.7%

LAB 84.24, -53.54, 44.61

 

CMYK 48 / 47 / 0 / 8

HEX #7A7CEA

RGB 122 124 234

HSL 238.93, 0.73%, 0.7%

LAB 56.58, 27.92, -56.07

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 9 / 0 / 48 / 8

HEX #D5EA7A

RGB 213 234 122

HSL 71.25, 0.73%, 0.7%

LAB 89.11, -23.25, 51.68

 

CMYK 48 / 0 / 1 / 8

HEX #7AEAE8

RGB 122 234 232

HSL 178.93, 0.73%, 0.7%

LAB 86.41, -32.44, -8.94

 

CMYK 39 / 48 / 0 / 8

HEX #8F7AEA

RGB 143 122 234

HSL 251.25, 0.73%, 0.7%

LAB 57.75, 34.02, -54.11

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7B

RGB 234 122 123

HSL 359.46, 0.73%, 0.7%

LAB 64.03, 43.18, 19.34

 

CMYK 23 / 0 / 48 / 8

HEX #B4EA7A

RGB 180 234 122

HSL 88.93, 0.73%, 0.7%

LAB 86.97, -35.55, 48.59

 

CMYK 48 / 0 / 1 / 8

HEX #7AEAE8

RGB 122 234 232

HSL 178.93, 0.73%, 0.7%

LAB 86.41, -32.44, -8.94

 

CMYK 25 / 48 / 0 / 8

HEX #B07AEA

RGB 176 122 234

HSL 268.93, 0.73%, 0.7%

LAB 60.86, 42.51, -48.97

 

Description

Color code: HEX #EA7A7B | qconv.com Color code: HEX #EA7A7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 122 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 122 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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