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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA7FF0 it is the complementary color #15800F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA7FF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA7FF0 shade: #EF7FEB, #FF91FE, #FFA3FF, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA7FF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA7FF0 shade: #EA7FF0, #D96DDD, #C85BCA, #B749B7 and #A637A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA7FF0 shade: #EA7FF0, #F07FD7, #F07FB9, #F07F9A and #F07F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA7FF0 shade: #EA7FF0, #CB7FF0, #AD7FF0, #8E7FF0 and #7F7FF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA7FF0 shade matches the following richer shades: #EA7FF0 and #F473FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA7FF0 shade: #EA7FF0, #DF8AE4, #D596D8, #CBA1CD and #C0ADC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA7FF0 shade: #AC7FF0, #CA7FF0, #E87FF0, #F07FD9 and #F07FBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA7FF0 shade: #DD35E7, #E35AEB, #EA7FF0, #F0A4F4 and #F6C9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA7FF0 shade: #EA7FF0, #F08E7F and #7FF0BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA7FF0 shade: #EA7FF0, #F0E87F and #7FF0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA7FF0 shade: #EA7FF0, #F08E7F, #86F07F and #7FE0F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA7FF0 shade: #EA7FF0, #F0B07F, #86F07F and #7FBFF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

Complementary color

CMYK 84 / 0 / 88 / 50

HEX #15800F

RGB 21 128 15

HSL 116.81, 0.79%, 0.28%

LAB 46.49, -49.18, 47.05

 

CMYK 0 / 47 / 2 / 6

HEX #EF7FEB

RGB 239 127 235

HSL 302.14, 0.78%, 0.72%

LAB 69.13, 57.59, -36.04

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FE

RGB 255 145 254

HSL 300.55, 1%, 0.78%

LAB 75.24, 56.63, -36.77

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 2 / 51 / 0 / 13

HEX #D96DDD

RGB 217 109 221

HSL 297.86, 0.62%, 0.65%

LAB 62.43, 57.7, -38.93

 

CMYK 1 / 55 / 0 / 21

HEX #C85BCA

RGB 200 91 202

HSL 298.92, 0.51%, 0.57%

LAB 56.11, 58.22, -38.26

 

CMYK 0 / 60 / 0 / 28

HEX #B749B7

RGB 183 73 183

HSL 300, 0.43%, 0.5%

LAB 49.8, 58.54, -37.4

 

CMYK 0 / 67 / 1 / 35

HEX #A637A4

RGB 166 55 164

HSL 301.08, 0.5%, 0.43%

LAB 43.54, 58.5, -36.26

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 0 / 47 / 10 / 6

HEX #F07FD7

RGB 240 127 215

HSL 313.27, 0.79%, 0.72%

LAB 68.47, 54.56, -25.99

 

CMYK 0 / 47 / 23 / 6

HEX #F07FB9

RGB 240 127 185

HSL 329.2, 0.79%, 0.72%

LAB 67.43, 50.06, -10.79

 

CMYK 0 / 47 / 36 / 6

HEX #F07F9A

RGB 240 127 154

HSL 345.66, 0.79%, 0.72%

LAB 66.55, 46.08, 5.42

 

CMYK 0 / 47 / 47 / 6

HEX #F07F7F

RGB 240 127 127

HSL 0, 0.79%, 0.72%

LAB 65.93, 43.23, 19.81

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 15 / 47 / 0 / 6

HEX #CB7FF0

RGB 203 127 240

HSL 280.35, 0.79%, 0.72%

LAB 65.09, 48.48, -45.42

 

CMYK 28 / 47 / 0 / 6

HEX #AD7FF0

RGB 173 127 240

HSL 264.42, 0.79%, 0.72%

LAB 61.96, 40.38, -50.58

 

CMYK 41 / 47 / 0 / 6

HEX #8E7FF0

RGB 142 127 240

HSL 247.96, 0.79%, 0.72%

LAB 59.18, 32.53, -55.17

 

CMYK 47 / 47 / 0 / 6

HEX #7F7FF0

RGB 127 127 240

HSL 240, 0.79%, 0.72%

LAB 58.02, 29.04, -57.08

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 3 / 54 / 0 / 2

HEX #F473FB

RGB 244 115 251

HSL 296.91, 0.94%, 0.72%

LAB 68.36, 67.33, -45.99

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 2 / 39 / 0 / 11

HEX #DF8AE4

RGB 223 138 228

HSL 296.67, 0.63%, 0.72%

LAB 69.09, 46.14, -32.4

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 1 / 21 / 0 / 20

HEX #CBA1CD

RGB 203 161 205

HSL 297.27, 0.31%, 0.72%

LAB 71.28, 23.06, -16.55

 

CMYK 1 / 10 / 0 / 24

HEX #C0ADC1

RGB 192 173 193

HSL 297, 0.14%, 0.72%

LAB 72.85, 10.44, -7.69

 

CMYK 28 / 47 / 0 / 6

HEX #AC7FF0

RGB 172 127 240

HSL 263.89, 0.79%, 0.72%

LAB 61.86, 40.12, -50.74

 

CMYK 16 / 47 / 0 / 6

HEX #CA7FF0

RGB 202 127 240

HSL 279.82, 0.79%, 0.72%

LAB 64.98, 48.2, -45.6

 

CMYK 3 / 47 / 0 / 6

HEX #E87FF0

RGB 232 127 240

HSL 295.75, 0.79%, 0.72%

LAB 68.48, 56.51, -39.87

 

CMYK 0 / 47 / 10 / 6

HEX #F07FD9

RGB 240 127 217

HSL 312.21, 0.79%, 0.72%

LAB 68.54, 54.88, -26.98

 

CMYK 0 / 47 / 22 / 6

HEX #F07FBB

RGB 240 127 187

HSL 328.14, 0.79%, 0.72%

LAB 67.5, 50.34, -11.81

 

CMYK 4 / 77 / 0 / 9

HEX #DD35E7

RGB 221 53 231

HSL 296.63, 0.79%, 0.56%

LAB 55.77, 81.81, -55.03

 

CMYK 3 / 62 / 0 / 8

HEX #E35AEB

RGB 227 90 235

HSL 296.69, 0.78%, 0.64%

LAB 61.34, 71.14, -48.36

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 2 / 33 / 0 / 4

HEX #F0A4F4

RGB 240 164 244

HSL 297, 0.78%, 0.8%

LAB 77.05, 40.67, -28.72

 

CMYK 1 / 19 / 0 / 3

HEX #F6C9F8

RGB 246 201 248

HSL 297.45, 0.77%, 0.88%

LAB 86.08, 23.76, -17.08

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 0 / 41 / 47 / 6

HEX #F08E7F

RGB 240 142 127

HSL 7.96, 0.79%, 0.72%

LAB 69.04, 35.55, 24.03

 

CMYK 47 / 0 / 22 / 6

HEX #7FF0BB

RGB 127 240 187

HSL 151.86, 0.79%, 0.72%

LAB 87.2, -44.24, 15.78

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 0 / 3 / 47 / 6

HEX #F0E87F

RGB 240 232 127

HSL 55.75, 0.79%, 0.72%

LAB 90.68, -11.25, 51.68

 

CMYK 47 / 0 / 3 / 6

HEX #7FF0E8

RGB 127 240 232

HSL 175.75, 0.79%, 0.72%

LAB 88.28, -34.17, -6.14

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 0 / 41 / 47 / 6

HEX #F08E7F

RGB 240 142 127

HSL 7.96, 0.79%, 0.72%

LAB 69.04, 35.55, 24.03

 

CMYK 44 / 0 / 47 / 6

HEX #86F07F

RGB 134 240 127

HSL 116.28, 0.79%, 0.72%

LAB 86.46, -52.47, 45.06

 

CMYK 47 / 7 / 0 / 6

HEX #7FE0F0

RGB 127 224 240

HSL 188.5, 0.79%, 0.72%

LAB 84.03, -24.48, -16.7

 

CMYK 3 / 47 / 0 / 6

HEX #EA7FF0

RGB 234 127 240

HSL 296.81, 0.79%, 0.72%

LAB 68.72, 57.07, -39.47

 

CMYK 0 / 27 / 47 / 6

HEX #F0B07F

RGB 240 176 127

HSL 26.02, 0.79%, 0.72%

LAB 76.74, 17.63, 34.21

 

CMYK 44 / 0 / 47 / 6

HEX #86F07F

RGB 134 240 127

HSL 116.28, 0.79%, 0.72%

LAB 86.46, -52.47, 45.06

 

CMYK 47 / 20 / 0 / 6

HEX #7FBFF0

RGB 127 191 240

HSL 206.02, 0.79%, 0.72%

LAB 74.87, -7.5, -30.64

 

Description

Color code: HEX #EA7FF0 | qconv.com Color code: HEX #EA7FF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 127 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 127 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 47 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 47% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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