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Color name
HEX #EA849C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA849C it is the complementary color #157B63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA849C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA849C shade: #EF8497, #FF96AA, #FFA8BD, #FFBAD0 and #FFCCE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA849C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA849C shade: #EA849C, #D97289, #C86076, #B74E63 and #A63C50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA849C shade: #EA849C and #EA8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA849C shade: #EA849C, #EA84B8, #EA84D3, #E584EA and #CA84EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA849C shade matches the following richer shades: #EA849C and #F57996

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA849C shade: #EA849C, #DE90A2, #D39CA8, #C7A7AF and #BCB3B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA849C shade: #EA84D4, #EA84B9, #EA849E, #EA8684 and #EAA184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA849C shade: #DE3E64, #E46180, #EA849C, #F0A8B9 and #F6CBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA849C shade: #EA849C, #EAE584 and #84C6EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA849C shade: #EA849C, #9EEA84 and #849EEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA849C shade: #EA849C, #EAE584, #84EAD0 and #8489EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA849C shade: #EA849C, #D0EA84, #84EAD0 and #9E84EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

Complementary color

CMYK 83 / 0 / 20 / 52

HEX #157B63

RGB 21 123 99

HSL 165.88, 0.71%, 0.28%

LAB 45.94, -33.78, 5.29

 

CMYK 0 / 45 / 37 / 6

HEX #EF8497

RGB 239 132 151

HSL 349.35, 0.77%, 0.73%

LAB 67.34, 42.86, 8.23

 

CMYK 0 / 41 / 33 / 0

HEX #FF96AA

RGB 255 150 170

HSL 348.57, 1%, 0.79%

LAB 73.53, 41.59, 6.75

 

CMYK 0 / 34 / 26 / 0

HEX #FFA8BD

RGB 255 168 189

HSL 345.52, 1%, 0.83%

LAB 77.84, 34.74, 2.54

 

CMYK 0 / 27 / 18 / 0

HEX #FFBAD0

RGB 255 186 208

HSL 340.87, 1%, 0.86%

LAB 82.34, 28.04, -1.18

 

CMYK 0 / 20 / 11 / 0

HEX #FFCCE3

RGB 255 204 227

HSL 332.94, 1%, 0.9%

LAB 86.99, 21.56, -4.49

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 47 / 37 / 15

HEX #D97289

RGB 217 114 137

HSL 346.6, 0.58%, 0.65%

LAB 60.42, 42.62, 5.92

 

CMYK 0 / 52 / 41 / 22

HEX #C86076

RGB 200 96 118

HSL 347.31, 0.49%, 0.58%

LAB 53.98, 43.55, 7.48

 

CMYK 0 / 57 / 46 / 28

HEX #B74E63

RGB 183 78 99

HSL 348, 0.42%, 0.51%

LAB 47.52, 44.45, 9.34

 

CMYK 0 / 64 / 52 / 35

HEX #A63C50

RGB 166 60 80

HSL 348.68, 0.47%, 0.44%

LAB 41.09, 45.21, 11.63

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 44 / 44 / 8

HEX #EA8484

RGB 234 132 132

HSL 0, 0.71%, 0.72%

LAB 66.26, 38.98, 17.32

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 44 / 21 / 8

HEX #EA84B8

RGB 234 132 184

HSL 329.41, 0.71%, 0.72%

LAB 67.62, 45.44, -10.03

 

CMYK 0 / 44 / 10 / 8

HEX #EA84D3

RGB 234 132 211

HSL 313.53, 0.71%, 0.72%

LAB 68.53, 49.6, -23.73

 

CMYK 2 / 44 / 0 / 8

HEX #E584EA

RGB 229 132 234

HSL 297.06, 0.71%, 0.72%

LAB 68.82, 52.08, -36.06

 

CMYK 14 / 44 / 0 / 8

HEX #CA84EA

RGB 202 132 234

HSL 281.18, 0.71%, 0.72%

LAB 65.75, 44.31, -41.09

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 51 / 39 / 4

HEX #F57996

RGB 245 121 150

HSL 345.97, 0.86%, 0.72%

LAB 65.97, 50.29, 6.95

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 35 / 27 / 13

HEX #DE90A2

RGB 222 144 162

HSL 346.15, 0.54%, 0.72%

LAB 68.08, 31.89, 2.84

 

CMYK 0 / 26 / 20 / 17

HEX #D39CA8

RGB 211 156 168

HSL 346.91, 0.38%, 0.72%

LAB 69.79, 22.26, 1.82

 

CMYK 0 / 16 / 12 / 22

HEX #C7A7AF

RGB 199 167 175

HSL 345, 0.22%, 0.72%

LAB 71.47, 12.99, 0.25

 

CMYK 0 / 5 / 4 / 26

HEX #BCB3B5

RGB 188 179 181

HSL 346.67, 0.06%, 0.72%

LAB 73.72, 3.55, 0.12

 

CMYK 0 / 44 / 9 / 8

HEX #EA84D4

RGB 234 132 212

HSL 312.94, 0.71%, 0.72%

LAB 68.57, 49.77, -24.23

 

CMYK 0 / 44 / 21 / 8

HEX #EA84B9

RGB 234 132 185

HSL 328.82, 0.71%, 0.72%

LAB 67.65, 45.59, -10.54

 

CMYK 0 / 44 / 32 / 8

HEX #EA849E

RGB 234 132 158

HSL 344.71, 0.71%, 0.72%

LAB 66.87, 41.94, 3.52

 

CMYK 0 / 43 / 44 / 8

HEX #EA8684

RGB 234 134 132

HSL 1.18, 0.71%, 0.72%

LAB 66.68, 37.95, 17.9

 

CMYK 0 / 31 / 44 / 8

HEX #EAA184

RGB 234 161 132

HSL 17.06, 0.71%, 0.72%

LAB 72.66, 23.73, 26.03

 

CMYK 0 / 72 / 55 / 13

HEX #DE3E64

RGB 222 62 100

HSL 345.75, 0.71%, 0.56%

LAB 51.72, 63.56, 15.58

 

CMYK 0 / 57 / 44 / 11

HEX #E46180

RGB 228 97 128

HSL 345.8, 0.71%, 0.64%

LAB 58.6, 53.64, 8.76

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 30 / 23 / 6

HEX #F0A8B9

RGB 240 168 185

HSL 345.83, 0.71%, 0.8%

LAB 76.09, 28.85, 1.98

 

CMYK 0 / 17 / 13 / 4

HEX #F6CBD5

RGB 246 203 213

HSL 346.05, 0.7%, 0.88%

LAB 85.56, 16.71, 0.74

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 2 / 44 / 8

HEX #EAE584

RGB 234 229 132

HSL 57.06, 0.71%, 0.72%

LAB 89.49, -11.66, 47.72

 

CMYK 44 / 15 / 0 / 8

HEX #84C6EA

RGB 132 198 234

HSL 201.18, 0.71%, 0.72%

LAB 76.82, -11.66, -24.39

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 32 / 0 / 44 / 8

HEX #9EEA84

RGB 158 234 132

HSL 104.71, 0.71%, 0.72%

LAB 85.9, -41.9, 42.16

 

CMYK 44 / 32 / 0 / 8

HEX #849EEA

RGB 132 158 234

HSL 224.71, 0.71%, 0.72%

LAB 65.98, 10.37, -41.15

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 0 / 2 / 44 / 8

HEX #EAE584

RGB 234 229 132

HSL 57.06, 0.71%, 0.72%

LAB 89.49, -11.66, 47.72

 

CMYK 44 / 0 / 11 / 8

HEX #84EAD0

RGB 132 234 208

HSL 164.71, 0.71%, 0.72%

LAB 86.16, -35.84, 3.35

 

CMYK 44 / 41 / 0 / 8

HEX #8489EA

RGB 132 137 234

HSL 237.06, 0.71%, 0.72%

LAB 60.55, 22.57, -49.71

 

CMYK 0 / 44 / 33 / 8

HEX #EA849C

RGB 234 132 156

HSL 345.88, 0.71%, 0.72%

LAB 66.82, 41.69, 4.58

 

CMYK 11 / 0 / 44 / 8

HEX #D0EA84

RGB 208 234 132

HSL 75.29, 0.71%, 0.72%

LAB 88.89, -24.13, 46.55

 

CMYK 44 / 0 / 11 / 8

HEX #84EAD0

RGB 132 234 208

HSL 164.71, 0.71%, 0.72%

LAB 86.16, -35.84, 3.35

 

CMYK 32 / 44 / 0 / 8

HEX #9E84EA

RGB 158 132 234

HSL 255.29, 0.71%, 0.72%

LAB 61.41, 32.11, -48.22

 

Description

Color code: HEX #EA849C | qconv.com Color code: HEX #EA849C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 132 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 132 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 33% 8% C M Y K

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Provide designers and agencies with accurate color values.

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