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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA82DD it is the complementary color #157D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA82DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA82DD shade: #EF82D8, #FF94EB, #FFA6FE, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA82DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA82DD shade: #EA82DD, #D970CA, #C85EB7, #B74CA4 and #A63A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA82DD shade: #E980DC, #E980C0, #E980A3, #E98087 and #E98080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA82DD shade: #E980DC, #DA80E9, #BE80E9, #A180E9 and #8580E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA82DD shade matches the following richer shades: #E980DC and #F574E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA82DD shade: #E980DC, #DD8CD3, #D198CA, #C5A4C1 and #B9B0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA82DD shade: #BD80E9, #D980E9, #E980DD, #E980C1 and #E980A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA82DD shade: #DD39C9, #E35DD2, #E980DC, #EFA3E6 and #F5C7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA82DD shade: #EA82DD, #E9A180 and #80E9CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA82DD shade: #EA82DD, #DDE980 and #80DDE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA82DD shade: #EA82DD, #E9A180, #80E98C and #80C8E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA82DD shade: #EA82DD, #E9C180, #80E98C and #80A8E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

Complementary color

CMYK 83 / 0 / 73 / 51

HEX #157D22

RGB 21 125 34

HSL 127.5, 0.71%, 0.29%

LAB 45.55, -46.83, 39.76

 

CMYK 0 / 46 / 10 / 6

HEX #EF82D8

RGB 239 130 216

HSL 312.66, 0.77%, 0.72%

LAB 68.95, 52.94, -25.82

 

CMYK 0 / 42 / 8 / 0

HEX #FF94EB

RGB 255 148 235

HSL 311.21, 1%, 0.79%

LAB 75.1, 51.93, -26.67

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FE

RGB 255 166 254

HSL 300.67, 1%, 0.83%

LAB 79.44, 46.04, -30.3

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

CMYK 0 / 48 / 7 / 15

HEX #D970CA

RGB 217 112 202

HSL 308.57, 0.58%, 0.65%

LAB 62.17, 52.95, -28.65

 

CMYK 0 / 53 / 9 / 22

HEX #C85EB7

RGB 200 94 183

HSL 309.62, 0.49%, 0.58%

LAB 55.79, 53.56, -27.86

 

CMYK 0 / 58 / 10 / 28

HEX #B74CA4

RGB 183 76 164

HSL 310.65, 0.43%, 0.51%

LAB 49.39, 54.01, -26.89

 

CMYK 0 / 65 / 13 / 35

HEX #A63A91

RGB 166 58 145

HSL 311.67, 0.48%, 0.44%

LAB 43.03, 54.18, -25.64

 

CMYK 0 / 45 / 6 / 9

HEX #E980DC

RGB 233 128 220

HSL 307.43, 0.7%, 0.71%

LAB 67.97, 52.8, -29.61

 

CMYK 0 / 45 / 18 / 9

HEX #E980C0

RGB 233 128 192

HSL 323.43, 0.7%, 0.71%

LAB 66.95, 48.32, -15.53

 

CMYK 0 / 45 / 30 / 9

HEX #E980A3

RGB 233 128 163

HSL 340, 0.7%, 0.71%

LAB 66.06, 44.27, -0.5

 

CMYK 0 / 45 / 42 / 9

HEX #E98087

RGB 233 128 135

HSL 356, 0.7%, 0.71%

LAB 65.37, 40.98, 14.37

 

CMYK 0 / 45 / 45 / 9

HEX #E98080

RGB 233 128 128

HSL 0, 0.7%, 0.71%

LAB 65.22, 40.26, 18.11

 

CMYK 0 / 45 / 6 / 9

HEX #E980DC

RGB 233 128 220

HSL 307.43, 0.7%, 0.71%

LAB 67.97, 52.8, -29.61

 

CMYK 6 / 45 / 0 / 9

HEX #DA80E9

RGB 218 128 233

HSL 291.43, 0.7%, 0.71%

LAB 66.69, 50.77, -38.93

 

CMYK 18 / 45 / 0 / 9

HEX #BE80E9

RGB 190 128 233

HSL 275.43, 0.7%, 0.71%

LAB 63.56, 42.85, -44.05

 

CMYK 31 / 45 / 0 / 9

HEX #A180E9

RGB 161 128 233

HSL 258.86, 0.7%, 0.71%

LAB 60.69, 34.92, -48.78

 

CMYK 43 / 45 / 0 / 9

HEX #8580E9

RGB 133 128 233

HSL 242.86, 0.7%, 0.71%

LAB 58.33, 27.82, -52.68

 

CMYK 0 / 45 / 6 / 9

HEX #E980DC

RGB 233 128 220

HSL 307.43, 0.7%, 0.71%

LAB 67.97, 52.8, -29.61

 

CMYK 0 / 53 / 7 / 4

HEX #F574E5

RGB 245 116 229

HSL 307.44, 0.87%, 0.71%

LAB 67.7, 63.45, -34.9

 

CMYK 0 / 45 / 6 / 9

HEX #E980DC

RGB 233 128 220

HSL 307.43, 0.7%, 0.71%

LAB 67.97, 52.8, -29.61

 

CMYK 0 / 37 / 5 / 13

HEX #DD8CD3

RGB 221 140 211

HSL 307.41, 0.54%, 0.71%

LAB 68.63, 41.4, -23.72

 

CMYK 0 / 27 / 3 / 18

HEX #D198CA

RGB 209 152 202

HSL 307.37, 0.38%, 0.71%

LAB 69.67, 29.43, -17.28

 

CMYK 0 / 17 / 2 / 23

HEX #C5A4C1

RGB 197 164 193

HSL 307.27, 0.22%, 0.71%

LAB 71.06, 17.11, -10.32

 

CMYK 0 / 5 / 1 / 27

HEX #B9B0B8

RGB 185 176 184

HSL 306.67, 0.06%, 0.71%

LAB 72.78, 4.67, -2.94

 

CMYK 19 / 45 / 0 / 9

HEX #BD80E9

RGB 189 128 233

HSL 274.86, 0.7%, 0.71%

LAB 63.46, 42.57, -44.23

 

CMYK 7 / 45 / 0 / 9

HEX #D980E9

RGB 217 128 233

HSL 290.86, 0.7%, 0.71%

LAB 66.58, 50.48, -39.12

 

CMYK 0 / 45 / 5 / 9

HEX #E980DD

RGB 233 128 221

HSL 306.86, 0.7%, 0.71%

LAB 68.01, 52.97, -30.1

 

CMYK 0 / 45 / 17 / 9

HEX #E980C1

RGB 233 128 193

HSL 322.86, 0.7%, 0.71%

LAB 66.99, 48.47, -16.04

 

CMYK 0 / 45 / 29 / 9

HEX #E980A5

RGB 233 128 165

HSL 338.86, 0.7%, 0.71%

LAB 66.12, 44.53, -1.55

 

CMYK 0 / 74 / 9 / 13

HEX #DD39C9

RGB 221 57 201

HSL 307.32, 0.71%, 0.55%

LAB 54.57, 76.13, -39.89

 

CMYK 0 / 59 / 7 / 11

HEX #E35DD2

RGB 227 93 210

HSL 307.61, 0.71%, 0.63%

LAB 60.62, 65.78, -35.48

 

CMYK 0 / 45 / 6 / 9

HEX #E980DC

RGB 233 128 220

HSL 307.43, 0.7%, 0.71%

LAB 67.97, 52.8, -29.61

 

CMYK 0 / 32 / 4 / 6

HEX #EFA3E6

RGB 239 163 230

HSL 307.11, 0.7%, 0.79%

LAB 76.23, 38.36, -22.39

 

CMYK 0 / 19 / 2 / 4

HEX #F5C7EF

RGB 245 199 239

HSL 307.83, 0.7%, 0.87%

LAB 85.25, 22.86, -13.56

 

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

CMYK 0 / 31 / 45 / 9

HEX #E9A180

RGB 233 161 128

HSL 18.86, 0.7%, 0.71%

LAB 72.48, 22.92, 27.93

 

CMYK 45 / 0 / 13 / 9

HEX #80E9CB

RGB 128 233 203

HSL 162.86, 0.7%, 0.71%

LAB 85.59, -37.48, 5.14

 

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

CMYK 5 / 0 / 45 / 9

HEX #DDE980

RGB 221 233 128

HSL 66.86, 0.7%, 0.71%

LAB 89.49, -19.09, 49.43

 

CMYK 45 / 5 / 0 / 9

HEX #80DDE9

RGB 128 221 233

HSL 186.86, 0.7%, 0.71%

LAB 83.01, -24.59, -14.51

 

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

CMYK 0 / 31 / 45 / 9

HEX #E9A180

RGB 233 161 128

HSL 18.86, 0.7%, 0.71%

LAB 72.48, 22.92, 27.93

 

CMYK 45 / 0 / 40 / 9

HEX #80E98C

RGB 128 233 140

HSL 126.86, 0.7%, 0.71%

LAB 84.36, -49.42, 35.96

 

CMYK 45 / 14 / 0 / 9

HEX #80C8E9

RGB 128 200 233

HSL 198.86, 0.7%, 0.71%

LAB 77.15, -13.94, -23.37

 

CMYK 0 / 44 / 6 / 8

HEX #EA82DD

RGB 234 130 221

HSL 307.5, 0.71%, 0.71%

LAB 68.52, 52.27, -29.31

 

CMYK 0 / 17 / 45 / 9

HEX #E9C180

RGB 233 193 128

HSL 37.14, 0.7%, 0.71%

LAB 80.19, 5.96, 37.99

 

CMYK 45 / 0 / 40 / 9

HEX #80E98C

RGB 128 233 140

HSL 126.86, 0.7%, 0.71%

LAB 84.36, -49.42, 35.96

 

CMYK 45 / 28 / 0 / 9

HEX #80A8E9

RGB 128 168 233

HSL 217.14, 0.7%, 0.71%

LAB 68.37, 3.42, -36.89

 

Description

Color code: HEX #EA82DD | qconv.com Color code: HEX #EA82DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 130 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 130 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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