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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA8B7A it is the complementary color #157485. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA8B7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA8B7A shade: #EF8B75, #FF9D88, #FFAF9B, #FFC1AE and #FFD3C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA8B7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA8B7A shade: #EA8B7A, #D97967, #C86754, #B75541 and #A6432E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA8B7A shade: #EA8B7A and #EA7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA8B7A shade: #EA8B7A, #EAA97A, #EAC77A, #EAE57A and #D0EA7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA8B7A shade matches the following richer shades: #EA8B7A and #F6826E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA8B7A shade: #EA8B7A, #DD9487, #D19C93, #C5A59F and #B8AEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA8B7A shade: #EA7AA5, #EA7A87, #EA8B7A, #EAA97A and #EAC67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA8B7A shade: #DF4D33, #E46C56, #EA8B7A, #EFAA9E and #F5C9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA8B7A shade: #EA8B7A, #C3EA7A and #7A96EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA8B7A shade: #EA8B7A, #7AEA8B and #8B7AEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA8B7A shade: #EA8B7A, #C3EA7A, #7AD9EA and #A17AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA8B7A shade: #EA8B7A, #A1EA7A, #7AD9EA and #C37AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

Complementary color

CMYK 84 / 13 / 0 / 48

HEX #157485

RGB 21 116 133

HSL 189.11, 0.73%, 0.3%

LAB 44.72, -19.64, -16.77

 

CMYK 0 / 42 / 51 / 6

HEX #EF8B75

RGB 239 139 117

HSL 10.82, 0.79%, 0.7%

LAB 68.09, 35.81, 28.25

 

CMYK 0 / 38 / 47 / 0

HEX #FF9D88

RGB 255 157 136

HSL 10.59, 1%, 0.77%

LAB 74.29, 34.3, 26.47

 

CMYK 0 / 31 / 39 / 0

HEX #FFAF9B

RGB 255 175 155

HSL 12, 1%, 0.8%

LAB 78.63, 26.88, 22.1

 

CMYK 0 / 24 / 32 / 0

HEX #FFC1AE

RGB 255 193 174

HSL 14.07, 1%, 0.84%

LAB 83.16, 19.69, 18.2

 

CMYK 0 / 17 / 24 / 0

HEX #FFD3C1

RGB 255 211 193

HSL 17.42, 1%, 0.88%

LAB 87.82, 12.79, 14.69

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 44 / 53 / 15

HEX #D97967

RGB 217 121 103

HSL 9.47, 0.6%, 0.63%

LAB 61.14, 35.53, 26.35

 

CMYK 0 / 49 / 58 / 22

HEX #C86754

RGB 200 103 84

HSL 9.83, 0.51%, 0.56%

LAB 54.68, 36.8, 28.27

 

CMYK 0 / 54 / 64 / 28

HEX #B75541

RGB 183 85 65

HSL 10.17, 0.48%, 0.49%

LAB 48.19, 38.16, 30.47

 

CMYK 0 / 60 / 72 / 35

HEX #A6432E

RGB 166 67 46

HSL 10.5, 0.57%, 0.42%

LAB 41.72, 39.55, 33.02

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 48 / 48 / 8

HEX #EA7A7A

RGB 234 122 122

HSL 0, 0.73%, 0.7%

LAB 64.01, 43.09, 19.87

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 28 / 48 / 8

HEX #EAA97A

RGB 234 169 122

HSL 25.18, 0.73%, 0.7%

LAB 74.36, 18.47, 33.63

 

CMYK 0 / 15 / 48 / 8

HEX #EAC77A

RGB 234 199 122

HSL 41.25, 0.73%, 0.7%

LAB 81.7, 2.66, 42.96

 

CMYK 0 / 2 / 48 / 8

HEX #EAE57A

RGB 234 229 122

HSL 57.32, 0.73%, 0.7%

LAB 89.36, -12.59, 52.35

 

CMYK 11 / 0 / 48 / 8

HEX #D0EA7A

RGB 208 234 122

HSL 73.93, 0.73%, 0.7%

LAB 88.76, -25.16, 51.17

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 47 / 55 / 4

HEX #F6826E

RGB 246 130 110

HSL 8.82, 0.88%, 0.7%

LAB 67.04, 42.45, 30.9

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 33 / 39 / 13

HEX #DD9487

RGB 221 148 135

HSL 9.07, 0.56%, 0.7%

LAB 68.24, 25.95, 18.13

 

CMYK 0 / 25 / 30 / 18

HEX #D19C93

RGB 209 156 147

HSL 8.71, 0.4%, 0.7%

LAB 69.07, 18.5, 12.43

 

CMYK 0 / 16 / 19 / 23

HEX #C5A59F

RGB 197 165 159

HSL 9.47, 0.25%, 0.7%

LAB 70.37, 10.76, 7.47

 

CMYK 0 / 5 / 7 / 28

HEX #B8AEAC

RGB 184 174 172

HSL 10, 0.08%, 0.7%

LAB 71.85, 3.21, 2.29

 

CMYK 0 / 48 / 29 / 8

HEX #EA7AA5

RGB 234 122 165

HSL 336.96, 0.73%, 0.7%

LAB 65.06, 47.88, -3.08

 

CMYK 0 / 48 / 42 / 8

HEX #EA7A87

RGB 234 122 135

HSL 353.04, 0.73%, 0.7%

LAB 64.29, 44.38, 12.88

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 28 / 48 / 8

HEX #EAA97A

RGB 234 169 122

HSL 25.18, 0.73%, 0.7%

LAB 74.36, 18.47, 33.63

 

CMYK 0 / 15 / 48 / 8

HEX #EAC67A

RGB 234 198 122

HSL 40.71, 0.73%, 0.7%

LAB 81.45, 3.18, 42.65

 

CMYK 0 / 65 / 77 / 13

HEX #DF4D33

RGB 223 77 51

HSL 9.07, 0.73%, 0.54%

LAB 53.21, 55.53, 45.59

 

CMYK 0 / 53 / 62 / 11

HEX #E46C56

RGB 228 108 86

HSL 9.3, 0.72%, 0.62%

LAB 59.79, 44.98, 34.44

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 0 / 29 / 34 / 6

HEX #EFAA9E

RGB 239 170 158

HSL 8.89, 0.72%, 0.78%

LAB 75.8, 23.82, 16.3

 

CMYK 0 / 18 / 21 / 4

HEX #F5C9C2

RGB 245 201 194

HSL 8.24, 0.72%, 0.86%

LAB 84.53, 14.51, 9.35

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 17 / 0 / 48 / 8

HEX #C3EA7A

RGB 195 234 122

HSL 80.89, 0.73%, 0.7%

LAB 87.9, -30.07, 49.93

 

CMYK 48 / 36 / 0 / 8

HEX #7A96EA

RGB 122 150 234

HSL 225, 0.73%, 0.7%

LAB 63.25, 12.58, -45.48

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 48 / 0 / 41 / 8

HEX #7AEA8B

RGB 122 234 139

HSL 129.11, 0.73%, 0.7%

LAB 84.4, -51.61, 36.47

 

CMYK 41 / 48 / 0 / 8

HEX #8B7AEA

RGB 139 122 234

HSL 249.11, 0.73%, 0.7%

LAB 57.41, 33.05, -54.66

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 17 / 0 / 48 / 8

HEX #C3EA7A

RGB 195 234 122

HSL 80.89, 0.73%, 0.7%

LAB 87.9, -30.07, 49.93

 

CMYK 48 / 7 / 0 / 8

HEX #7AD9EA

RGB 122 217 234

HSL 189.11, 0.73%, 0.7%

LAB 81.68, -23.71, -17.07

 

CMYK 31 / 48 / 0 / 8

HEX #A17AEA

RGB 161 122 234

HSL 260.89, 0.73%, 0.7%

LAB 59.38, 38.56, -51.42

 

CMYK 0 / 41 / 48 / 8

HEX #EA8B7A

RGB 234 139 122

HSL 9.11, 0.73%, 0.7%

LAB 67.55, 34.36, 24.66

 

CMYK 31 / 0 / 48 / 8

HEX #A1EA7A

RGB 161 234 122

HSL 99.11, 0.73%, 0.7%

LAB 85.92, -42.16, 47.05

 

CMYK 48 / 7 / 0 / 8

HEX #7AD9EA

RGB 122 217 234

HSL 189.11, 0.73%, 0.7%

LAB 81.68, -23.71, -17.07

 

CMYK 17 / 48 / 0 / 8

HEX #C37AEA

RGB 195 122 234

HSL 279.11, 0.73%, 0.7%

LAB 62.9, 47.65, -45.62

 

Description

Color code: HEX #EA8B7A | qconv.com Color code: HEX #EA8B7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 139 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 139 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 48 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 48% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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