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Color name
HEX #EAA5FC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAA5FC it is the complementary color #155A03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAA5FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAA5FC shade: #EFA5F7, #FFB7FF, #FFC9FF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAA5FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAA5FC shade: #EAA5FC, #D993E9, #C881D6, #B76FC3 and #A65DB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAA5FC shade: #EAA5FC, #FCA5F6, #FCA5DF, #FCA5C8 and #FCA5B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAA5FC shade: #EAA5FC, #D3A5FC, #BBA5FC and #A5A5FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAA5FC shade matches the following richer shades: #EAA5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAA5FC shade: #EAA5FC, #E6ADF4, #E1B4ED, #DDBCE5 and #D8C3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAA5FC shade: #BBA5FC, #D2A5FC, #E9A5FC, #FCA5F7 and #FCA5E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAA5FC shade: #D755F9, #E17DFB, #EAA5FC, #F3CDFD and #FCF5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAA5FC shade: #EAA5FC, #FCA5A7 and #A5FCC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAA5FC shade: #EAA5FC, #FCE9A5 and #A5FCE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAA5FC shade: #EAA5FC, #FCA5A7, #B8FCA5 and #A5FCFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAA5FC shade: #EAA5FC, #FCBEA5, #B8FCA5 and #A5E3FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

Complementary color

CMYK 77 / 0 / 97 / 65

HEX #155A03

RGB 21 90 3

HSL 107.59, 0.94%, 0.18%

LAB 32.87, -37, 38.32

 

CMYK 3 / 33 / 0 / 3

HEX #EFA5F7

RGB 239 165 247

HSL 294.15, 0.84%, 0.81%

LAB 77.27, 40.39, -30.01

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 7 / 37 / 0 / 9

HEX #D993E9

RGB 217 147 233

HSL 288.84, 0.66%, 0.75%

LAB 70.53, 40.53, -32.98

 

CMYK 7 / 40 / 0 / 16

HEX #C881D6

RGB 200 129 214

HSL 290.12, 0.51%, 0.67%

LAB 64.03, 41.28, -32.68

 

CMYK 6 / 43 / 0 / 24

HEX #B76FC3

RGB 183 111 195

HSL 291.43, 0.41%, 0.6%

LAB 57.44, 42.05, -32.35

 

CMYK 6 / 47 / 0 / 31

HEX #A65DB0

RGB 166 93 176

HSL 292.77, 0.34%, 0.53%

LAB 50.77, 42.81, -31.96

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 0 / 35 / 2 / 1

HEX #FCA5F6

RGB 252 165 246

HSL 304.14, 0.94%, 0.82%

LAB 78.61, 44.22, -27.29

 

CMYK 0 / 35 / 12 / 1

HEX #FCA5DF

RGB 252 165 223

HSL 320, 0.94%, 0.82%

LAB 77.84, 40.35, -16.02

 

CMYK 0 / 35 / 21 / 1

HEX #FCA5C8

RGB 252 165 200

HSL 335.86, 0.94%, 0.82%

LAB 77.15, 36.81, -4.51

 

CMYK 0 / 35 / 30 / 1

HEX #FCA5B1

RGB 252 165 177

HSL 351.72, 0.94%, 0.82%

LAB 76.55, 33.64, 7.18

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 16 / 35 / 0 / 1

HEX #D3A5FC

RGB 211 165 252

HSL 271.72, 0.94%, 0.82%

LAB 74.69, 32.92, -36.91

 

CMYK 26 / 35 / 0 / 1

HEX #BBA5FC

RGB 187 165 252

HSL 255.17, 0.94%, 0.82%

LAB 72.56, 25.94, -40.39

 

CMYK 35 / 35 / 0 / 1

HEX #A5A5FC

RGB 165 165 252

HSL 240, 0.94%, 0.82%

LAB 70.83, 19.84, -43.23

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 6 / 29 / 0 / 4

HEX #E6ADF4

RGB 230 173 244

HSL 288.17, 0.76%, 0.82%

LAB 78.02, 32.78, -27.32

 

CMYK 5 / 24 / 0 / 7

HEX #E1B4ED

RGB 225 180 237

HSL 287.37, 0.61%, 0.82%

LAB 78.91, 26.09, -22.23

 

CMYK 3 / 18 / 0 / 10

HEX #DDBCE5

RGB 221 188 229

HSL 288.29, 0.44%, 0.82%

LAB 80.18, 18.95, -16.04

 

CMYK 3 / 12 / 0 / 13

HEX #D8C3DE

RGB 216 195 222

HSL 286.67, 0.29%, 0.82%

LAB 81.24, 12.2, -10.73

 

CMYK 26 / 35 / 0 / 1

HEX #BBA5FC

RGB 187 165 252

HSL 255.17, 0.94%, 0.82%

LAB 72.56, 25.94, -40.39

 

CMYK 17 / 35 / 0 / 1

HEX #D2A5FC

RGB 210 165 252

HSL 271.03, 0.94%, 0.82%

LAB 74.6, 32.63, -37.07

 

CMYK 8 / 35 / 0 / 1

HEX #E9A5FC

RGB 233 165 252

HSL 286.9, 0.94%, 0.82%

LAB 76.84, 39.52, -33.42

 

CMYK 0 / 35 / 2 / 1

HEX #FCA5F7

RGB 252 165 247

HSL 303.45, 0.94%, 0.82%

LAB 78.65, 44.4, -27.77

 

CMYK 0 / 35 / 11 / 1

HEX #FCA5E0

RGB 252 165 224

HSL 319.31, 0.94%, 0.82%

LAB 77.87, 40.51, -16.51

 

CMYK 14 / 66 / 0 / 2

HEX #D755F9

RGB 215 85 249

HSL 287.56, 0.93%, 0.65%

LAB 59.69, 72.94, -58.87

 

CMYK 10 / 50 / 0 / 2

HEX #E17DFB

RGB 225 125 251

HSL 287.62, 0.94%, 0.74%

LAB 67.75, 57.65, -47.1

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 4 / 19 / 0 / 1

HEX #F3CDFD

RGB 243 205 253

HSL 287.5, 0.92%, 0.9%

LAB 86.9, 21.6, -18.51

 

CMYK 1 / 4 / 0 / 0

HEX #FCF5FE

RGB 252 245 254

HSL 286.67, 0.82%, 0.98%

LAB 97.29, 3.91, -3.49

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 0 / 35 / 34 / 1

HEX #FCA5A7

RGB 252 165 167

HSL 358.62, 0.94%, 0.82%

LAB 76.31, 32.39, 12.32

 

CMYK 35 / 0 / 21 / 1

HEX #A5FCC7

RGB 165 252 199

HSL 143.45, 0.94%, 0.82%

LAB 92.46, -37.08, 17.22

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 0 / 8 / 35 / 1

HEX #FCE9A5

RGB 252 233 165

HSL 46.9, 0.94%, 0.82%

LAB 92.44, -3.17, 35.43

 

CMYK 35 / 0 / 8 / 1

HEX #A5FCE9

RGB 165 252 233

HSL 166.9, 0.94%, 0.82%

LAB 93.23, -30.24, 0.79

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 0 / 35 / 34 / 1

HEX #FCA5A7

RGB 252 165 167

HSL 358.62, 0.94%, 0.82%

LAB 76.31, 32.39, 12.32

 

CMYK 27 / 0 / 35 / 1

HEX #B8FCA5

RGB 184 252 165

HSL 106.9, 0.94%, 0.82%

LAB 92.81, -36.84, 35.08

 

CMYK 35 / 0 / 1 / 1

HEX #A5FCFA

RGB 165 252 250

HSL 178.62, 0.94%, 0.82%

LAB 93.68, -26.47, -7.36

 

CMYK 7 / 35 / 0 / 1

HEX #EAA5FC

RGB 234 165 252

HSL 287.59, 0.94%, 0.82%

LAB 76.94, 39.82, -33.25

 

CMYK 0 / 25 / 35 / 1

HEX #FCBEA5

RGB 252 190 165

HSL 17.24, 0.94%, 0.82%

LAB 81.97, 19.03, 21.29

 

CMYK 27 / 0 / 35 / 1

HEX #B8FCA5

RGB 184 252 165

HSL 106.9, 0.94%, 0.82%

LAB 92.81, -36.84, 35.08

 

CMYK 35 / 10 / 0 / 1

HEX #A5E3FC

RGB 165 227 252

HSL 197.24, 0.94%, 0.82%

LAB 86.98, -13.64, -18.4

 

Description

Color code: HEX #EAA5FC | qconv.com Color code: HEX #EAA5FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 165 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 165 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 35 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 35% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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