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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAD9E it is the complementary color #155261. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAD9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAD9E shade: #EFAD99, #FFBFAC, #FFD1BF, #FFE3D2 and #FFF5E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAD9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAD9E shade: #EAAD9E, #D99B8B, #C88978, #B77765 and #A66552

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAD9E shade: #E9AD9E and #E99E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAD9E shade: #E9AD9E, #E9C19E, #E9D69E, #E9E99E and #D5E99E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAD9E shade matches the following richer shades: #E9AD9E, #F3A795 and #FCA28B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAD9E shade: #E9AD9E, #E0B3A8, #D6B9B1, #CDBEBB and #C3C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAD9E shade: #E99EB9, #E99EA5, #E9AC9E, #E9C09E and #E9D49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAD9E shade: #DB745B, #E2917C, #E9AD9E, #F1CAC0 and #F8E6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAD9E shade: #EAAD9E, #CDE99E and #9EAFE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAD9E shade: #EAAD9E, #9EE9AC and #AC9EE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAD9E shade: #EAAD9E, #CDE99E, #9EDCE9 and #BB9EE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAD9E shade: #EAAD9E, #B6E99E, #9EDCE9 and #D29EE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

Complementary color

CMYK 78 / 15 / 0 / 62

HEX #155261

RGB 21 82 97

HSL 191.84, 0.64%, 0.23%

LAB 31.94, -13.41, -14.25

 

CMYK 0 / 28 / 36 / 6

HEX #EFAD99

RGB 239 173 153

HSL 13.95, 0.73%, 0.77%

LAB 76.4, 21.62, 19.84

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAC

RGB 255 191 172

HSL 13.73, 1%, 0.84%

LAB 82.65, 20.49, 18.55

 

CMYK 0 / 18 / 25 / 0

HEX #FFD1BF

RGB 255 209 191

HSL 16.88, 1%, 0.87%

LAB 87.3, 13.56, 15.01

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D2

RGB 255 227 210

HSL 22.67, 1%, 0.91%

LAB 92.07, 6.96, 11.8

HEX #FFE3D2

CMYK 0 / 4 / 10 / 0

HEX #FFF5E5

RGB 255 245 229

HSL 36.92, 1%, 0.95%

LAB 96.91, 0.7, 8.88

HEX #FFF5E5

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

CMYK 0 / 29 / 36 / 15

HEX #D99B8B

RGB 217 155 139

HSL 12.31, 0.51%, 0.7%

LAB 69.51, 21.11, 17.6

 

CMYK 0 / 32 / 40 / 22

HEX #C88978

RGB 200 137 120

HSL 12.75, 0.42%, 0.63%

LAB 62.95, 21.98, 18.85

 

CMYK 0 / 35 / 45 / 28

HEX #B77765

RGB 183 119 101

HSL 13.17, 0.36%, 0.56%

LAB 56.29, 22.97, 20.25

 

CMYK 0 / 39 / 51 / 35

HEX #A66552

RGB 166 101 82

HSL 13.57, 0.34%, 0.49%

LAB 49.52, 24.11, 21.82

 

CMYK 0 / 26 / 32 / 9

HEX #E9AD9E

RGB 233 173 158

HSL 12, 0.63%, 0.77%

LAB 75.87, 19.95, 16.3

 

CMYK 0 / 32 / 32 / 9

HEX #E99E9E

RGB 233 158 158

HSL 0, 0.63%, 0.77%

LAB 72.39, 27.94, 11.41

 

CMYK 0 / 26 / 32 / 9

HEX #E9AD9E

RGB 233 173 158

HSL 12, 0.63%, 0.77%

LAB 75.87, 19.95, 16.3

 

CMYK 0 / 17 / 32 / 9

HEX #E9C19E

RGB 233 193 158

HSL 28, 0.63%, 0.77%

LAB 80.7, 9.33, 22.98

 

CMYK 0 / 8 / 32 / 9

HEX #E9D69E

RGB 233 214 158

HSL 44.8, 0.63%, 0.77%

LAB 85.95, -1.6, 30.09

 

CMYK 0 / 0 / 32 / 9

HEX #E9E99E

RGB 233 233 158

HSL 60, 0.63%, 0.77%

LAB 90.81, -11.21, 36.54

 

CMYK 9 / 0 / 32 / 9

HEX #D5E99E

RGB 213 233 158

HSL 76, 0.63%, 0.77%

LAB 89.34, -18.69, 34.33

 

CMYK 0 / 26 / 32 / 9

HEX #E9AD9E

RGB 233 173 158

HSL 12, 0.63%, 0.77%

LAB 75.87, 19.95, 16.3

 

CMYK 0 / 31 / 39 / 5

HEX #F3A795

RGB 243 167 149

HSL 11.49, 0.8%, 0.77%

LAB 75.37, 25.86, 20.65

 

CMYK 0 / 36 / 45 / 1

HEX #FCA28B

RGB 252 162 139

HSL 12.21, 0.95%, 0.77%

LAB 75.08, 30.86, 25.85

 

CMYK 0 / 26 / 32 / 9

HEX #E9AD9E

RGB 233 173 158

HSL 12, 0.63%, 0.77%

LAB 75.87, 19.95, 16.3

 

CMYK 0 / 20 / 25 / 12

HEX #E0B3A8

RGB 224 179 168

HSL 11.79, 0.47%, 0.77%

LAB 76.63, 14.68, 11.8

 

CMYK 0 / 14 / 17 / 16

HEX #D6B9B1

RGB 214 185 177

HSL 12.97, 0.31%, 0.77%

LAB 77.38, 9.08, 7.87

 

CMYK 0 / 7 / 9 / 20

HEX #CDBEBB

RGB 205 190 187

HSL 10, 0.15%, 0.77%

LAB 78.11, 4.77, 3.41

 

CMYK 1 / 0 / 0 / 23

HEX #C3C4C4

RGB 195 196 196

HSL 180, 0.01%, 0.77%

LAB 79.08, -0.34, -0.13

 

CMYK 0 / 32 / 21 / 9

HEX #E99EB9

RGB 233 158 185

HSL 338.4, 0.63%, 0.77%

LAB 73.08, 31.67, -2.51

 

CMYK 0 / 32 / 29 / 9

HEX #E99EA5

RGB 233 158 165

HSL 354.4, 0.63%, 0.77%

LAB 72.56, 28.85, 7.78

 

CMYK 0 / 26 / 32 / 9

HEX #E9AC9E

RGB 233 172 158

HSL 11.2, 0.63%, 0.77%

LAB 75.64, 20.48, 15.97

 

CMYK 0 / 18 / 32 / 9

HEX #E9C09E

RGB 233 192 158

HSL 27.2, 0.63%, 0.77%

LAB 80.46, 9.86, 22.64

 

CMYK 0 / 9 / 32 / 9

HEX #E9D49E

RGB 233 212 158

HSL 43.2, 0.63%, 0.77%

LAB 85.44, -0.57, 29.41

 

CMYK 0 / 47 / 58 / 14

HEX #DB745B

RGB 219 116 91

HSL 11.72, 0.64%, 0.61%

LAB 60.16, 37.93, 31.85

 

CMYK 0 / 36 / 45 / 11

HEX #E2917C

RGB 226 145 124

HSL 12.35, 0.64%, 0.69%

LAB 67.93, 28.31, 23.89

 

CMYK 0 / 26 / 32 / 9

HEX #E9AD9E

RGB 233 173 158

HSL 12, 0.63%, 0.77%

LAB 75.87, 19.95, 16.3

 

CMYK 0 / 16 / 20 / 5

HEX #F1CAC0

RGB 241 202 192

HSL 12.24, 0.64%, 0.85%

LAB 84.35, 12.23, 10.12

 

CMYK 0 / 7 / 9 / 3

HEX #F8E6E2

RGB 248 230 226

HSL 10.91, 0.61%, 0.93%

LAB 92.59, 5.45, 4.14

 

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

CMYK 12 / 0 / 32 / 9

HEX #CDE99E

RGB 205 233 158

HSL 82.4, 0.63%, 0.77%

LAB 88.79, -21.62, 33.5

 

CMYK 32 / 25 / 0 / 9

HEX #9EAFE9

RGB 158 175 233

HSL 226.4, 0.63%, 0.77%

LAB 72.1, 7.44, -30.96

 

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

CMYK 32 / 0 / 26 / 9

HEX #9EE9AC

RGB 158 233 172

HSL 131.2, 0.63%, 0.77%

LAB 86.27, -35.35, 22.45

 

CMYK 26 / 32 / 0 / 9

HEX #AC9EE9

RGB 172 158 233

HSL 251.2, 0.63%, 0.77%

LAB 68.83, 20.99, -35.94

 

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

CMYK 12 / 0 / 32 / 9

HEX #CDE99E

RGB 205 233 158

HSL 82.4, 0.63%, 0.77%

LAB 88.79, -21.62, 33.5

 

CMYK 32 / 6 / 0 / 9

HEX #9EDCE9

RGB 158 220 233

HSL 190.4, 0.63%, 0.77%

LAB 84.14, -16.51, -12.67

 

CMYK 20 / 32 / 0 / 9

HEX #BB9EE9

RGB 187 158 233

HSL 263.2, 0.63%, 0.77%

LAB 70.11, 25.43, -33.86

 

CMYK 0 / 26 / 32 / 8

HEX #EAAD9E

RGB 234 173 158

HSL 11.84, 0.64%, 0.77%

LAB 75.98, 20.33, 16.46

 

CMYK 22 / 0 / 32 / 9

HEX #B6E99E

RGB 182 233 158

HSL 100.8, 0.63%, 0.77%

LAB 87.33, -29.76, 31.3

 

CMYK 32 / 6 / 0 / 9

HEX #9EDCE9

RGB 158 220 233

HSL 190.4, 0.63%, 0.77%

LAB 84.14, -16.51, -12.67

 

CMYK 10 / 32 / 0 / 9

HEX #D29EE9

RGB 210 158 233

HSL 281.6, 0.63%, 0.77%

LAB 72.25, 32.46, -30.37

 

Description

Color code: HEX #EAAD9E | qconv.com Color code: HEX #EAAD9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 173 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 173 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 32% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 반트36.5&VT코스메틱
Link: http://vant365.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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