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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB4DD it is the complementary color #154B22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB4DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB4DD shade: #EFB4D8, #FFC6EB, #FFD8FE, #FFEAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB4DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB4DD shade: #EAB4DD, #D9A2CA, #C890B7, #B77EA4 and #A66C91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB4DD shade: #E9B3DC, #E9B3CD, #E9B3BF and #E9B3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB4DD shade: #E9B3DC, #E8B3E9, #D9B3E9, #CAB3E9 and #BCB3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB4DD shade matches the following richer shades: #E9B3DC, #F1ABE0 and #F9A3E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB4DD shade: #E9B3DC, #E1BBD8, #DAC3D4, #D2CAD0 and #CAD2CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB4DD shade: #D9B3E9, #E7B3E9, #E9B3DD, #E9B3CE and #E9B3C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB4DD shade: #D773BF, #E093CD, #E9B3DC, #F2D3EB and #FBF3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB4DD shade: #EAB4DD, #E9CAB3 and #B3E9E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB4DD shade: #EAB4DD, #DDE9B3 and #B3DDE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB4DD shade: #EAB4DD, #E9CAB3, #B3E9C0 and #B3D2E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB4DD shade: #EAB4DD, #E9DBB3, #B3E9C0 and #B3C1E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

Complementary color

CMYK 72 / 0 / 55 / 71

HEX #154B22

RGB 21 75 34

HSL 134.44, 0.56%, 0.19%

LAB 27.59, -27.91, 19.29

 

CMYK 0 / 25 / 10 / 6

HEX #EFB4D8

RGB 239 180 216

HSL 323.39, 0.65%, 0.82%

LAB 79.59, 26.95, -9.74

 

CMYK 0 / 22 / 8 / 0

HEX #FFC6EB

RGB 255 198 235

HSL 321.05, 1%, 0.89%

LAB 85.83, 26.04, -10.46

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FE

RGB 255 216 254

HSL 301.54, 1%, 0.92%

LAB 90.56, 19.9, -13.44

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

CMYK 0 / 25 / 7 / 15

HEX #D9A2CA

RGB 217 162 202

HSL 316.36, 0.42%, 0.74%

LAB 72.8, 26.71, -12.48

 

CMYK 0 / 28 / 9 / 22

HEX #C890B7

RGB 200 144 183

HSL 318.21, 0.34%, 0.67%

LAB 66.25, 27.35, -11.92

 

CMYK 0 / 31 / 10 / 28

HEX #B77EA4

RGB 183 126 164

HSL 320, 0.28%, 0.61%

LAB 59.59, 28.04, -11.33

 

CMYK 0 / 35 / 13 / 35

HEX #A66C91

RGB 166 108 145

HSL 321.72, 0.25%, 0.54%

LAB 52.81, 28.79, -10.68

 

CMYK 0 / 23 / 6 / 9

HEX #E9B3DC

RGB 233 179 220

HSL 314.44, 0.55%, 0.81%

LAB 78.89, 26.13, -13.01

 

CMYK 0 / 23 / 12 / 9

HEX #E9B3CD

RGB 233 179 205

HSL 331.11, 0.55%, 0.81%

LAB 78.45, 23.59, -5.54

 

CMYK 0 / 23 / 18 / 9

HEX #E9B3BF

RGB 233 179 191

HSL 346.67, 0.55%, 0.81%

LAB 78.07, 21.37, 1.5

 

CMYK 0 / 23 / 23 / 9

HEX #E9B3B3

RGB 233 179 179

HSL 0, 0.55%, 0.81%

LAB 77.77, 19.59, 7.58

 

CMYK 0 / 23 / 6 / 9

HEX #E9B3DC

RGB 233 179 220

HSL 314.44, 0.55%, 0.81%

LAB 78.89, 26.13, -13.01

 

CMYK 0 / 23 / 0 / 9

HEX #E8B3E9

RGB 232 179 233

HSL 298.89, 0.55%, 0.81%

LAB 79.2, 28.14, -19.57

 

CMYK 7 / 23 / 0 / 9

HEX #D9B3E9

RGB 217 179 233

HSL 282.22, 0.55%, 0.81%

LAB 77.8, 23.27, -21.82

 

CMYK 13 / 23 / 0 / 9

HEX #CAB3E9

RGB 202 179 233

HSL 265.56, 0.55%, 0.81%

LAB 76.48, 18.48, -23.95

 

CMYK 19 / 23 / 0 / 9

HEX #BCB3E9

RGB 188 179 233

HSL 250, 0.55%, 0.81%

LAB 75.34, 14.11, -25.8

 

CMYK 0 / 23 / 6 / 9

HEX #E9B3DC

RGB 233 179 220

HSL 314.44, 0.55%, 0.81%

LAB 78.89, 26.13, -13.01

 

CMYK 0 / 29 / 7 / 5

HEX #F1ABE0

RGB 241 171 224

HSL 314.57, 0.71%, 0.81%

LAB 78, 33.75, -16.43

 

CMYK 0 / 35 / 8 / 2

HEX #F9A3E4

RGB 249 163 228

HSL 314.65, 0.88%, 0.81%

LAB 77.24, 41.23, -19.66

 

CMYK 0 / 23 / 6 / 9

HEX #E9B3DC

RGB 233 179 220

HSL 314.44, 0.55%, 0.81%

LAB 78.89, 26.13, -13.01

 

CMYK 0 / 17 / 4 / 12

HEX #E1BBD8

RGB 225 187 216

HSL 314.21, 0.39%, 0.81%

LAB 79.9, 18.43, -9.42

 

CMYK 0 / 11 / 3 / 15

HEX #DAC3D4

RGB 218 195 212

HSL 315.65, 0.24%, 0.81%

LAB 81.12, 11.04, -5.52

 

CMYK 0 / 4 / 1 / 18

HEX #D2CAD0

RGB 210 202 208

HSL 315, 0.08%, 0.81%

LAB 82.11, 3.85, -2

 

CMYK 4 / 0 / 3 / 18

HEX #CAD2CC

RGB 202 210 204

HSL 135, 0.08%, 0.81%

LAB 83.45, -3.82, 2.02

 

CMYK 7 / 23 / 0 / 9

HEX #D9B3E9

RGB 217 179 233

HSL 282.22, 0.55%, 0.81%

LAB 77.8, 23.27, -21.82

 

CMYK 1 / 23 / 0 / 9

HEX #E7B3E9

RGB 231 179 233

HSL 297.78, 0.55%, 0.81%

LAB 79.11, 27.81, -19.72

 

CMYK 0 / 23 / 5 / 9

HEX #E9B3DD

RGB 233 179 221

HSL 313.33, 0.55%, 0.81%

LAB 78.92, 26.31, -13.51

 

CMYK 0 / 23 / 12 / 9

HEX #E9B3CE

RGB 233 179 206

HSL 330, 0.55%, 0.81%

LAB 78.47, 23.76, -6.04

 

CMYK 0 / 23 / 18 / 9

HEX #E9B3C0

RGB 233 179 192

HSL 345.56, 0.55%, 0.81%

LAB 78.09, 21.52, 0.99

 

CMYK 0 / 47 / 11 / 16

HEX #D773BF

RGB 215 115 191

HSL 314.4, 0.56%, 0.65%

LAB 62.06, 49.04, -22.62

 

CMYK 0 / 34 / 8 / 12

HEX #E093CD

RGB 224 147 205

HSL 314.81, 0.55%, 0.73%

LAB 70.26, 37.63, -17.88

 

CMYK 0 / 23 / 6 / 9

HEX #E9B3DC

RGB 233 179 220

HSL 314.44, 0.55%, 0.81%

LAB 78.89, 26.13, -13.01

 

CMYK 0 / 13 / 3 / 5

HEX #F2D3EB

RGB 242 211 235

HSL 313.55, 0.54%, 0.89%

LAB 87.71, 14.82, -7.8

 

CMYK 0 / 3 / 1 / 2

HEX #FBF3F9

RGB 251 243 249

HSL 315, 0.5%, 0.97%

LAB 96.6, 3.72, -1.94

 

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

CMYK 0 / 13 / 23 / 9

HEX #E9CAB3

RGB 233 202 179

HSL 25.56, 0.55%, 0.81%

LAB 83.35, 7.41, 15.5

 

CMYK 23 / 0 / 4 / 9

HEX #B3E9E0

RGB 179 233 224

HSL 170, 0.55%, 0.81%

LAB 88.56, -18.98, -1.26

 

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

CMYK 5 / 0 / 23 / 9

HEX #DDE9B3

RGB 221 233 179

HSL 73.33, 0.55%, 0.81%

LAB 90.28, -12.9, 24.97

 

CMYK 23 / 5 / 0 / 9

HEX #B3DDE9

RGB 179 221 233

HSL 193.33, 0.55%, 0.81%

LAB 85.59, -11.01, -10.38

 

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

CMYK 0 / 13 / 23 / 9

HEX #E9CAB3

RGB 233 202 179

HSL 25.56, 0.55%, 0.81%

LAB 83.35, 7.41, 15.5

 

CMYK 23 / 0 / 18 / 9

HEX #B3E9C0

RGB 179 233 192

HSL 134.44, 0.55%, 0.81%

LAB 87.81, -25.2, 14.39

 

CMYK 23 / 10 / 0 / 9

HEX #B3D2E9

RGB 179 210 233

HSL 205.56, 0.55%, 0.81%

LAB 82.68, -5.31, -14.74

 

CMYK 0 / 23 / 6 / 8

HEX #EAB4DD

RGB 234 180 221

HSL 314.44, 0.56%, 0.81%

LAB 79.25, 26.11, -13

 

CMYK 0 / 6 / 23 / 9

HEX #E9DBB3

RGB 233 219 179

HSL 44.44, 0.55%, 0.81%

LAB 87.6, -1.41, 21.43

 

CMYK 23 / 0 / 18 / 9

HEX #B3E9C0

RGB 179 233 192

HSL 134.44, 0.55%, 0.81%

LAB 87.81, -25.2, 14.39

 

CMYK 23 / 17 / 0 / 9

HEX #B3C1E9

RGB 179 193 233

HSL 224.44, 0.55%, 0.81%

LAB 78.23, 3.73, -21.45

 

Description

Color code: HEX #EAB4DD | qconv.com Color code: HEX #EAB4DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 180 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 180 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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