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Color name
HEX #EAB652

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB652 it is the complementary color #1549AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB652 shade: #EFB64D, #FFC860, #FFDA73, #FFEC86 and #FFFE99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB652 shade: #EAB652, #D9A43F, #C8922C, #B78019 and #A66E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB652 shade: #E9B552, #E98D52, #E96452 and #E95252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB652 shade: #E9B552, #E9DE52, #CBE952, #A3E952 and #7AE952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB652 shade matches the following richer shades: #E9B552 and #F9BA42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB652 shade: #E9B552, #DAB162, #CAAC71, #BAA781 and #AAA291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB652 shade: #E96452, #E98C52, #E9B452, #E9DD52 and #CDE952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB652 shade: #CF9119, #E5A62D, #E9B552, #EEC577 and #F2D59B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB652 shade: #EAB652, #69E952 and #7852E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB652 shade: #EAB652, #52E9B4 and #B452E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB652 shade: #EAB652, #69E952, #5287E9 and #D352E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB652 shade: #EAB652, #52E969, #5287E9 and #E952D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

Complementary color

CMYK 88 / 58 / 0 / 32

HEX #1549AD

RGB 21 73 173

HSL 219.47, 0.78%, 0.38%

LAB 33.86, 22.96, -57.9

 

CMYK 0 / 24 / 68 / 6

HEX #EFB64D

RGB 239 182 77

HSL 38.89, 0.84%, 0.62%

LAB 77.49, 10.3, 59.53

 

CMYK 0 / 22 / 62 / 0

HEX #FFC860

RGB 255 200 96

HSL 39.25, 1%, 0.69%

LAB 83.66, 8.69, 58.26

 

CMYK 0 / 15 / 55 / 0

HEX #FFDA73

RGB 255 218 115

HSL 44.14, 1%, 0.73%

LAB 88.28, 0.79, 54.79

 

CMYK 0 / 7 / 47 / 0

HEX #FFEC86

RGB 255 236 134

HSL 50.58, 1%, 0.76%

LAB 93, -6.7, 51.47

 

CMYK 0 / 0 / 40 / 0

HEX #FFFE99

RGB 255 254 153

HSL 59.41, 1%, 0.8%

LAB 97.81, -13.74, 48.34

 

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

CMYK 0 / 24 / 71 / 15

HEX #D9A43F

RGB 217 164 63

HSL 39.35, 0.67%, 0.55%

LAB 70.64, 9.77, 57.69

 

CMYK 0 / 27 / 78 / 22

HEX #C8922C

RGB 200 146 44

HSL 39.23, 0.64%, 0.48%

LAB 64.18, 11.26, 58.36

 

CMYK 0 / 30 / 86 / 28

HEX #B78019

RGB 183 128 25

HSL 39.11, 0.76%, 0.41%

LAB 57.63, 13.01, 58.26

 

CMYK 0 / 34 / 96 / 35

HEX #A66E06

RGB 166 110 6

HSL 39, 0.93%, 0.34%

LAB 51, 15.06, 56.72

 

CMYK 0 / 22 / 65 / 9

HEX #E9B552

RGB 233 181 82

HSL 39.34, 0.77%, 0.62%

LAB 76.67, 8.59, 56.25

 

CMYK 0 / 39 / 65 / 9

HEX #E98D52

RGB 233 141 82

HSL 23.44, 0.77%, 0.62%

LAB 67.26, 29.79, 45.67

 

CMYK 0 / 57 / 65 / 9

HEX #E96452

RGB 233 100 82

HSL 7.15, 0.77%, 0.62%

LAB 59.02, 50.35, 35.88

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

CMYK 0 / 22 / 65 / 9

HEX #E9B552

RGB 233 181 82

HSL 39.34, 0.77%, 0.62%

LAB 76.67, 8.59, 56.25

 

CMYK 0 / 5 / 65 / 9

HEX #E9DE52

RGB 233 222 82

HSL 55.63, 0.77%, 0.62%

LAB 87.08, -12.45, 67.36

 

CMYK 13 / 0 / 65 / 9

HEX #CBE952

RGB 203 233 82

HSL 71.92, 0.77%, 0.62%

LAB 87.77, -29.89, 67.37

 

CMYK 30 / 0 / 65 / 9

HEX #A3E952

RGB 163 233 82

HSL 87.81, 0.77%, 0.62%

LAB 85.34, -44.91, 64.07

 

CMYK 48 / 0 / 65 / 9

HEX #7AE952

RGB 122 233 82

HSL 104.11, 0.77%, 0.62%

LAB 83.46, -58.13, 61.49

 

CMYK 0 / 22 / 65 / 9

HEX #E9B552

RGB 233 181 82

HSL 39.34, 0.77%, 0.62%

LAB 76.67, 8.59, 56.25

 

CMYK 0 / 25 / 73 / 2

HEX #F9BA42

RGB 249 186 66

HSL 39.34, 0.94%, 0.62%

LAB 79.41, 11.87, 66.38

 

CMYK 0 / 22 / 65 / 9

HEX #E9B552

RGB 233 181 82

HSL 39.34, 0.77%, 0.62%

LAB 76.67, 8.59, 56.25

 

CMYK 0 / 19 / 55 / 15

HEX #DAB162

RGB 218 177 98

HSL 39.5, 0.62%, 0.62%

LAB 74.34, 5.55, 45.58

 

CMYK 0 / 15 / 44 / 21

HEX #CAAC71

RGB 202 172 113

HSL 39.78, 0.46%, 0.62%

LAB 71.73, 2.98, 34.33

 

CMYK 0 / 10 / 31 / 27

HEX #BAA781

RGB 186 167 129

HSL 40, 0.29%, 0.62%

LAB 69.23, 1.08, 22.2

 

CMYK 0 / 5 / 15 / 33

HEX #AAA291

RGB 170 162 145

HSL 40.8, 0.13%, 0.62%

LAB 66.85, -0.06, 9.88

 

CMYK 0 / 57 / 65 / 9

HEX #E96452

RGB 233 100 82

HSL 7.15, 0.77%, 0.62%

LAB 59.02, 50.35, 35.88

 

CMYK 0 / 40 / 65 / 9

HEX #E98C52

RGB 233 140 82

HSL 23.05, 0.77%, 0.62%

LAB 67.04, 30.32, 45.41

 

CMYK 0 / 23 / 65 / 9

HEX #E9B452

RGB 233 180 82

HSL 38.94, 0.77%, 0.62%

LAB 76.42, 9.12, 55.98

 

CMYK 0 / 5 / 65 / 9

HEX #E9DD52

RGB 233 221 82

HSL 55.23, 0.77%, 0.62%

LAB 86.82, -11.95, 67.09

 

CMYK 12 / 0 / 65 / 9

HEX #CDE952

RGB 205 233 82

HSL 71.13, 0.77%, 0.62%

LAB 87.9, -29.1, 67.56

 

CMYK 0 / 30 / 88 / 19

HEX #CF9119

RGB 207 145 25

HSL 39.56, 0.78%, 0.45%

LAB 64.63, 14.32, 65.08

 

CMYK 0 / 28 / 80 / 10

HEX #E5A62D

RGB 229 166 45

HSL 39.46, 0.78%, 0.54%

LAB 72.31, 13.12, 66.61

 

CMYK 0 / 22 / 65 / 9

HEX #E9B552

RGB 233 181 82

HSL 39.34, 0.77%, 0.62%

LAB 76.67, 8.59, 56.25

 

CMYK 0 / 17 / 50 / 7

HEX #EEC577

RGB 238 197 119

HSL 39.33, 0.78%, 0.7%

LAB 81.53, 5.05, 44.34

 

CMYK 0 / 12 / 36 / 5

HEX #F2D59B

RGB 242 213 155

HSL 40, 0.77%, 0.78%

LAB 86.42, 2.03, 32.4

 

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

CMYK 55 / 0 / 65 / 9

HEX #69E952

RGB 105 233 82

HSL 110.86, 0.77%, 0.62%

LAB 82.86, -62.71, 60.66

 

CMYK 48 / 65 / 0 / 9

HEX #7852E9

RGB 120 82 233

HSL 255.1, 0.77%, 0.62%

LAB 46.86, 51.42, -71.2

 

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

CMYK 65 / 0 / 23 / 9

HEX #52E9B4

RGB 82 233 180

HSL 158.94, 0.77%, 0.62%

LAB 83.64, -52.11, 14.2

 

CMYK 23 / 65 / 0 / 9

HEX #B452E9

RGB 180 82 233

HSL 278.94, 0.77%, 0.62%

LAB 53.62, 63.49, -59.93

 

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

CMYK 55 / 0 / 65 / 9

HEX #69E952

RGB 105 233 82

HSL 110.86, 0.77%, 0.62%

LAB 82.86, -62.71, 60.66

 

CMYK 65 / 42 / 0 / 9

HEX #5287E9

RGB 82 135 233

HSL 218.94, 0.77%, 0.62%

LAB 57.08, 13.08, -54.85

 

CMYK 9 / 65 / 0 / 9

HEX #D352E9

RGB 211 82 233

HSL 291.26, 0.77%, 0.62%

LAB 57.81, 70.34, -52.99

 

CMYK 0 / 22 / 65 / 8

HEX #EAB652

RGB 234 182 82

HSL 39.47, 0.78%, 0.62%

LAB 77.02, 8.49, 56.66

 

CMYK 65 / 0 / 55 / 9

HEX #52E969

RGB 82 233 105

HSL 129.14, 0.77%, 0.62%

LAB 82.43, -65.3, 50.07

 

CMYK 65 / 42 / 0 / 9

HEX #5287E9

RGB 82 135 233

HSL 218.94, 0.77%, 0.62%

LAB 57.08, 13.08, -54.85

 

CMYK 0 / 65 / 9 / 9

HEX #E952D3

RGB 233 82 211

HSL 308.74, 0.77%, 0.62%

LAB 59.94, 71.87, -37.03

 

Description

Color code: HEX #EAB652 | qconv.com Color code: HEX #EAB652 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 182 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 182 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 65% 8% C M Y K

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