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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAB994 it is the complementary color #15466B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAB994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAB994 shade: #EFB98F, #FFCBA2, #FFDDB5, #FFEFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAB994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAB994 shade: #EAB994, #D9A781, #C8956E, #B7835B and #A67148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAB994 shade: #E9B994, #E9A294 and #E99494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAB994 shade: #E9B994, #E9D094, #E9E794, #D5E994 and #BEE994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAB994 shade matches the following richer shades: #E9B994, #F4B78A and #FEB67F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAB994 shade: #E9B994, #DFBA9E, #D5BCA9, #CBBDB3 and #C0BFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAB994 shade: #E9949E, #E9A194, #E9B894, #E9CE94 and #E9E594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAB994 shade: #DC8C4F, #E3A272, #E9B994, #F0CFB6 and #F7E6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAB994 shade: #EAB994, #B5E994 and #9594E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAB994 shade: #EAB994, #94E9B8 and #B894E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAB994 shade: #EAB994, #B5E994, #94C6E9 and #C994E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAB994 shade: #EAB994, #9BE994, #94C6E9 and #E294E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

Complementary color

CMYK 80 / 35 / 0 / 58

HEX #15466B

RGB 21 70 107

HSL 205.81, 0.67%, 0.25%

LAB 28.38, -2.07, -26.12

 

CMYK 0 / 23 / 40 / 6

HEX #EFB98F

RGB 239 185 143

HSL 26.25, 0.75%, 0.75%

LAB 79.06, 14.12, 28.8

 

CMYK 0 / 20 / 36 / 0

HEX #FFCBA2

RGB 255 203 162

HSL 26.45, 1%, 0.82%

LAB 85.29, 13.03, 27.46

 

CMYK 0 / 13 / 29 / 0

HEX #FFDDB5

RGB 255 221 181

HSL 32.43, 1%, 0.85%

LAB 90, 6.03, 24

 

CMYK 0 / 6 / 22 / 0

HEX #FFEFC8

RGB 255 239 200

HSL 42.55, 1%, 0.89%

LAB 94.81, -0.6, 20.84

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

CMYK 0 / 23 / 41 / 15

HEX #D9A781

RGB 217 167 129

HSL 25.91, 0.54%, 0.68%

LAB 72.21, 13.47, 26.73

 

CMYK 0 / 26 / 45 / 22

HEX #C8956E

RGB 200 149 110

HSL 26, 0.45%, 0.61%

LAB 65.67, 14.3, 28.04

 

CMYK 0 / 28 / 50 / 28

HEX #B7835B

RGB 183 131 91

HSL 26.09, 0.39%, 0.54%

LAB 59.03, 15.27, 29.47

 

CMYK 0 / 32 / 57 / 35

HEX #A67148

RGB 166 113 72

HSL 26.17, 0.39%, 0.47%

LAB 52.27, 16.41, 31.03

 

CMYK 0 / 21 / 36 / 9

HEX #E9B994

RGB 233 185 148

HSL 26.12, 0.66%, 0.75%

LAB 78.55, 12.35, 25.37

 

CMYK 0 / 30 / 36 / 9

HEX #E9A294

RGB 233 162 148

HSL 9.88, 0.66%, 0.75%

LAB 73.09, 24.59, 17.88

 

CMYK 0 / 36 / 36 / 9

HEX #E99494

RGB 233 148 148

HSL 0, 0.66%, 0.75%

LAB 69.92, 32.02, 13.46

 

CMYK 0 / 21 / 36 / 9

HEX #E9B994

RGB 233 185 148

HSL 26.12, 0.66%, 0.75%

LAB 78.55, 12.35, 25.37

 

CMYK 0 / 11 / 36 / 9

HEX #E9D094

RGB 233 208 148

HSL 42.35, 0.66%, 0.75%

LAB 84.26, 0.31, 33

 

CMYK 0 / 1 / 36 / 9

HEX #E9E794

RGB 233 231 148

HSL 58.59, 0.66%, 0.75%

LAB 90.14, -11.37, 40.67

 

CMYK 9 / 0 / 36 / 9

HEX #D5E994

RGB 213 233 148

HSL 74.12, 0.66%, 0.75%

LAB 89.19, -19.94, 39.15

 

CMYK 18 / 0 / 36 / 9

HEX #BEE994

RGB 190 233 148

HSL 90.35, 0.66%, 0.75%

LAB 87.66, -28.35, 36.87

 

CMYK 0 / 21 / 36 / 9

HEX #E9B994

RGB 233 185 148

HSL 26.12, 0.66%, 0.75%

LAB 78.55, 12.35, 25.37

 

CMYK 0 / 25 / 43 / 4

HEX #F4B78A

RGB 244 183 138

HSL 25.47, 0.83%, 0.75%

LAB 79, 16.61, 31.46

 

CMYK 0 / 28 / 50 / 0

HEX #FEB67F

RGB 254 182 127

HSL 25.98, 0.98%, 0.75%

LAB 79.65, 20.03, 38.24

 

CMYK 0 / 21 / 36 / 9

HEX #E9B994

RGB 233 185 148

HSL 26.12, 0.66%, 0.75%

LAB 78.55, 12.35, 25.37

 

CMYK 0 / 17 / 29 / 13

HEX #DFBA9E

RGB 223 186 158

HSL 25.85, 0.5%, 0.75%

LAB 78.04, 9.2, 19.16

 

CMYK 0 / 12 / 21 / 16

HEX #D5BCA9

RGB 213 188 169

HSL 25.91, 0.34%, 0.75%

LAB 77.86, 5.89, 12.87

 

CMYK 0 / 7 / 12 / 20

HEX #CBBDB3

RGB 203 189 179

HSL 25, 0.19%, 0.75%

LAB 77.49, 3.24, 6.82

 

CMYK 0 / 1 / 2 / 25

HEX #C0BFBD

RGB 192 191 189

HSL 40, 0.02%, 0.75%

LAB 77.37, -0.01, 1.12

 

CMYK 0 / 36 / 32 / 9

HEX #E9949E

RGB 233 148 158

HSL 352.94, 0.66%, 0.75%

LAB 70.16, 33.25, 8.23

 

CMYK 0 / 31 / 36 / 9

HEX #E9A194

RGB 233 161 148

HSL 9.18, 0.66%, 0.75%

LAB 72.86, 25.12, 17.56

 

CMYK 0 / 21 / 36 / 9

HEX #E9B894

RGB 233 184 148

HSL 25.41, 0.66%, 0.75%

LAB 78.31, 12.88, 25.04

 

CMYK 0 / 12 / 36 / 9

HEX #E9CE94

RGB 233 206 148

HSL 40.94, 0.66%, 0.75%

LAB 83.76, 1.34, 32.34

 

CMYK 0 / 2 / 36 / 9

HEX #E9E594

RGB 233 229 148

HSL 57.18, 0.66%, 0.75%

LAB 89.63, -10.37, 40.01

 

CMYK 0 / 36 / 64 / 14

HEX #DC8C4F

RGB 220 140 79

HSL 25.96, 0.67%, 0.59%

LAB 65.39, 24.84, 44.59

 

CMYK 0 / 29 / 50 / 11

HEX #E3A272

RGB 227 162 114

HSL 25.49, 0.67%, 0.67%

LAB 71.82, 18.64, 34.44

 

CMYK 0 / 21 / 36 / 9

HEX #E9B994

RGB 233 185 148

HSL 26.12, 0.66%, 0.75%

LAB 78.55, 12.35, 25.37

 

CMYK 0 / 14 / 24 / 6

HEX #F0CFB6

RGB 240 207 182

HSL 25.86, 0.66%, 0.83%

LAB 85.27, 7.82, 16.69

 

CMYK 0 / 7 / 12 / 3

HEX #F7E6D9

RGB 247 230 217

HSL 26, 0.65%, 0.91%

LAB 92.3, 3.66, 8.4

 

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

CMYK 22 / 0 / 36 / 9

HEX #B5E994

RGB 181 233 148

HSL 96.71, 0.66%, 0.75%

LAB 87.11, -31.52, 36.05

 

CMYK 36 / 36 / 0 / 9

HEX #9594E9

RGB 149 148 233

HSL 240.71, 0.66%, 0.75%

LAB 64.53, 20.25, -42.8

 

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

CMYK 36 / 0 / 21 / 9

HEX #94E9B8

RGB 148 233 184

HSL 145.41, 0.66%, 0.75%

LAB 86.02, -36.12, 15.81

 

CMYK 21 / 36 / 0 / 9

HEX #B894E9

RGB 184 148 233

HSL 265.41, 0.66%, 0.75%

LAB 67.47, 30.12, -37.98

 

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

CMYK 22 / 0 / 36 / 9

HEX #B5E994

RGB 181 233 148

HSL 96.71, 0.66%, 0.75%

LAB 87.11, -31.52, 36.05

 

CMYK 36 / 15 / 0 / 9

HEX #94C6E9

RGB 148 198 233

HSL 204.71, 0.66%, 0.75%

LAB 77.62, -7.82, -22.57

 

CMYK 14 / 36 / 0 / 9

HEX #C994E9

RGB 201 148 233

HSL 277.41, 0.66%, 0.75%

LAB 69.1, 35.17, -35.32

 

CMYK 0 / 21 / 37 / 8

HEX #EAB994

RGB 234 185 148

HSL 25.81, 0.67%, 0.75%

LAB 78.65, 12.74, 25.52

 

CMYK 33 / 0 / 36 / 9

HEX #9BE994

RGB 155 233 148

HSL 115.06, 0.66%, 0.75%

LAB 85.7, -40.18, 33.92

 

CMYK 36 / 15 / 0 / 9

HEX #94C6E9

RGB 148 198 233

HSL 204.71, 0.66%, 0.75%

LAB 77.62, -7.82, -22.57

 

CMYK 3 / 36 / 0 / 9

HEX #E294E9

RGB 226 148 233

HSL 295.06, 0.66%, 0.75%

LAB 71.71, 42.74, -31.07

 

Description

Color code: HEX #EAB994 | qconv.com Color code: HEX #EAB994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 185 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 185 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 37 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 37% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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