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Color name
HEX #EABD57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EABD57 it is the complementary color #1542A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EABD57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EABD57 shade: #EFBD52, #FFCF65, #FFE178, #FFF38B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EABD57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EABD57 shade: #EABD57, #D9AB44, #C89931, #B7871E and #A6750B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EABD57 shade: #EABD57, #EA9557, #EA6D57 and #EA5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EABD57 shade: #EABD57, #EAE457, #C7EA57, #A0EA57 and #78EA57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EABD57 shade matches the following richer shades: #EABD57 and #F9C347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EABD57 shade: #EABD57, #DAB766, #CBB175, #BCAB84 and #ADA594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EABD57 shade: #EA6D57, #EA9457, #EABB57, #EAE257 and #CAEA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EABD57 shade: #D49B1A, #E5AE32, #EABD57, #EECB7B and #F3D9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EABD57 shade: #EABD57, #68EA57 and #8057EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EABD57 shade: #EABD57, #57EABB and #BB57EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EABD57 shade: #EABD57, #68EA57, #5785EA and #D957EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EABD57 shade: #EABD57, #57EA72, #5785EA and #EA57CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

Complementary color

CMYK 88 / 61 / 0 / 34

HEX #1542A8

RGB 21 66 168

HSL 221.63, 0.78%, 0.37%

LAB 31.54, 25.7, -58.7

 

CMYK 0 / 21 / 66 / 6

HEX #EFBD52

RGB 239 189 82

HSL 40.89, 0.83%, 0.63%

LAB 79.25, 6.92, 59.23

 

CMYK 0 / 19 / 60 / 0

HEX #FFCF65

RGB 255 207 101

HSL 41.3, 1%, 0.7%

LAB 85.42, 5.41, 57.96

 

CMYK 0 / 12 / 53 / 0

HEX #FFE178

RGB 255 225 120

HSL 46.67, 1%, 0.74%

LAB 90.08, -2.37, 54.57

 

CMYK 0 / 5 / 45 / 0

HEX #FFF38B

RGB 255 243 139

HSL 53.79, 1%, 0.77%

LAB 94.83, -9.71, 51.33

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 21 / 69 / 15

HEX #D9AB44

RGB 217 171 68

HSL 41.48, 0.66%, 0.56%

LAB 72.43, 6.29, 57.41

 

CMYK 0 / 24 / 76 / 22

HEX #C89931

RGB 200 153 49

HSL 41.32, 0.61%, 0.49%

LAB 65.97, 7.66, 58.15

 

CMYK 0 / 26 / 84 / 28

HEX #B7871E

RGB 183 135 30

HSL 41.18, 0.72%, 0.42%

LAB 59.42, 9.27, 58.25

 

CMYK 0 / 30 / 93 / 35

HEX #A6750B

RGB 166 117 11

HSL 41.03, 0.88%, 0.35%

LAB 52.79, 11.18, 57.05

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 36 / 63 / 8

HEX #EA9557

RGB 234 149 87

HSL 25.31, 0.78%, 0.63%

LAB 69.24, 26.29, 45.47

 

CMYK 0 / 53 / 63 / 8

HEX #EA6D57

RGB 234 109 87

HSL 8.98, 0.78%, 0.63%

LAB 60.89, 46.76, 35.44

 

CMYK 0 / 63 / 63 / 8

HEX #EA5757

RGB 234 87 87

HSL 0, 0.78%, 0.63%

LAB 57.07, 56.77, 30.68

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 3 / 63 / 8

HEX #EAE457

RGB 234 228 87

HSL 57.55, 0.78%, 0.63%

LAB 88.77, -14.71, 67.14

 

CMYK 15 / 0 / 63 / 8

HEX #C7EA57

RGB 199 234 87

HSL 74.29, 0.78%, 0.63%

LAB 87.81, -31.58, 65.36

 

CMYK 32 / 0 / 63 / 8

HEX #A0EA57

RGB 160 234 87

HSL 90.2, 0.78%, 0.63%

LAB 85.51, -46, 62.19

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 22 / 71 / 2

HEX #F9C347

RGB 249 195 71

HSL 41.8, 0.94%, 0.63%

LAB 81.63, 7.41, 66.62

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 16 / 53 / 15

HEX #DAB766

RGB 218 183 102

HSL 41.9, 0.61%, 0.63%

LAB 75.9, 2.71, 45.48

 

CMYK 0 / 13 / 42 / 20

HEX #CBB175

RGB 203 177 117

HSL 41.86, 0.45%, 0.63%

LAB 73.17, 1.14, 34.11

 

CMYK 0 / 9 / 30 / 26

HEX #BCAB84

RGB 188 171 132

HSL 41.79, 0.29%, 0.63%

LAB 70.51, 0.12, 22.35

 

CMYK 0 / 5 / 14 / 32

HEX #ADA594

RGB 173 165 148

HSL 40.8, 0.13%, 0.63%

LAB 67.97, -0.07, 9.84

 

CMYK 0 / 53 / 63 / 8

HEX #EA6D57

RGB 234 109 87

HSL 8.98, 0.78%, 0.63%

LAB 60.89, 46.76, 35.44

 

CMYK 0 / 37 / 63 / 8

HEX #EA9457

RGB 234 148 87

HSL 24.9, 0.78%, 0.63%

LAB 69.01, 26.82, 45.2

 

CMYK 0 / 20 / 63 / 8

HEX #EABB57

RGB 234 187 87

HSL 40.82, 0.78%, 0.63%

LAB 78.3, 6.17, 55.8

 

CMYK 0 / 3 / 63 / 8

HEX #EAE257

RGB 234 226 87

HSL 56.73, 0.78%, 0.63%

LAB 88.24, -13.73, 66.59

 

CMYK 14 / 0 / 63 / 8

HEX #CAEA57

RGB 202 234 87

HSL 73.06, 0.78%, 0.63%

LAB 88.01, -30.41, 65.63

 

CMYK 0 / 27 / 88 / 17

HEX #D49B1A

RGB 212 155 26

HSL 41.61, 0.78%, 0.47%

LAB 67.66, 11.13, 67.47

 

CMYK 0 / 24 / 78 / 10

HEX #E5AE32

RGB 229 174 50

HSL 41.56, 0.77%, 0.55%

LAB 74.29, 9.05, 66.69

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 0 / 15 / 48 / 7

HEX #EECB7B

RGB 238 203 123

HSL 41.74, 0.77%, 0.71%

LAB 83.08, 2.29, 44.27

 

CMYK 0 / 11 / 34 / 5

HEX #F3D9A0

RGB 243 217 160

HSL 41.2, 0.78%, 0.79%

LAB 87.59, 0.94, 31.4

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 56 / 0 / 63 / 8

HEX #68EA57

RGB 104 234 87

HSL 113.06, 0.78%, 0.63%

LAB 83.17, -62.85, 58.95

 

CMYK 45 / 63 / 0 / 8

HEX #8057EA

RGB 128 87 234

HSL 256.73, 0.78%, 0.63%

LAB 48.69, 50.49, -68.75

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 63 / 0 / 20 / 8

HEX #57EABB

RGB 87 234 187

HSL 160.82, 0.78%, 0.63%

LAB 84.2, -50.1, 11.37

 

CMYK 20 / 63 / 0 / 8

HEX #BB57EA

RGB 187 87 234

HSL 280.82, 0.78%, 0.63%

LAB 55.4, 62.99, -57.59

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 56 / 0 / 63 / 8

HEX #68EA57

RGB 104 234 87

HSL 113.06, 0.78%, 0.63%

LAB 83.17, -62.85, 58.95

 

CMYK 63 / 43 / 0 / 8

HEX #5785EA

RGB 87 133 234

HSL 221.22, 0.78%, 0.63%

LAB 56.82, 15.48, -55.8

 

CMYK 7 / 63 / 0 / 8

HEX #D957EA

RGB 217 87 234

HSL 293.06, 0.78%, 0.63%

LAB 59.44, 69.85, -50.91

 

CMYK 0 / 19 / 63 / 8

HEX #EABD57

RGB 234 189 87

HSL 41.63, 0.78%, 0.63%

LAB 78.8, 5.13, 56.36

 

CMYK 63 / 0 / 51 / 8

HEX #57EA72

RGB 87 234 114

HSL 131.02, 0.78%, 0.63%

LAB 82.96, -63.48, 46.56

 

CMYK 63 / 43 / 0 / 8

HEX #5785EA

RGB 87 133 234

HSL 221.22, 0.78%, 0.63%

LAB 56.82, 15.48, -55.8

 

CMYK 0 / 63 / 12 / 8

HEX #EA57CF

RGB 234 87 207

HSL 311.02, 0.78%, 0.63%

LAB 60.62, 69.59, -33.7

 

Description

Color code: HEX #EABD57 | qconv.com Color code: HEX #EABD57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 189 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 189 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 63% 8% C M Y K

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Provide designers and agencies with accurate color values.

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