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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC062 it is the complementary color #153F9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC062 shade: #EFC05D, #FFD270, #FFE483, #FFF696 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC062 shade: #EAC062, #D9AE4F, #C89C3C, #B78A29 and #A67816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC062 shade: #E9BF61, #E99B61, #E97661 and #E96161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC062 shade: #E9BF61, #E9E461, #CAE961, #A5E961 and #81E961

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC062 shade matches the following richer shades: #E9BF61 and #F8C553

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC062 shade: #E9BF61, #DBBA70, #CCB47E, #BEAF8D and #AFA99B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC062 shade: #E97661, #E99A61, #E9BE61, #E9E261 and #CCE961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC062 shade: #DBA01D, #E4B13D, #E9BF61, #EECE86 and #F3DCAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC062 shade: #EAC062, #71E961 and #8861E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC062 shade: #EAC062, #61E9BE and #BE61E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC062 shade: #EAC062, #71E961, #618CE9 and #D961E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC062 shade: #EAC062, #61E97A, #618CE9 and #E961D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

Complementary color

CMYK 87 / 60 / 0 / 38

HEX #153F9D

RGB 21 63 157

HSL 221.47, 0.76%, 0.35%

LAB 29.78, 23.34, -54.93

 

CMYK 0 / 20 / 61 / 6

HEX #EFC05D

RGB 239 192 93

HSL 40.68, 0.82%, 0.65%

LAB 80.09, 6.04, 55.19

 

CMYK 0 / 18 / 56 / 0

HEX #FFD270

RGB 255 210 112

HSL 41.12, 1%, 0.72%

LAB 86.27, 4.65, 53.83

 

CMYK 0 / 11 / 49 / 0

HEX #FFE483

RGB 255 228 131

HSL 46.94, 1%, 0.76%

LAB 90.96, -2.95, 50.4

 

CMYK 0 / 4 / 41 / 0

HEX #FFF696

RGB 255 246 150

HSL 54.86, 1%, 0.79%

LAB 95.74, -10.13, 47.17

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

CMYK 0 / 20 / 64 / 15

HEX #D9AE4F

RGB 217 174 79

HSL 41.3, 0.64%, 0.58%

LAB 73.28, 5.35, 53.43

 

CMYK 0 / 22 / 70 / 22

HEX #C89C3C

RGB 200 156 60

HSL 41.14, 0.56%, 0.51%

LAB 66.81, 6.56, 54.47

 

CMYK 0 / 25 / 78 / 28

HEX #B78A29

RGB 183 138 41

HSL 40.99, 0.63%, 0.44%

LAB 60.25, 8, 55.15

 

CMYK 0 / 28 / 87 / 35

HEX #A67816

RGB 166 120 22

HSL 40.83, 0.77%, 0.37%

LAB 53.6, 9.71, 55

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF61

RGB 233 191 97

HSL 41.47, 0.76%, 0.65%

LAB 79.3, 4.35, 52.26

 

CMYK 0 / 33 / 58 / 9

HEX #E99B61

RGB 233 155 97

HSL 25.59, 0.76%, 0.65%

LAB 70.61, 23.4, 41.98

 

CMYK 0 / 49 / 58 / 9

HEX #E97661

RGB 233 118 97

HSL 9.26, 0.76%, 0.65%

LAB 62.63, 42.65, 32.06

 

CMYK 0 / 58 / 58 / 9

HEX #E96161

RGB 233 97 97

HSL 0, 0.76%, 0.65%

LAB 58.73, 52.7, 27.04

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF61

RGB 233 191 97

HSL 41.47, 0.76%, 0.65%

LAB 79.3, 4.35, 52.26

 

CMYK 0 / 2 / 58 / 9

HEX #E9E461

RGB 233 228 97

HSL 57.79, 0.76%, 0.65%

LAB 88.77, -14.47, 62.95

 

CMYK 13 / 0 / 58 / 9

HEX #CAE961

RGB 202 233 97

HSL 73.68, 0.76%, 0.65%

LAB 87.82, -29.21, 61.26

 

CMYK 29 / 0 / 58 / 9

HEX #A5E961

RGB 165 233 97

HSL 90, 0.76%, 0.65%

LAB 85.57, -42.96, 58.12

 

CMYK 45 / 0 / 58 / 9

HEX #81E961

RGB 129 233 97

HSL 105.88, 0.76%, 0.65%

LAB 83.87, -54.67, 55.72

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF61

RGB 233 191 97

HSL 41.47, 0.76%, 0.65%

LAB 79.3, 4.35, 52.26

 

CMYK 0 / 21 / 67 / 3

HEX #F8C553

RGB 248 197 83

HSL 41.45, 0.92%, 0.65%

LAB 82.12, 6.57, 62.13

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF61

RGB 233 191 97

HSL 41.47, 0.76%, 0.65%

LAB 79.3, 4.35, 52.26

 

CMYK 0 / 15 / 49 / 14

HEX #DBBA70

RGB 219 186 112

HSL 41.5, 0.6%, 0.65%

LAB 76.89, 2.43, 41.7

 

CMYK 0 / 12 / 38 / 20

HEX #CCB47E

RGB 204 180 126

HSL 41.54, 0.43%, 0.65%

LAB 74.18, 0.96, 30.71

 

CMYK 0 / 8 / 26 / 25

HEX #BEAF8D

RGB 190 175 141

HSL 41.63, 0.27%, 0.65%

LAB 71.91, -0, 19.41

 

CMYK 0 / 3 / 11 / 31

HEX #AFA99B

RGB 175 169 155

HSL 42, 0.11%, 0.65%

LAB 69.37, -0.32, 7.98

 

CMYK 0 / 49 / 58 / 9

HEX #E97661

RGB 233 118 97

HSL 9.26, 0.76%, 0.65%

LAB 62.63, 42.65, 32.06

 

CMYK 0 / 34 / 58 / 9

HEX #E99A61

RGB 233 154 97

HSL 25.15, 0.76%, 0.65%

LAB 70.38, 23.93, 41.7

 

CMYK 0 / 18 / 58 / 9

HEX #E9BE61

RGB 233 190 97

HSL 41.03, 0.76%, 0.65%

LAB 79.05, 4.87, 51.97

 

CMYK 0 / 3 / 58 / 9

HEX #E9E261

RGB 233 226 97

HSL 56.91, 0.76%, 0.65%

LAB 88.25, -13.48, 62.38

 

CMYK 12 / 0 / 58 / 9

HEX #CCE961

RGB 204 233 97

HSL 72.79, 0.76%, 0.65%

LAB 87.96, -28.43, 61.45

 

CMYK 0 / 27 / 87 / 14

HEX #DBA01D

RGB 219 160 29

HSL 41.37, 0.77%, 0.49%

LAB 69.68, 11.56, 68.66

 

CMYK 0 / 22 / 73 / 11

HEX #E4B13D

RGB 228 177 61

HSL 41.68, 0.76%, 0.57%

LAB 75, 7.48, 63.26

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF61

RGB 233 191 97

HSL 41.47, 0.76%, 0.65%

LAB 79.3, 4.35, 52.26

 

CMYK 0 / 13 / 44 / 7

HEX #EECE86

RGB 238 206 134

HSL 41.54, 0.75%, 0.73%

LAB 83.99, 1.8, 39.88

 

CMYK 0 / 9 / 30 / 5

HEX #F3DCAA

RGB 243 220 170

HSL 41.1, 0.75%, 0.81%

LAB 88.52, 0.63, 27.49

 

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

CMYK 52 / 0 / 58 / 9

HEX #71E961

RGB 113 233 97

HSL 112.94, 0.76%, 0.65%

LAB 83.26, -59.15, 54.86

 

CMYK 42 / 58 / 0 / 9

HEX #8861E9

RGB 136 97 233

HSL 257.21, 0.76%, 0.65%

LAB 51.46, 46.36, -63.67

 

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

CMYK 58 / 0 / 18 / 9

HEX #61E9BE

RGB 97 233 190

HSL 161.03, 0.76%, 0.65%

LAB 84.24, -47.17, 9.89

 

CMYK 18 / 58 / 0 / 9

HEX #BE61E9

RGB 190 97 233

HSL 281.03, 0.76%, 0.65%

LAB 57.44, 58.81, -53.75

 

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

CMYK 52 / 0 / 58 / 9

HEX #71E961

RGB 113 233 97

HSL 112.94, 0.76%, 0.65%

LAB 83.26, -59.15, 54.86

 

CMYK 58 / 40 / 0 / 9

HEX #618CE9

RGB 97 140 233

HSL 221.03, 0.76%, 0.65%

LAB 59.14, 12.78, -51.52

 

CMYK 7 / 58 / 0 / 9

HEX #D961E9

RGB 217 97 233

HSL 292.94, 0.76%, 0.65%

LAB 60.94, 65.4, -47.97

 

CMYK 0 / 18 / 58 / 8

HEX #EAC062

RGB 234 192 98

HSL 41.47, 0.76%, 0.65%

LAB 79.66, 4.31, 52.23

 

CMYK 58 / 0 / 48 / 9

HEX #61E97A

RGB 97 233 122

HSL 131.03, 0.76%, 0.65%

LAB 83.03, -59.88, 42.9

 

CMYK 58 / 40 / 0 / 9

HEX #618CE9

RGB 97 140 233

HSL 221.03, 0.76%, 0.65%

LAB 59.14, 12.78, -51.52

 

CMYK 0 / 58 / 11 / 9

HEX #E961D0

RGB 233 97 208

HSL 311.03, 0.76%, 0.65%

LAB 62.02, 65.34, -32.09

 

Description

Color code: HEX #EAC062 | qconv.com Color code: HEX #EAC062 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 192 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 192 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 58 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 58% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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