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Color name
HEX #EAC1F5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC1F5 it is the complementary color #153E0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC1F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC1F5 shade: #EFC1F0, #FFD3FF, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC1F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC1F5 shade: #EAC1F5, #D9AFE2, #C89DCF, #B78BBC and #A679A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC1F5 shade: #EAC1F5, #F5C1F2, #F5C1E4, #F5C1D6 and #F5C1C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC1F5 shade: #EAC1F5, #DCC1F5, #CEC1F5 and #C1C1F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC1F5 shade matches the following richer shades: #EAC1F5 and #EDBBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC1F5 shade: #EAC1F5, #E6C7EF, #E3CDE9, #E0D2E3 and #DCD8DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC1F5 shade: #CEC1F5, #DCC1F5, #E9C1F5, #F5C1F2 and #F5C1E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC1F5 shade: #D27AE9, #DE9EEF, #EAC1F5 and #F6E5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC1F5 shade: #EAC1F5, #F5C1C2 and #C1F5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC1F5 shade: #EAC1F5, #F5E9C1 and #C1F5E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC1F5 shade: #EAC1F5, #F5C1C2, #CCF5C1 and #C1F5F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC1F5 shade: #EAC1F5, #F5D0C1, #CCF5C1 and #C1E6F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

Complementary color

CMYK 66 / 0 / 84 / 76

HEX #153E0A

RGB 21 62 10

HSL 107.31, 0.72%, 0.14%

LAB 22.4, -25.5, 26.07

 

CMYK 0 / 20 / 0 / 6

HEX #EFC1F0

RGB 239 193 240

HSL 298.72, 0.61%, 0.85%

LAB 83.33, 24.24, -17.03

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 4 / 23 / 0 / 11

HEX #D9AFE2

RGB 217 175 226

HSL 289.41, 0.47%, 0.79%

LAB 76.62, 24.07, -19.83

 

CMYK 3 / 24 / 0 / 19

HEX #C89DCF

RGB 200 157 207

HSL 291.6, 0.34%, 0.71%

LAB 70.1, 24.64, -19.46

 

CMYK 3 / 26 / 0 / 26

HEX #B78BBC

RGB 183 139 188

HSL 293.88, 0.27%, 0.64%

LAB 63.48, 25.24, -19.09

 

CMYK 2 / 28 / 0 / 34

HEX #A679A9

RGB 166 121 169

HSL 296.25, 0.22%, 0.57%

LAB 56.73, 25.9, -18.71

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F2

RGB 245 193 242

HSL 303.46, 0.72%, 0.86%

LAB 83.95, 26.57, -17.11

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E4

RGB 245 193 228

HSL 319.62, 0.72%, 0.86%

LAB 83.52, 24.12, -10.27

 

CMYK 0 / 21 / 13 / 4

HEX #F5C1D6

RGB 245 193 214

HSL 335.77, 0.72%, 0.86%

LAB 83.13, 21.79, -3.36

 

CMYK 0 / 21 / 18 / 4

HEX #F5C1C8

RGB 245 193 200

HSL 351.92, 0.72%, 0.86%

LAB 82.77, 19.61, 3.61

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 10 / 21 / 0 / 4

HEX #DCC1F5

RGB 220 193 245

HSL 271.15, 0.72%, 0.86%

LAB 81.81, 19.07, -22.16

 

CMYK 16 / 21 / 0 / 4

HEX #CEC1F5

RGB 206 193 245

HSL 255, 0.72%, 0.86%

LAB 80.66, 14.67, -24.01

 

CMYK 21 / 21 / 0 / 4

HEX #C1C1F5

RGB 193 193 245

HSL 240, 0.72%, 0.86%

LAB 79.65, 10.68, -25.64

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 5 / 25 / 0 / 2

HEX #EDBBFA

RGB 237 187 250

HSL 287.62, 0.86%, 0.86%

LAB 82.08, 28.67, -24.27

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 4 / 17 / 0 / 6

HEX #E6C7EF

RGB 230 199 239

HSL 286.5, 0.56%, 0.86%

LAB 83.91, 17.92, -15.69

 

CMYK 3 / 12 / 0 / 9

HEX #E3CDE9

RGB 227 205 233

HSL 287.14, 0.39%, 0.86%

LAB 84.93, 12.61, -11

 

CMYK 1 / 7 / 0 / 11

HEX #E0D2E3

RGB 224 210 227

HSL 289.41, 0.23%, 0.86%

LAB 85.75, 7.85, -6.63

 

CMYK 0 / 2 / 0 / 13

HEX #DCD8DD

RGB 220 216 221

HSL 288, 0.07%, 0.86%

LAB 86.77, 2.26, -1.98

 

CMYK 16 / 21 / 0 / 4

HEX #CEC1F5

RGB 206 193 245

HSL 255, 0.72%, 0.86%

LAB 80.66, 14.67, -24.01

 

CMYK 10 / 21 / 0 / 4

HEX #DCC1F5

RGB 220 193 245

HSL 271.15, 0.72%, 0.86%

LAB 81.81, 19.07, -22.16

 

CMYK 5 / 21 / 0 / 4

HEX #E9C1F5

RGB 233 193 245

HSL 286.15, 0.72%, 0.86%

LAB 82.94, 23.23, -20.33

 

CMYK 0 / 21 / 1 / 4

HEX #F5C1F2

RGB 245 193 242

HSL 303.46, 0.72%, 0.86%

LAB 83.95, 26.57, -17.11

 

CMYK 0 / 21 / 7 / 4

HEX #F5C1E4

RGB 245 193 228

HSL 319.62, 0.72%, 0.86%

LAB 83.52, 24.12, -10.27

 

CMYK 10 / 48 / 0 / 9

HEX #D27AE9

RGB 210 122 233

HSL 287.57, 0.72%, 0.7%

LAB 64.57, 51.58, -42.32

 

CMYK 7 / 34 / 0 / 6

HEX #DE9EEF

RGB 222 158 239

HSL 287.41, 0.72%, 0.78%

LAB 73.69, 37.36, -31.33

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 2 / 8 / 0 / 2

HEX #F6E5FA

RGB 246 229 250

HSL 288.57, 0.68%, 0.94%

LAB 92.81, 9.44, -8.08

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 0 / 21 / 21 / 4

HEX #F5C1C2

RGB 245 193 194

HSL 358.85, 0.72%, 0.86%

LAB 82.62, 18.72, 6.62

 

CMYK 21 / 0 / 13 / 4

HEX #C1F5D5

RGB 193 245 213

HSL 143.08, 0.72%, 0.86%

LAB 92.33, -22.72, 10.02

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 0 / 5 / 21 / 4

HEX #F5E9C1

RGB 245 233 193

HSL 46.15, 0.72%, 0.86%

LAB 92.37, -2.18, 20.93

 

CMYK 21 / 0 / 5 / 4

HEX #C1F5E9

RGB 193 245 233

HSL 166.15, 0.72%, 0.86%

LAB 92.81, -18.86, 0.34

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 0 / 21 / 21 / 4

HEX #F5C1C2

RGB 245 193 194

HSL 358.85, 0.72%, 0.86%

LAB 82.62, 18.72, 6.62

 

CMYK 17 / 0 / 21 / 4

HEX #CCF5C1

RGB 204 245 193

HSL 107.31, 0.72%, 0.86%

LAB 92.57, -22.59, 20.77

 

CMYK 21 / 0 / 0 / 4

HEX #C1F5F4

RGB 193 245 244

HSL 178.85, 0.72%, 0.86%

LAB 93.09, -16.6, -4.95

 

CMYK 4 / 21 / 0 / 4

HEX #EAC1F5

RGB 234 193 245

HSL 287.31, 0.72%, 0.86%

LAB 83.03, 23.55, -20.19

 

CMYK 0 / 15 / 21 / 4

HEX #F5D0C1

RGB 245 208 193

HSL 17.31, 0.72%, 0.86%

LAB 86.19, 10.7, 12.26

 

CMYK 17 / 0 / 21 / 4

HEX #CCF5C1

RGB 204 245 193

HSL 107.31, 0.72%, 0.86%

LAB 92.57, -22.59, 20.77

 

CMYK 21 / 6 / 0 / 4

HEX #C1E6F5

RGB 193 230 245

HSL 197.31, 0.72%, 0.86%

LAB 89.17, -8.84, -11.28

 

Description

Color code: HEX #EAC1F5 | qconv.com Color code: HEX #EAC1F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 193 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 193 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 21 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 21% 0% 4% C M Y K

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Provide designers and agencies with accurate color values.

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