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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD984 it is the complementary color #15267B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAD984 shade: #EFD97F, #FFEB92, #FFFDA5, #FFFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAD984 shade: #EAD984, #D9C771, #C8B55E, #B7A34B and #A69138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAD984 shade: #EAD984, #EABE84, #EAA284, #EA8784 and #EA8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAD984 shade: #EAD984, #DFEA84, #C4EA84, #A9EA84 and #8DEA84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAD984 shade matches the following richer shades: #EAD984 and #F5E179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAD984 shade: #EAD984, #DED190, #D3C99C, #C7C2A7 and #BCBAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAD984 shade: #EAA384, #EABE84, #EAD984, #E0EA84 and #C5EA84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAD984 shade: #DEC33E, #E4CE61, #EAD984, #F0E4A8 and #F6EFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAD984 shade: #EAD984, #84EA88 and #B084EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAD984 shade: #EAD984, #84EAD9 and #D984EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAD984 shade: #EAD984, #84EA88, #8495EA and #EA84E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAD984 shade: #EAD984, #84EAA6, #8495EA and #EA84C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

Complementary color

CMYK 83 / 69 / 0 / 52

HEX #15267B

RGB 21 38 123

HSL 230, 0.71%, 0.28%

LAB 19.95, 26.97, -49.93

 

CMYK 0 / 9 / 47 / 6

HEX #EFD97F

RGB 239 217 127

HSL 48.21, 0.78%, 0.72%

LAB 86.76, -4.12, 46.86

 

CMYK 0 / 8 / 43 / 0

HEX #FFEB92

RGB 255 235 146

HSL 48.99, 1%, 0.79%

LAB 92.91, -5.06, 45.55

 

CMYK 0 / 1 / 35 / 0

HEX #FFFDA5

RGB 255 253 165

HSL 58.67, 1%, 0.82%

LAB 97.72, -11.97, 42.39

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 0 / 8 / 48 / 15

HEX #D9C771

RGB 217 199 113

HSL 49.62, 0.58%, 0.65%

LAB 80.06, -5.07, 45.08

 

CMYK 0 / 10 / 53 / 22

HEX #C8B55E

RGB 200 181 94

HSL 49.25, 0.49%, 0.58%

LAB 73.63, -4.42, 46.3

 

CMYK 0 / 11 / 59 / 28

HEX #B7A34B

RGB 183 163 75

HSL 48.89, 0.43%, 0.51%

LAB 67.1, -3.63, 47.48

 

CMYK 0 / 13 / 66 / 35

HEX #A69138

RGB 166 145 56

HSL 48.55, 0.5%, 0.44%

LAB 60.47, -2.68, 48.53

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 0 / 19 / 44 / 8

HEX #EABE84

RGB 234 190 132

HSL 34.12, 0.71%, 0.72%

LAB 79.61, 8.34, 35.19

 

CMYK 0 / 31 / 44 / 8

HEX #EAA284

RGB 234 162 132

HSL 17.65, 0.71%, 0.72%

LAB 72.89, 23.19, 26.34

 

CMYK 0 / 42 / 44 / 8

HEX #EA8784

RGB 234 135 132

HSL 1.76, 0.71%, 0.72%

LAB 66.89, 37.43, 18.19

 

CMYK 0 / 44 / 44 / 8

HEX #EA8484

RGB 234 132 132

HSL 0, 0.71%, 0.72%

LAB 66.26, 38.98, 17.32

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 5 / 0 / 44 / 8

HEX #DFEA84

RGB 223 234 132

HSL 66.47, 0.71%, 0.72%

LAB 89.95, -18.4, 48.11

 

CMYK 16 / 0 / 44 / 8

HEX #C4EA84

RGB 196 234 132

HSL 82.35, 0.71%, 0.72%

LAB 88.09, -28.61, 45.38

 

CMYK 28 / 0 / 44 / 8

HEX #A9EA84

RGB 169 234 132

HSL 98.24, 0.71%, 0.72%

LAB 86.48, -38.22, 43.02

 

CMYK 40 / 0 / 44 / 8

HEX #8DEA84

RGB 141 234 132

HSL 114.71, 0.71%, 0.72%

LAB 85.09, -47.25, 40.96

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 0 / 8 / 51 / 4

HEX #F5E179

RGB 245 225 121

HSL 50.32, 0.86%, 0.72%

LAB 89.23, -6.3, 52.88

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 0 / 6 / 35 / 13

HEX #DED190

RGB 222 209 144

HSL 50, 0.54%, 0.72%

LAB 83.52, -4.96, 33.91

 

CMYK 0 / 5 / 26 / 17

HEX #D3C99C

RGB 211 201 156

HSL 49.09, 0.38%, 0.72%

LAB 80.75, -3.55, 23.79

 

CMYK 0 / 3 / 16 / 22

HEX #C7C2A7

RGB 199 194 167

HSL 50.63, 0.22%, 0.72%

LAB 78.18, -2.8, 14.22

 

CMYK 0 / 1 / 5 / 26

HEX #BCBAB3

RGB 188 186 179

HSL 46.67, 0.06%, 0.72%

LAB 75.49, -0.56, 3.78

 

CMYK 0 / 30 / 44 / 8

HEX #EAA384

RGB 234 163 132

HSL 18.24, 0.71%, 0.72%

LAB 73.12, 22.66, 26.65

 

CMYK 0 / 19 / 44 / 8

HEX #EABE84

RGB 234 190 132

HSL 34.12, 0.71%, 0.72%

LAB 79.61, 8.34, 35.19

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 4 / 0 / 44 / 8

HEX #E0EA84

RGB 224 234 132

HSL 65.88, 0.71%, 0.72%

LAB 90.03, -18.01, 48.22

 

CMYK 16 / 0 / 44 / 8

HEX #C5EA84

RGB 197 234 132

HSL 81.76, 0.71%, 0.72%

LAB 88.15, -28.24, 45.48

 

CMYK 0 / 12 / 72 / 13

HEX #DEC33E

RGB 222 195 62

HSL 49.88, 0.71%, 0.56%

LAB 78.99, -4.44, 66.59

 

CMYK 0 / 10 / 57 / 11

HEX #E4CE61

RGB 228 206 97

HSL 49.92, 0.71%, 0.64%

LAB 82.65, -5.48, 55.98

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 0 / 5 / 30 / 6

HEX #F0E4A8

RGB 240 228 168

HSL 50, 0.71%, 0.8%

LAB 90.25, -4.83, 30.81

 

CMYK 0 / 3 / 17 / 4

HEX #F6EFCB

RGB 246 239 203

HSL 50.23, 0.7%, 0.88%

LAB 94.16, -3.42, 18.28

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 44 / 0 / 42 / 8

HEX #84EA88

RGB 132 234 136

HSL 122.35, 0.71%, 0.72%

LAB 84.76, -49.32, 38.49

 

CMYK 25 / 44 / 0 / 8

HEX #B084EA

RGB 176 132 234

HSL 265.88, 0.71%, 0.72%

LAB 63.07, 36.99, -45.48

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 44 / 0 / 7 / 8

HEX #84EAD9

RGB 132 234 217

HSL 170, 0.71%, 0.72%

LAB 86.39, -33.79, -1.04

 

CMYK 7 / 44 / 0 / 8

HEX #D984EA

RGB 217 132 234

HSL 290, 0.71%, 0.72%

LAB 67.42, 48.62, -38.35

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 44 / 0 / 42 / 8

HEX #84EA88

RGB 132 234 136

HSL 122.35, 0.71%, 0.72%

LAB 84.76, -49.32, 38.49

 

CMYK 44 / 36 / 0 / 8

HEX #8495EA

RGB 132 149 234

HSL 230, 0.71%, 0.72%

LAB 63.62, 15.57, -44.85

 

CMYK 0 / 44 / 2 / 8

HEX #EA84E6

RGB 234 132 230

HSL 302.35, 0.71%, 0.72%

LAB 69.26, 52.82, -33.13

 

CMYK 0 / 7 / 44 / 8

HEX #EAD984

RGB 234 217 132

HSL 50, 0.71%, 0.72%

LAB 86.4, -5.62, 43.87

 

CMYK 44 / 0 / 29 / 8

HEX #84EAA6

RGB 132 234 166

HSL 140, 0.71%, 0.72%

LAB 85.25, -44.38, 23.96

 

CMYK 44 / 36 / 0 / 8

HEX #8495EA

RGB 132 149 234

HSL 230, 0.71%, 0.72%

LAB 63.62, 15.57, -44.85

 

CMYK 0 / 44 / 15 / 8

HEX #EA84C8

RGB 234 132 200

HSL 320, 0.71%, 0.72%

LAB 68.14, 47.85, -18.2

 

Description

Color code: HEX #EAD984 | qconv.com Color code: HEX #EAD984 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 217 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 217 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 44 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 44% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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