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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EADAAE it is the complementary color #152551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EADAAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EADAAE shade: #EFDAA9, #FFECBC, #FFFECF, #FFFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EADAAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EADAAE shade: #EADAAE, #D9C89B, #C8B688, #B7A475 and #A69262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EADAAE shade: #EADAAD, #EAC9AD, #EAB9AD and #EAADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EADAAE shade: #EADAAD, #E9EAAD, #D9EAAD, #C9EAAD and #B9EAAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EADAAE shade matches the following richer shades: #EADAAD, #F2DDA5 and #FAE19D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EADAAE shade: #EADAAD, #E1D6B6, #D9D2BE, #D1CEC6 and #C9CACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EADAAE shade: #EAB9AD, #EAC9AD, #EADAAD, #EAEAAD and #DAEAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EADAAE shade: #D9BC6C, #E1CB8D, #EADAAD, #F2E8CE and #FBF7EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EADAAE shade: #EADAAE, #B1EAAD and #C1ADEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EADAAE shade: #EADAAE, #ADEADA and #DAADEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EADAAE shade: #EADAAE, #B1EAAD, #ADBDEA and #E6ADEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EADAAE shade: #EADAAE, #ADEABB, #ADBDEA and #EAADDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

Complementary color

CMYK 74 / 54 / 0 / 68

HEX #152551

RGB 21 37 81

HSL 224, 0.59%, 0.2%

LAB 15.88, 10.39, -28.99

 

CMYK 0 / 9 / 29 / 6

HEX #EFDAA9

RGB 239 218 169

HSL 42, 0.69%, 0.8%

LAB 87.66, 0.01, 26.79

 

CMYK 0 / 7 / 26 / 0

HEX #FFECBC

RGB 255 236 188

HSL 42.99, 1%, 0.87%

LAB 93.83, -0.72, 25.65

 

CMYK 0 / 0 / 19 / 0

HEX #FFFECF

RGB 255 254 207

HSL 58.75, 1%, 0.91%

LAB 98.69, -7.13, 22.65

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

CMYK 0 / 8 / 29 / 15

HEX #D9C89B

RGB 217 200 155

HSL 43.55, 0.45%, 0.73%

LAB 80.98, -0.87, 24.7

 

CMYK 0 / 9 / 32 / 22

HEX #C8B688

RGB 200 182 136

HSL 43.13, 0.37%, 0.66%

LAB 74.52, -0.49, 25.79

 

CMYK 0 / 10 / 36 / 28

HEX #B7A475

RGB 183 164 117

HSL 42.73, 0.31%, 0.59%

LAB 67.95, -0.04, 26.94

 

CMYK 0 / 12 / 41 / 35

HEX #A69262

RGB 166 146 98

HSL 42.35, 0.28%, 0.52%

LAB 61.26, 0.5, 28.17

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 14 / 26 / 8

HEX #EAC9AD

RGB 234 201 173

HSL 27.54, 0.59%, 0.8%

LAB 83.06, 7.47, 18.3

 

CMYK 0 / 21 / 26 / 8

HEX #EAB9AD

RGB 234 185 173

HSL 11.8, 0.59%, 0.8%

LAB 79.16, 15.92, 12.82

 

CMYK 0 / 26 / 26 / 8

HEX #EAADAD

RGB 234 173 173

HSL 0, 0.59%, 0.8%

LAB 76.31, 22.31, 8.77

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 0 / 26 / 8

HEX #E9EAAD

RGB 233 234 173

HSL 60.98, 0.59%, 0.8%

LAB 91.32, -9.82, 29.61

 

CMYK 7 / 0 / 26 / 8

HEX #D9EAAD

RGB 217 234 173

HSL 76.72, 0.59%, 0.8%

LAB 90.14, -15.69, 27.82

 

CMYK 14 / 0 / 26 / 8

HEX #C9EAAD

RGB 201 234 173

HSL 92.46, 0.59%, 0.8%

LAB 89.05, -21.41, 26.16

 

CMYK 21 / 0 / 26 / 8

HEX #B9EAAD

RGB 185 234 173

HSL 108.2, 0.59%, 0.8%

LAB 88.05, -26.93, 24.63

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 9 / 32 / 5

HEX #F2DDA5

RGB 242 221 165

HSL 43.64, 0.75%, 0.8%

LAB 88.59, -0.89, 30.16

 

CMYK 0 / 10 / 37 / 2

HEX #FAE19D

RGB 250 225 157

HSL 43.87, 0.9%, 0.8%

LAB 90.14, -0.8, 36.42

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 5 / 19 / 12

HEX #E1D6B6

RGB 225 214 182

HSL 44.65, 0.42%, 0.8%

LAB 85.74, -1.36, 17.18

 

CMYK 0 / 3 / 12 / 15

HEX #D9D2BE

RGB 217 210 190

HSL 44.44, 0.26%, 0.8%

LAB 84.26, -0.96, 10.77

 

CMYK 0 / 1 / 5 / 18

HEX #D1CEC6

RGB 209 206 198

HSL 43.64, 0.11%, 0.8%

LAB 82.79, -0.38, 4.33

 

CMYK 2 / 2 / 0 / 19

HEX #C9CACE

RGB 201 202 206

HSL 228, 0.05%, 0.8%

LAB 81.35, 0.4, -2.12

 

CMYK 0 / 21 / 26 / 8

HEX #EAB9AD

RGB 234 185 173

HSL 11.8, 0.59%, 0.8%

LAB 79.16, 15.92, 12.82

 

CMYK 0 / 14 / 26 / 8

HEX #EAC9AD

RGB 234 201 173

HSL 27.54, 0.59%, 0.8%

LAB 83.06, 7.47, 18.3

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 0 / 26 / 8

HEX #EAEAAD

RGB 234 234 173

HSL 60, 0.59%, 0.8%

LAB 91.39, -9.45, 29.72

 

CMYK 7 / 0 / 26 / 8

HEX #DAEAAD

RGB 218 234 173

HSL 75.74, 0.59%, 0.8%

LAB 90.21, -15.33, 27.93

 

CMYK 0 / 13 / 50 / 15

HEX #D9BC6C

RGB 217 188 108

HSL 44.04, 0.59%, 0.64%

LAB 77.16, 0.19, 44

 

CMYK 0 / 10 / 37 / 12

HEX #E1CB8D

RGB 225 203 141

HSL 44.29, 0.58%, 0.72%

LAB 82.19, -1.04, 33.75

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAD

RGB 234 218 173

HSL 44.26, 0.59%, 0.8%

LAB 87.32, -1.35, 24.18

 

CMYK 0 / 4 / 15 / 5

HEX #F2E8CE

RGB 242 232 206

HSL 43.33, 0.58%, 0.88%

LAB 92.15, -0.84, 13.86

 

CMYK 0 / 2 / 5 / 2

HEX #FBF7EF

RGB 251 247 239

HSL 40, 0.6%, 0.96%

LAB 97.33, -0.03, 4.3

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

CMYK 24 / 0 / 26 / 8

HEX #B1EAAD

RGB 177 234 173

HSL 116.07, 0.59%, 0.8%

LAB 87.59, -29.59, 23.91

 

CMYK 18 / 26 / 0 / 8

HEX #C1ADEA

RGB 193 173 234

HSL 259.67, 0.59%, 0.8%

LAB 74.3, 19.18, -27.91

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

CMYK 26 / 0 / 7 / 8

HEX #ADEADA

RGB 173 234 218

HSL 164.26, 0.59%, 0.8%

LAB 88.35, -22.51, 1.53

 

CMYK 7 / 26 / 0 / 8

HEX #DAADEA

RGB 218 173 234

HSL 284.26, 0.59%, 0.8%

LAB 76.52, 27.04, -24.31

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

CMYK 24 / 0 / 26 / 8

HEX #B1EAAD

RGB 177 234 173

HSL 116.07, 0.59%, 0.8%

LAB 87.59, -29.59, 23.91

 

CMYK 26 / 19 / 0 / 8

HEX #ADBDEA

RGB 173 189 234

HSL 224.26, 0.59%, 0.8%

LAB 76.81, 4.33, -24.19

 

CMYK 2 / 26 / 0 / 8

HEX #E6ADEA

RGB 230 173 234

HSL 296.07, 0.59%, 0.8%

LAB 77.67, 30.88, -22.45

 

CMYK 0 / 7 / 26 / 8

HEX #EADAAE

RGB 234 218 174

HSL 44, 0.59%, 0.8%

LAB 87.33, -1.21, 23.68

 

CMYK 26 / 0 / 20 / 8

HEX #ADEABB

RGB 173 234 187

HSL 133.77, 0.59%, 0.8%

LAB 87.64, -28.49, 16.7

 

CMYK 26 / 19 / 0 / 8

HEX #ADBDEA

RGB 173 189 234

HSL 224.26, 0.59%, 0.8%

LAB 76.81, 4.33, -24.19

 

CMYK 0 / 26 / 6 / 8

HEX #EAADDC

RGB 234 173 220

HSL 313.77, 0.59%, 0.8%

LAB 77.61, 29.67, -14.92

 

Description

Color code: HEX #EADAAE | qconv.com Color code: HEX #EADAAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 218 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 218 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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