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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAEE53 it is the complementary color #1511AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAEE53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAEE53 shade: #EFEE4E, #FFFF61, #FFFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAEE53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAEE53 shade: #EAEE53, #D9DC40, #C8CA2D, #B7B81A and #A6A607

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAEE53 shade: #EAEE53, #EEC853, #EE9E53, #EE7453 and #EE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAEE53 shade: #EAEE53, #C0EE53, #96EE53, #6CEE53 and #53EE63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAEE53 shade matches the following richer shades: #EAEE53 and #F8FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAEE53 shade: #EAEE53, #DBDE62, #CDCF71, #BEC081 and #B0B090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAEE53 shade: #EE9E53, #EEC753, #EBEE53, #C2EE53 and #98EE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAEE53 shade: #D4D915, #E5EA2D, #EAEE53, #EEF178 and #F3F59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAEE53 shade: #EAEE53, #53EE74 and #B253EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAEE53 shade: #EAEE53, #53EBEE and #EE53EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAEE53 shade: #EAEE53, #53EE74, #5553EE and #EE53CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAEE53 shade: #EAEE53, #53EEA3, #5553EE and #EE539E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

Complementary color

CMYK 88 / 90 / 0 / 33

HEX #1511AC

RGB 21 17 172

HSL 241.55, 0.82%, 0.37%

LAB 22.08, 54.56, -76.73

 

CMYK 0 / 0 / 67 / 6

HEX #EFEE4E

RGB 239 238 78

HSL 59.63, 0.83%, 0.62%

LAB 91.71, -18.06, 73.75

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 1 / 0 / 71 / 14

HEX #D9DC40

RGB 217 220 64

HSL 61.15, 0.69%, 0.56%

LAB 85.15, -19.01, 71.7

 

CMYK 1 / 0 / 78 / 21

HEX #C8CA2D

RGB 200 202 45

HSL 60.76, 0.64%, 0.48%

LAB 78.87, -18.05, 71.43

 

CMYK 1 / 0 / 86 / 28

HEX #B7B81A

RGB 183 184 26

HSL 60.38, 0.75%, 0.41%

LAB 72.51, -16.9, 70.22

 

CMYK 0 / 0 / 96 / 35

HEX #A6A607

RGB 166 166 7

HSL 60, 0.92%, 0.34%

LAB 66.05, -15.54, 67.62

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 0 / 16 / 65 / 7

HEX #EEC853

RGB 238 200 83

HSL 45.29, 0.82%, 0.63%

LAB 81.9, 0.84, 61.61

 

CMYK 0 / 34 / 65 / 7

HEX #EE9E53

RGB 238 158 83

HSL 29.03, 0.82%, 0.63%

LAB 71.73, 22.91, 50.44

 

CMYK 0 / 51 / 65 / 7

HEX #EE7453

RGB 238 116 83

HSL 12.77, 0.82%, 0.63%

LAB 62.75, 44.58, 40.02

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 19 / 0 / 65 / 7

HEX #C0EE53

RGB 192 238 83

HSL 77.81, 0.82%, 0.63%

LAB 88.44, -36.37, 67.47

 

CMYK 37 / 0 / 65 / 7

HEX #96EE53

RGB 150 238 83

HSL 94.06, 0.82%, 0.63%

LAB 86.14, -51.37, 64.33

 

CMYK 55 / 0 / 65 / 7

HEX #6CEE53

RGB 108 238 83

HSL 110.32, 0.82%, 0.63%

LAB 84.46, -63.66, 62.04

 

CMYK 65 / 0 / 58 / 7

HEX #53EE63

RGB 83 238 99

HSL 126.19, 0.82%, 0.63%

LAB 83.91, -67.56, 54.51

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 2 / 0 / 73 / 1

HEX #F8FD44

RGB 248 253 68

HSL 61.62, 0.98%, 0.63%

LAB 96.26, -22.07, 81.75

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 1 / 0 / 56 / 13

HEX #DBDE62

RGB 219 222 98

HSL 61.45, 0.65%, 0.63%

LAB 86.1, -17.11, 59.24

 

CMYK 1 / 0 / 45 / 19

HEX #CDCF71

RGB 205 207 113

HSL 61.28, 0.49%, 0.63%

LAB 81.18, -13.99, 46.22

 

CMYK 1 / 0 / 33 / 25

HEX #BEC081

RGB 190 192 129

HSL 61.9, 0.33%, 0.63%

LAB 76.21, -10.53, 31.59

 

CMYK 0 / 0 / 18 / 31

HEX #B0B090

RGB 176 176 144

HSL 60, 0.17%, 0.63%

LAB 71.07, -5.48, 16.44

 

CMYK 0 / 34 / 65 / 7

HEX #EE9E53

RGB 238 158 83

HSL 29.03, 0.82%, 0.63%

LAB 71.73, 22.91, 50.44

 

CMYK 0 / 16 / 65 / 7

HEX #EEC753

RGB 238 199 83

HSL 44.9, 0.82%, 0.63%

LAB 81.65, 1.36, 61.34

 

CMYK 1 / 0 / 65 / 7

HEX #EBEE53

RGB 235 238 83

HSL 61.16, 0.82%, 0.63%

LAB 91.43, -19.42, 71.5

 

CMYK 18 / 0 / 65 / 7

HEX #C2EE53

RGB 194 238 83

HSL 77.03, 0.82%, 0.63%

LAB 88.56, -35.61, 67.64

 

CMYK 36 / 0 / 65 / 7

HEX #98EE53

RGB 152 238 83

HSL 93.29, 0.82%, 0.63%

LAB 86.23, -50.71, 64.46

 

CMYK 2 / 0 / 90 / 15

HEX #D4D915

RGB 212 217 21

HSL 61.53, 0.82%, 0.47%

LAB 83.8, -20.96, 81.07

 

CMYK 2 / 0 / 81 / 8

HEX #E5EA2D

RGB 229 234 45

HSL 61.59, 0.82%, 0.55%

LAB 89.72, -21.56, 81.77

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 1 / 0 / 50 / 5

HEX #EEF178

RGB 238 241 120

HSL 61.49, 0.81%, 0.71%

LAB 92.77, -17.08, 57.41

 

CMYK 1 / 0 / 36 / 4

HEX #F3F59E

RGB 243 245 158

HSL 61.38, 0.81%, 0.79%

LAB 94.67, -13.36, 41.7

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 65 / 0 / 51 / 7

HEX #53EE74

RGB 83 238 116

HSL 132.77, 0.82%, 0.63%

LAB 84.1, -65.4, 46.99

 

CMYK 25 / 65 / 0 / 7

HEX #B253EE

RGB 178 83 238

HSL 276.77, 0.82%, 0.63%

LAB 53.84, 63.67, -62.4

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 65 / 1 / 0 / 7

HEX #53EBEE

RGB 83 235 238

HSL 181.16, 0.82%, 0.63%

LAB 85.72, -38.33, -13.24

 

CMYK 0 / 65 / 1 / 7

HEX #EE53EB

RGB 238 83 235

HSL 301.16, 0.82%, 0.63%

LAB 61.97, 76.39, -47.28

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 65 / 0 / 51 / 7

HEX #53EE74

RGB 83 238 116

HSL 132.77, 0.82%, 0.63%

LAB 84.1, -65.4, 46.99

 

CMYK 64 / 65 / 0 / 7

HEX #5553EE

RGB 85 83 238

HSL 240.77, 0.82%, 0.63%

LAB 44.65, 46.85, -77.75

 

CMYK 0 / 65 / 14 / 7

HEX #EE53CC

RGB 238 83 204

HSL 313.16, 0.82%, 0.63%

LAB 60.54, 71.71, -32.08

 

CMYK 2 / 0 / 65 / 7

HEX #EAEE53

RGB 234 238 83

HSL 61.55, 0.82%, 0.63%

LAB 91.35, -19.82, 71.4

 

CMYK 65 / 0 / 32 / 7

HEX #53EEA3

RGB 83 238 163

HSL 150.97, 0.82%, 0.63%

LAB 84.81, -57.49, 24.64

 

CMYK 64 / 65 / 0 / 7

HEX #5553EE

RGB 85 83 238

HSL 240.77, 0.82%, 0.63%

LAB 44.65, 46.85, -77.75

 

CMYK 0 / 65 / 34 / 7

HEX #EE539E

RGB 238 83 158

HSL 330.97, 0.82%, 0.63%

LAB 58.82, 65.83, -8.24

 

Description

Color code: HEX #EAEE53 | qconv.com Color code: HEX #EAEE53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 238 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 238 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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