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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAF092 it is the complementary color #150F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAF092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAF092 shade: #EFF08D, #FFFFA0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAF092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAF092 shade: #EAF092, #D9DE7F, #C8CC6C, #B7BA59 and #A6A846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAF092 shade: #EAF093, #F0DD93, #F0C493, #F0AA93 and #F09393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAF092 shade: #EAF093, #D1F093, #B8F093, #9FF093 and #93F0A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAF092 shade matches the following richer shades: #EAF093 and #F3FA89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAF092 shade: #EAF093, #E1E69D, #D9DCA7, #D0D2B0 and #C7C8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAF092 shade: #F0C393, #F0DC93, #EBF093, #D2F093 and #BAF093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAF092 shade: #DCE64A, #E3EB6E, #EAF093, #F1F5B7 and #F8FADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAF092 shade: #EAF092, #93F0AA and #CF93F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAF092 shade: #EAF092, #93EBF0 and #F093EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAF092 shade: #EAF092, #93F0AA, #9793F0 and #F093D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAF092 shade: #EAF092, #93F0C6, #9793F0 and #F093BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

Complementary color

CMYK 81 / 86 / 0 / 57

HEX #150F6D

RGB 21 15 109

HSL 243.83, 0.76%, 0.24%

LAB 13.26, 36, -51.93

 

CMYK 0 / 0 / 41 / 6

HEX #EFF08D

RGB 239 240 141

HSL 60.61, 0.77%, 0.75%

LAB 92.84, -14.25, 47.62

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

CMYK 2 / 0 / 43 / 13

HEX #D9DE7F

RGB 217 222 127

HSL 63.16, 0.59%, 0.68%

LAB 86.27, -15.34, 45.87

 

CMYK 2 / 0 / 47 / 20

HEX #C8CC6C

RGB 200 204 108

HSL 62.5, 0.48%, 0.61%

LAB 79.92, -14.97, 47.03

 

CMYK 2 / 0 / 52 / 27

HEX #B7BA59

RGB 183 186 89

HSL 61.86, 0.41%, 0.54%

LAB 73.48, -14.51, 48.17

 

CMYK 1 / 0 / 58 / 34

HEX #A6A846

RGB 166 168 70

HSL 61.22, 0.41%, 0.47%

LAB 66.94, -13.95, 49.22

 

CMYK 3 / 0 / 39 / 6

HEX #EAF093

RGB 234 240 147

HSL 63.87, 0.76%, 0.76%

LAB 92.54, -15.54, 44.25

 

CMYK 0 / 8 / 39 / 6

HEX #F0DD93

RGB 240 221 147

HSL 47.74, 0.76%, 0.76%

LAB 88.13, -3.74, 38.69

 

CMYK 0 / 18 / 39 / 6

HEX #F0C493

RGB 240 196 147

HSL 31.61, 0.76%, 0.76%

LAB 81.9, 9.17, 30.5

 

CMYK 0 / 29 / 39 / 6

HEX #F0AA93

RGB 240 170 147

HSL 14.84, 0.76%, 0.76%

LAB 75.69, 22.9, 22.12

 

CMYK 0 / 39 / 39 / 6

HEX #F09393

RGB 240 147 147

HSL 0, 0.76%, 0.76%

LAB 70.52, 35.03, 14.98

 

CMYK 3 / 0 / 39 / 6

HEX #EAF093

RGB 234 240 147

HSL 63.87, 0.76%, 0.76%

LAB 92.54, -15.54, 44.25

 

CMYK 13 / 0 / 39 / 6

HEX #D1F093

RGB 209 240 147

HSL 80, 0.76%, 0.76%

LAB 90.77, -24.92, 41.63

 

CMYK 23 / 0 / 39 / 6

HEX #B8F093

RGB 184 240 147

HSL 96.13, 0.76%, 0.76%

LAB 89.21, -33.86, 39.31

 

CMYK 34 / 0 / 39 / 6

HEX #9FF093

RGB 159 240 147

HSL 112.26, 0.76%, 0.76%

LAB 87.87, -42.15, 37.31

 

CMYK 39 / 0 / 33 / 6

HEX #93F0A0

RGB 147 240 160

HSL 128.39, 0.76%, 0.76%

LAB 87.51, -43.8, 30.2

 

CMYK 3 / 0 / 39 / 6

HEX #EAF093

RGB 234 240 147

HSL 63.87, 0.76%, 0.76%

LAB 92.54, -15.54, 44.25

 

CMYK 3 / 0 / 45 / 2

HEX #F3FA89

RGB 243 250 137

HSL 63.72, 0.92%, 0.76%

LAB 95.68, -17.97, 53.1

 

CMYK 3 / 0 / 39 / 6

HEX #EAF093

RGB 234 240 147

HSL 63.87, 0.76%, 0.76%

LAB 92.54, -15.54, 44.25

 

CMYK 2 / 0 / 32 / 10

HEX #E1E69D

RGB 225 230 157

HSL 64.11, 0.59%, 0.76%

LAB 89.41, -12.86, 35.08

 

CMYK 1 / 0 / 24 / 14

HEX #D9DCA7

RGB 217 220 167

HSL 63.4, 0.43%, 0.76%

LAB 86.37, -9.53, 25.78

 

CMYK 1 / 0 / 16 / 18

HEX #D0D2B0

RGB 208 210 176

HSL 63.53, 0.27%, 0.76%

LAB 83.25, -6.42, 16.65

 

CMYK 0 / 0 / 7 / 22

HEX #C7C8BA

RGB 199 200 186

HSL 64.29, 0.11%, 0.76%

LAB 80.18, -2.83, 6.87

 

CMYK 0 / 19 / 39 / 6

HEX #F0C393

RGB 240 195 147

HSL 30.97, 0.76%, 0.76%

LAB 81.65, 9.7, 30.18

 

CMYK 0 / 8 / 39 / 6

HEX #F0DC93

RGB 240 220 147

HSL 47.1, 0.76%, 0.76%

LAB 87.88, -3.23, 38.36

 

CMYK 2 / 0 / 39 / 6

HEX #EBF093

RGB 235 240 147

HSL 63.23, 0.76%, 0.76%

LAB 92.61, -15.16, 44.36

 

CMYK 13 / 0 / 39 / 6

HEX #D2F093

RGB 210 240 147

HSL 79.35, 0.76%, 0.76%

LAB 90.84, -24.55, 41.73

 

CMYK 23 / 0 / 39 / 6

HEX #BAF093

RGB 186 240 147

HSL 94.84, 0.76%, 0.76%

LAB 89.33, -33.16, 39.49

 

CMYK 4 / 0 / 68 / 10

HEX #DCE64A

RGB 220 230 74

HSL 63.85, 0.76%, 0.6%

LAB 88.11, -22.13, 71.14

 

CMYK 3 / 0 / 53 / 8

HEX #E3EB6E

RGB 227 235 110

HSL 63.84, 0.76%, 0.68%

LAB 90.26, -19.33, 58.81

 

CMYK 3 / 0 / 39 / 6

HEX #EAF093

RGB 234 240 147

HSL 63.87, 0.76%, 0.76%

LAB 92.54, -15.54, 44.25

 

CMYK 2 / 0 / 25 / 4

HEX #F1F5B7

RGB 241 245 183

HSL 63.87, 0.76%, 0.84%

LAB 94.92, -11.03, 29.49

 

CMYK 1 / 0 / 12 / 2

HEX #F8FADB

RGB 248 250 219

HSL 63.87, 0.76%, 0.92%

LAB 97.41, -5.81, 14.65

 

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

CMYK 39 / 0 / 29 / 6

HEX #93F0AA

RGB 147 240 170

HSL 134.84, 0.76%, 0.76%

LAB 87.69, -42.12, 25.35

 

CMYK 14 / 39 / 0 / 6

HEX #CF93F0

RGB 207 147 240

HSL 278.71, 0.76%, 0.76%

LAB 69.77, 38.96, -38.07

 

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

CMYK 39 / 2 / 0 / 6

HEX #93EBF0

RGB 147 235 240

HSL 183.23, 0.76%, 0.76%

LAB 87.93, -25.16, -10.77

 

CMYK 0 / 39 / 2 / 6

HEX #F093EB

RGB 240 147 235

HSL 303.23, 0.76%, 0.76%

LAB 73.15, 47.88, -29.82

 

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

CMYK 39 / 0 / 29 / 6

HEX #93F0AA

RGB 147 240 170

HSL 134.84, 0.76%, 0.76%

LAB 87.69, -42.12, 25.35

 

CMYK 37 / 39 / 0 / 6

HEX #9793F0

RGB 151 147 240

HSL 242.58, 0.76%, 0.76%

LAB 64.75, 23.23, -46.28

 

CMYK 0 / 39 / 10 / 6

HEX #F093D9

RGB 240 147 217

HSL 314.84, 0.76%, 0.76%

LAB 72.5, 44.81, -20.94

 

CMYK 3 / 0 / 39 / 6

HEX #EAF092

RGB 234 240 146

HSL 63.83, 0.76%, 0.76%

LAB 92.53, -15.65, 44.72

 

CMYK 39 / 0 / 18 / 6

HEX #93F0C6

RGB 147 240 198

HSL 152.9, 0.76%, 0.76%

LAB 88.26, -36.84, 11.67

 

CMYK 37 / 39 / 0 / 6

HEX #9793F0

RGB 151 147 240

HSL 242.58, 0.76%, 0.76%

LAB 64.75, 23.23, -46.28

 

CMYK 0 / 39 / 21 / 6

HEX #F093BD

RGB 240 147 189

HSL 332.9, 0.76%, 0.76%

LAB 71.6, 40.46, -6.81

 

Description

Color code: HEX #EAF092 | qconv.com Color code: HEX #EAF092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 240 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 240 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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