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Color name
HEX #EAF121

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAF121 it is the complementary color #150EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAF121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAF121 shade: #EFF11C, #FFFF2F, #FFFF42, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAF121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAF121 shade: #EAF121, #D9DF0E, #C8CD00, #B7BB00 and #A6A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAF121 shade: #E9F022, #F0C022, #F08822, #F05022 and #F02222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAF121 shade: #E9F022, #B2F022, #7AF022, #42F022 and #22F039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAF121 shade matches the following richer shades: #E9F022

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAF121 shade: #E9F022, #D8DD35, #C6CA48, #B4B75B and #A3A56E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAF121 shade: #F08922, #F0C022, #EAF022, #B2F022 and #7BF022

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAF121 shade: #AFB50B, #D5DC0E, #E9F022, #EDF349 and #F1F570

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAF121 shade: #EAF121, #22F052 and #A522F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAF121 shade: #EAF121, #22EAF0 and #F022EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAF121 shade: #EAF121, #22F052, #2922F0 and #F022C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAF121 shade: #EAF121, #22F090, #2922F0 and #F02282

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

Complementary color

CMYK 91 / 94 / 0 / 13

HEX #150EDE

RGB 21 14 222

HSL 242.02, 0.88%, 0.46%

LAB 28.77, 68.89, -95.02

 

CMYK 1 / 0 / 88 / 5

HEX #EFF11C

RGB 239 241 28

HSL 60.56, 0.88%, 0.53%

LAB 92.29, -21.18, 87.58

 

CMYK 0 / 0 / 82 / 0

HEX #FFFF2F

RGB 255 255 47

HSL 60, 1%, 0.59%

LAB 97.22, -20.88, 88.47

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

CMYK 3 / 0 / 94 / 13

HEX #D9DF0E

RGB 217 223 14

HSL 61.72, 0.88%, 0.46%

LAB 85.79, -21.87, 83.62

 

CMYK 2 / 0 / 100 / 20

HEX #C8CD00

RGB 200 205 0

HSL 61.46, 1%, 0.4%

LAB 79.58, -20.42, 79.68

 

CMYK 2 / 0 / 100 / 27

HEX #B7BB00

RGB 183 187 0

HSL 61.28, 1%, 0.37%

LAB 73.29, -18.81, 74.45

 

CMYK 2 / 0 / 100 / 34

HEX #A6A900

RGB 166 169 0

HSL 61.07, 1%, 0.33%

LAB 66.89, -17.17, 69.13

 

CMYK 3 / 0 / 86 / 6

HEX #E9F022

RGB 233 240 34

HSL 62.04, 0.87%, 0.54%

LAB 91.58, -23.06, 85.8

 

CMYK 0 / 20 / 86 / 6

HEX #F0C022

RGB 240 192 34

HSL 46.02, 0.87%, 0.54%

LAB 79.81, 3.88, 76.52

 

CMYK 0 / 43 / 86 / 6

HEX #F08822

RGB 240 136 34

HSL 29.71, 0.87%, 0.54%

LAB 66.71, 33.27, 65.92

 

CMYK 0 / 67 / 86 / 6

HEX #F05022

RGB 240 80 34

HSL 13.4, 0.87%, 0.54%

LAB 56.46, 59.49, 57.59

 

CMYK 0 / 86 / 86 / 6

HEX #F02222

RGB 240 34 34

HSL 0, 0.87%, 0.54%

LAB 51.59, 73.06, 53.6

 

CMYK 3 / 0 / 86 / 6

HEX #E9F022

RGB 233 240 34

HSL 62.04, 0.87%, 0.54%

LAB 91.58, -23.06, 85.8

 

CMYK 26 / 0 / 86 / 6

HEX #B2F022

RGB 178 240 34

HSL 78.06, 0.87%, 0.54%

LAB 87.92, -44.82, 81.28

 

CMYK 49 / 0 / 86 / 6

HEX #7AF022

RGB 122 240 34

HSL 94.37, 0.87%, 0.54%

LAB 85.29, -63.54, 78

 

CMYK 73 / 0 / 86 / 6

HEX #42F022

RGB 66 240 34

HSL 110.68, 0.87%, 0.54%

LAB 83.75, -76.1, 76.07

 

CMYK 86 / 0 / 76 / 6

HEX #22F039

RGB 34 240 57

HSL 126.7, 0.87%, 0.54%

LAB 83.42, -78.68, 69.74

 

CMYK 3 / 0 / 86 / 6

HEX #E9F022

RGB 233 240 34

HSL 62.04, 0.87%, 0.54%

LAB 91.58, -23.06, 85.8

 

CMYK 3 / 0 / 86 / 6

HEX #E9F022

RGB 233 240 34

HSL 62.04, 0.87%, 0.54%

LAB 91.58, -23.06, 85.8

 

CMYK 2 / 0 / 76 / 13

HEX #D8DD35

RGB 216 221 53

HSL 61.79, 0.71%, 0.54%

LAB 85.29, -20.38, 75.33

 

CMYK 2 / 0 / 64 / 21

HEX #C6CA48

RGB 198 202 72

HSL 61.85, 0.55%, 0.54%

LAB 78.88, -17.59, 61.94

 

CMYK 2 / 0 / 50 / 28

HEX #B4B75B

RGB 180 183 91

HSL 61.96, 0.39%, 0.54%

LAB 72.45, -14.04, 45.93

 

CMYK 1 / 0 / 33 / 35

HEX #A3A56E

RGB 163 165 110

HSL 62.18, 0.23%, 0.54%

LAB 66.38, -9.55, 28.33

 

CMYK 0 / 43 / 86 / 6

HEX #F08922

RGB 240 137 34

HSL 30, 0.87%, 0.54%

LAB 66.92, 32.75, 66.1

 

CMYK 0 / 20 / 86 / 6

HEX #F0C022

RGB 240 192 34

HSL 46.02, 0.87%, 0.54%

LAB 79.81, 3.88, 76.52

 

CMYK 3 / 0 / 86 / 6

HEX #EAF022

RGB 234 240 34

HSL 61.75, 0.87%, 0.54%

LAB 91.65, -22.65, 85.89

 

CMYK 26 / 0 / 86 / 6

HEX #B2F022

RGB 178 240 34

HSL 78.06, 0.87%, 0.54%

LAB 87.92, -44.82, 81.28

 

CMYK 49 / 0 / 86 / 6

HEX #7BF022

RGB 123 240 34

HSL 94.08, 0.87%, 0.54%

LAB 85.33, -63.25, 78.04

 

CMYK 3 / 0 / 94 / 29

HEX #AFB50B

RGB 175 181 11

HSL 62.12, 0.89%, 0.38%

LAB 71, -19.14, 71.22

 

CMYK 3 / 0 / 94 / 14

HEX #D5DC0E

RGB 213 220 14

HSL 62.04, 0.88%, 0.46%

LAB 84.67, -22.09, 82.64

 

CMYK 3 / 0 / 86 / 6

HEX #E9F022

RGB 233 240 34

HSL 62.04, 0.87%, 0.54%

LAB 91.58, -23.06, 85.8

 

CMYK 2 / 0 / 70 / 5

HEX #EDF349

RGB 237 243 73

HSL 62.12, 0.88%, 0.62%

LAB 92.83, -21.53, 76.57

 

CMYK 2 / 0 / 54 / 4

HEX #F1F570

RGB 241 245 112

HSL 61.8, 0.87%, 0.7%

LAB 93.96, -18.48, 62.43

 

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

CMYK 86 / 0 / 66 / 6

HEX #22F052

RGB 34 240 82

HSL 133.98, 0.87%, 0.54%

LAB 83.58, -76.61, 61.05

 

CMYK 31 / 86 / 0 / 6

HEX #A522F0

RGB 165 34 240

HSL 278.16, 0.87%, 0.54%

LAB 46.22, 78.97, -75.96

 

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

CMYK 86 / 3 / 0 / 6

HEX #22EAF0

RGB 34 234 240

HSL 181.75, 0.87%, 0.54%

LAB 84.73, -42.15, -15.86

 

CMYK 0 / 86 / 3 / 6

HEX #F022EA

RGB 240 34 234

HSL 301.75, 0.87%, 0.54%

LAB 57.66, 89.73, -53.52

 

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

CMYK 86 / 0 / 66 / 6

HEX #22F052

RGB 34 240 82

HSL 133.98, 0.87%, 0.54%

LAB 83.58, -76.61, 61.05

 

CMYK 83 / 86 / 0 / 6

HEX #2922F0

RGB 41 34 240

HSL 242.04, 0.87%, 0.54%

LAB 33.79, 68.29, -96.9

 

CMYK 0 / 86 / 20 / 6

HEX #F022C0

RGB 240 34 192

HSL 313.98, 0.87%, 0.54%

LAB 55.56, 84.18, -32.93

 

CMYK 3 / 0 / 86 / 5

HEX #EAF121

RGB 234 241 33

HSL 62.02, 0.88%, 0.54%

LAB 91.91, -23.14, 86.28

 

CMYK 86 / 0 / 40 / 6

HEX #22F090

RGB 34 240 144

HSL 152.04, 0.87%, 0.54%

LAB 84.32, -67.79, 33.48

 

CMYK 83 / 86 / 0 / 6

HEX #2922F0

RGB 41 34 240

HSL 242.04, 0.87%, 0.54%

LAB 33.79, 68.29, -96.9

 

CMYK 0 / 86 / 46 / 6

HEX #F02282

RGB 240 34 130

HSL 332.04, 0.87%, 0.54%

LAB 53.26, 77.85, 0.14

 

Description

Color code: HEX #EAF121 | qconv.com Color code: HEX #EAF121 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 241 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 241 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 86 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 86% 5% C M Y K

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Provide designers and agencies with accurate color values.

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