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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB08AE it is the complementary color #14F751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB08AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB08AE shade: #F008A9, #FF1ABC, #FF2CCF, #FF3EE2 and #FF50F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB08AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB08AE shade: #EB08AE, #DA009B, #C90088, #B80075 and #A70062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB08AE shade: #EC08AF, #EC0871, #EC0834 and #EC0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB08AE shade: #EC08AF, #EC08EC, #AE08EC, #7108EC and #3308EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB08AE shade matches the following richer shades: #EC08AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB08AE shade: #EC08AF, #D81CA5, #C4309C, #B04393 and #9D578A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB08AE shade: #AF08EC, #EC08EC, #EC08AF, #EC0872 and #EC0836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB08AE shade: #9C0574, #C40791, #EC08AF, #F726BF and #F84ECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB08AE shade: #EB08AE, #EC7208 and #08ECCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB08AE shade: #EB08AE, #AFEC08 and #08AFEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB08AE shade: #EB08AE, #EC7208, #08EC45 and #0881EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB08AE shade: #EB08AE, #ECB708, #08EC45 and #083DEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

Complementary color

CMYK 92 / 0 / 67 / 3

HEX #14F751

RGB 20 247 81

HSL 136.12, 0.93%, 0.52%

LAB 85.64, -79.59, 63.63

 

CMYK 0 / 97 / 30 / 6

HEX #F008A9

RGB 240 8 169

HSL 318.36, 0.94%, 0.49%

LAB 53.56, 84.55, -22.61

 

CMYK 0 / 90 / 26 / 0

HEX #FF1ABC

RGB 255 26 188

HSL 317.55, 1%, 0.55%

LAB 57.68, 87.86, -27.11

 

CMYK 0 / 83 / 19 / 0

HEX #FF2CCF

RGB 255 44 207

HSL 313.65, 1%, 0.59%

LAB 59.49, 87.18, -35.19

 

CMYK 0 / 76 / 11 / 0

HEX #FF3EE2

RGB 255 62 226

HSL 309.02, 1%, 0.62%

LAB 61.82, 85.44, -42.29

 

CMYK 0 / 69 / 4 / 0

HEX #FF50F5

RGB 255 80 245

HSL 303.43, 1%, 0.66%

LAB 64.64, 82.75, -48.44

 

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

CMYK 0 / 100 / 29 / 15

HEX #DA009B

RGB 218 0 155

HSL 317.34, 1%, 0.43%

LAB 48.6, 79.35, -22.29

 

CMYK 0 / 100 / 32 / 21

HEX #C90088

RGB 201 0 136

HSL 319.4, 1%, 0.39%

LAB 44.51, 73.96, -17.36

 

CMYK 0 / 100 / 36 / 28

HEX #B80075

RGB 184 0 117

HSL 321.85, 1%, 0.36%

LAB 40.37, 68.51, -12.24

 

CMYK 0 / 100 / 41 / 35

HEX #A70062

RGB 167 0 98

HSL 324.79, 1%, 0.33%

LAB 36.17, 63, -6.88

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 97 / 52 / 7

HEX #EC0871

RGB 236 8 113

HSL 332.37, 0.93%, 0.48%

LAB 50.92, 78.8, 6.96

 

CMYK 0 / 97 / 78 / 7

HEX #EC0834

RGB 236 8 52

HSL 348.42, 0.93%, 0.48%

LAB 49.8, 75.76, 42.26

 

CMYK 0 / 97 / 97 / 7

HEX #EC0808

RGB 236 8 8

HSL 0, 0.93%, 0.48%

LAB 49.53, 75, 61.29

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 97 / 0 / 7

HEX #EC08EC

RGB 236 8 236

HSL 300, 0.93%, 0.48%

LAB 56.15, 92.15, -57.1

 

CMYK 26 / 97 / 0 / 7

HEX #AE08EC

RGB 174 8 236

HSL 283.68, 0.93%, 0.48%

LAB 45.95, 83.29, -74.1

 

CMYK 52 / 97 / 0 / 7

HEX #7108EC

RGB 113 8 236

HSL 267.63, 0.93%, 0.48%

LAB 37.37, 77.11, -88.51

 

CMYK 78 / 97 / 0 / 7

HEX #3308EC

RGB 51 8 236

HSL 251.32, 0.93%, 0.48%

LAB 31.66, 74.03, -98.17

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 87 / 24 / 15

HEX #D81CA5

RGB 216 28 165

HSL 316.28, 0.77%, 0.48%

LAB 49.67, 77.1, -26.62

 

CMYK 0 / 76 / 20 / 23

HEX #C4309C

RGB 196 48 156

HSL 316.22, 0.61%, 0.48%

LAB 47.3, 66.91, -25.23

 

CMYK 0 / 62 / 16 / 31

HEX #B04393

RGB 176 67 147

HSL 315.96, 0.45%, 0.48%

LAB 46.11, 53.4, -21.94

 

CMYK 0 / 45 / 12 / 38

HEX #9D578A

RGB 157 87 138

HSL 316.29, 0.29%, 0.48%

LAB 46.74, 36.11, -15.82

 

CMYK 26 / 97 / 0 / 7

HEX #AF08EC

RGB 175 8 236

HSL 283.95, 0.93%, 0.48%

LAB 46.1, 83.41, -73.84

 

CMYK 0 / 97 / 0 / 7

HEX #EC08EC

RGB 236 8 236

HSL 300, 0.93%, 0.48%

LAB 56.15, 92.15, -57.1

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 97 / 52 / 7

HEX #EC0872

RGB 236 8 114

HSL 332.11, 0.93%, 0.48%

LAB 50.95, 78.87, 6.39

 

CMYK 0 / 97 / 77 / 7

HEX #EC0836

RGB 236 8 54

HSL 347.89, 0.93%, 0.48%

LAB 49.83, 75.82, 41.14

 

CMYK 0 / 97 / 26 / 39

HEX #9C0574

RGB 156 5 116

HSL 315.89, 0.94%, 0.32%

LAB 34.88, 61.95, -20.52

 

CMYK 0 / 96 / 26 / 23

HEX #C40791

RGB 196 7 145

HSL 316.19, 0.93%, 0.4%

LAB 44.14, 73.3, -23.51

 

CMYK 0 / 97 / 26 / 7

HEX #EC08AF

RGB 236 8 175

HSL 316.05, 0.93%, 0.48%

LAB 53.06, 84.42, -26.97

 

CMYK 0 / 85 / 23 / 3

HEX #F726BF

RGB 247 38 191

HSL 316.08, 0.93%, 0.56%

LAB 57, 84.77, -30.01

 

CMYK 0 / 69 / 19 / 3

HEX #F84ECA

RGB 248 78 202

HSL 316.24, 0.92%, 0.64%

LAB 61.37, 75.71, -29.53

 

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

CMYK 0 / 52 / 97 / 7

HEX #EC7208

RGB 236 114 8

HSL 27.89, 0.93%, 0.48%

LAB 61.55, 42.43, 68.04

 

CMYK 97 / 0 / 13 / 7

HEX #08ECCD

RGB 8 236 205

HSL 171.84, 0.93%, 0.48%

LAB 84.2, -53.75, 1.78

 

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

CMYK 26 / 0 / 97 / 7

HEX #AFEC08

RGB 175 236 8

HSL 76.05, 0.93%, 0.48%

LAB 86.56, -44.7, 83.53

 

CMYK 97 / 26 / 0 / 7

HEX #08AFEC

RGB 8 175 236

HSL 196.05, 0.93%, 0.48%

LAB 67.1, -15.62, -40.76

 

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

CMYK 0 / 52 / 97 / 7

HEX #EC7208

RGB 236 114 8

HSL 27.89, 0.93%, 0.48%

LAB 61.55, 42.43, 68.04

 

CMYK 97 / 0 / 71 / 7

HEX #08EC45

RGB 8 236 69

HSL 136.05, 0.93%, 0.48%

LAB 82.09, -78.02, 64.34

 

CMYK 97 / 45 / 0 / 7

HEX #0881EC

RGB 8 129 236

HSL 208.16, 0.93%, 0.48%

LAB 53.82, 11.03, -61.84

 

CMYK 0 / 97 / 26 / 8

HEX #EB08AE

RGB 235 8 174

HSL 316.12, 0.93%, 0.48%

LAB 52.83, 84.12, -26.76

 

CMYK 0 / 22 / 97 / 7

HEX #ECB708

RGB 236 183 8

HSL 46.05, 0.93%, 0.48%

LAB 77.11, 6.46, 78.57

 

CMYK 97 / 0 / 71 / 7

HEX #08EC45

RGB 8 236 69

HSL 136.05, 0.93%, 0.48%

LAB 82.09, -78.02, 64.34

 

CMYK 97 / 74 / 0 / 7

HEX #083DEC

RGB 8 61 236

HSL 226.05, 0.93%, 0.48%

LAB 36.83, 53.5, -89.61

 

Description

Color code: HEX #EB08AE | qconv.com Color code: HEX #EB08AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 8 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 8 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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