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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB00D2 it is the complementary color #14FF2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB00D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB00D2 shade: #F000CD, #FF12E0, #FF24F3, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB00D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB00D2 shade: #EB00D2, #DA00BF, #C900AC, #B80099 and #A70086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB00D2 shade: #EA00D1, #EA0092, #EA0053, #EA0013 and #EA0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB00D2 shade: #EA00D1, #C400EA, #8500EA, #4500EA and #0600EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB00D2 shade matches the following richer shades: #EA00D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB00D2 shade: #EA00D1, #D712C2, #C425B3, #B138A4 and #9E4B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB00D2 shade: #8400EA, #C300EA, #EA00D3, #EA0094 and #EA0056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB00D2 shade: #980087, #C100AC, #EA00D1, #FF14E6 and #FF3EEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB00D2 shade: #EB00D2, #EA4600 and #00EAA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB00D2 shade: #EB00D2, #D3EA00 and #00D3EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB00D2 shade: #EB00D2, #EA4600, #00EA17 and #00A4EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB00D2 shade: #EB00D2, #EA8C00, #00EA17 and #005DEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

Complementary color

CMYK 92 / 0 / 82 / 0

HEX #14FF2D

RGB 20 255 45

HSL 126.38, 1%, 0.54%

LAB 87.9, -84.34, 77.18

 

CMYK 0 / 100 / 15 / 6

HEX #F000CD

RGB 240 0 205

HSL 308.75, 1%, 0.47%

LAB 55, 89.21, -41.28

 

CMYK 0 / 93 / 12 / 0

HEX #FF12E0

RGB 255 18 224

HSL 307.85, 1%, 0.54%

LAB 59.04, 92.97, -45.54

 

CMYK 0 / 86 / 5 / 0

HEX #FF24F3

RGB 255 36 243

HSL 303.29, 1%, 0.57%

LAB 60.78, 93.29, -53.45

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

CMYK 0 / 100 / 12 / 15

HEX #DA00BF

RGB 218 0 191

HSL 307.43, 1%, 0.43%

LAB 50.3, 83.61, -40.89

 

CMYK 0 / 100 / 14 / 21

HEX #C900AC

RGB 201 0 172

HSL 308.66, 1%, 0.39%

LAB 46.17, 78.16, -36.45

 

CMYK 0 / 100 / 17 / 28

HEX #B80099

RGB 184 0 153

HSL 310.11, 1%, 0.36%

LAB 41.98, 72.62, -31.88

 

CMYK 0 / 100 / 20 / 35

HEX #A70086

RGB 167 0 134

HSL 311.86, 1%, 0.33%

LAB 37.73, 66.99, -27.17

 

CMYK 0 / 100 / 11 / 8

HEX #EA00D1

RGB 234 0 209

HSL 306.41, 1%, 0.46%

LAB 54.13, 88.69, -45.03

 

CMYK 0 / 100 / 38 / 8

HEX #EA0092

RGB 234 0 146

HSL 322.56, 1%, 0.46%

LAB 51.34, 81.65, -12.43

 

CMYK 0 / 100 / 65 / 8

HEX #EA0053

RGB 234 0 83

HSL 338.72, 1%, 0.46%

LAB 49.64, 77.14, 23.51

 

CMYK 0 / 100 / 92 / 8

HEX #EA0013

RGB 234 0 19

HSL 355.13, 1%, 0.46%

LAB 48.93, 75.23, 57.42

 

CMYK 0 / 100 / 100 / 8

HEX #EA0000

RGB 234 0 0

HSL 0, 1%, 0.46%

LAB 48.87, 75.07, 62.99

 

CMYK 0 / 100 / 11 / 8

HEX #EA00D1

RGB 234 0 209

HSL 306.41, 1%, 0.46%

LAB 54.13, 88.69, -45.03

 

CMYK 16 / 100 / 0 / 8

HEX #C400EA

RGB 196 0 234

HSL 290.26, 1%, 0.46%

LAB 49.1, 86.49, -67.68

 

CMYK 43 / 100 / 0 / 8

HEX #8500EA

RGB 133 0 234

HSL 274.1, 1%, 0.46%

LAB 39.46, 79.27, -83.84

 

CMYK 71 / 100 / 0 / 8

HEX #4500EA

RGB 69 0 234

HSL 257.69, 1%, 0.46%

LAB 32.27, 75.33, -95.97

 

CMYK 97 / 100 / 0 / 8

HEX #0600EA

RGB 6 0 234

HSL 241.54, 1%, 0.46%

LAB 29.36, 74.24, -100.91

 

CMYK 0 / 100 / 11 / 8

HEX #EA00D1

RGB 234 0 209

HSL 306.41, 1%, 0.46%

LAB 54.13, 88.69, -45.03

 

CMYK 0 / 100 / 11 / 8

HEX #EA00D1

RGB 234 0 209

HSL 306.41, 1%, 0.46%

LAB 54.13, 88.69, -45.03

 

CMYK 0 / 92 / 10 / 16

HEX #D712C2

RGB 215 18 194

HSL 306.4, 0.85%, 0.46%

LAB 50.42, 81.97, -42.47

 

CMYK 0 / 81 / 9 / 23

HEX #C425B3

RGB 196 37 179

HSL 306.42, 0.68%, 0.46%

LAB 47.38, 73.04, -38.73

 

CMYK 0 / 68 / 7 / 31

HEX #B138A4

RGB 177 56 164

HSL 306.45, 0.52%, 0.46%

LAB 45.44, 60.79, -33.14

 

CMYK 0 / 53 / 6 / 38

HEX #9E4B95

RGB 158 75 149

HSL 306.51, 0.36%, 0.46%

LAB 44.9, 44.68, -25.23

 

CMYK 44 / 100 / 0 / 8

HEX #8400EA

RGB 132 0 234

HSL 273.85, 1%, 0.46%

LAB 39.32, 79.18, -84.07

 

CMYK 17 / 100 / 0 / 8

HEX #C300EA

RGB 195 0 234

HSL 290, 1%, 0.46%

LAB 48.94, 86.35, -67.95

 

CMYK 0 / 100 / 10 / 8

HEX #EA00D3

RGB 234 0 211

HSL 305.9, 1%, 0.46%

LAB 54.23, 88.95, -46.01

 

CMYK 0 / 100 / 37 / 8

HEX #EA0094

RGB 234 0 148

HSL 322.05, 1%, 0.46%

LAB 51.42, 81.83, -13.52

 

CMYK 0 / 100 / 63 / 8

HEX #EA0056

RGB 234 0 86

HSL 337.95, 1%, 0.46%

LAB 49.69, 77.29, 21.75

 

CMYK 0 / 100 / 11 / 40

HEX #980087

RGB 152 0 135

HSL 306.71, 1%, 0.3%

LAB 34.85, 64.29, -32.52

 

CMYK 0 / 100 / 11 / 24

HEX #C100AC

RGB 193 0 172

HSL 306.53, 1%, 0.38%

LAB 44.68, 76.73, -38.9

 

CMYK 0 / 100 / 11 / 8

HEX #EA00D1

RGB 234 0 209

HSL 306.41, 1%, 0.46%

LAB 54.13, 88.69, -45.03

 

CMYK 0 / 92 / 10 / 0

HEX #FF14E6

RGB 255 20 230

HSL 306.38, 1%, 0.54%

LAB 59.41, 93.56, -48.34

 

CMYK 0 / 76 / 8 / 0

HEX #FF3EEA

RGB 255 62 234

HSL 306.53, 1%, 0.62%

LAB 62.21, 86.54, -46.16

 

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

CMYK 0 / 70 / 100 / 8

HEX #EA4600

RGB 234 70 0

HSL 17.95, 1%, 0.46%

LAB 53.89, 60.91, 65.07

 

CMYK 100 / 0 / 30 / 8

HEX #00EAA4

RGB 0 234 164

HSL 162.05, 1%, 0.46%

LAB 82.66, -63.08, 21.03

 

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

CMYK 10 / 0 / 100 / 8

HEX #D3EA00

RGB 211 234 0

HSL 65.9, 1%, 0.46%

LAB 88.3, -29.7, 86.5

 

CMYK 100 / 10 / 0 / 8

HEX #00D3EA

RGB 0 211 234

HSL 185.9, 1%, 0.46%

LAB 77.6, -34.62, -23.48

 

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

CMYK 0 / 70 / 100 / 8

HEX #EA4600

RGB 234 70 0

HSL 17.95, 1%, 0.46%

LAB 53.89, 60.91, 65.07

 

CMYK 100 / 0 / 90 / 8

HEX #00EA17

RGB 0 234 23

HSL 125.9, 1%, 0.46%

LAB 81.24, -80.31, 75.59

 

CMYK 100 / 30 / 0 / 8

HEX #00A4EA

RGB 0 164 234

HSL 197.95, 1%, 0.46%

LAB 63.75, -10.54, -44.93

 

CMYK 0 / 100 / 11 / 8

HEX #EB00D2

RGB 235 0 210

HSL 306.38, 1%, 0.46%

LAB 54.36, 88.99, -45.22

 

CMYK 0 / 40 / 100 / 8

HEX #EA8C00

RGB 234 140 0

HSL 35.9, 1%, 0.46%

LAB 66.71, 28.25, 72.38

 

CMYK 100 / 0 / 90 / 8

HEX #00EA17

RGB 0 234 23

HSL 125.9, 1%, 0.46%

LAB 81.24, -80.31, 75.59

 

CMYK 100 / 60 / 0 / 8

HEX #005DEA

RGB 0 93 234

HSL 216.15, 1%, 0.46%

LAB 43.9, 32.96, -76.83

 

Description

Color code: HEX #EB00D2 | qconv.com Color code: HEX #EB00D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, none green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 0 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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