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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB10A0 it is the complementary color #14EF5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB10A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB10A0 shade: #F0109B, #FF22AE, #FF34C1, #FF46D4 and #FF58E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB10A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB10A0 shade: #EB10A0, #DA008D, #C9007A, #B80067 and #A70054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB10A0 shade: #E9109F, #E91064, #E91029 and #E91010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB10A0 shade: #E9109F, #E910D9, #BE10E9, #8410E9 and #4910E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB10A0 shade matches the following richer shades: #E9109F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB10A0 shade: #E9109F, #D52498, #C13892, #AD4C8C and #986185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB10A0 shade: #BE10E9, #E910DB, #E910A1, #E91067 and #E9102D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB10A0 shade: #9C0A6A, #C30D84, #E9109F, #F032AF and #F358BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB10A0 shade: #EB10A0, #E98410 and #10E9DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB10A0 shade: #EB10A0, #A1E910 and #10A1E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB10A0 shade: #EB10A0, #E98410, #10E958 and #1075E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB10A0 shade: #EB10A0, #E9C510, #10E958 and #1034E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

Complementary color

CMYK 92 / 0 / 60 / 6

HEX #14EF5F

RGB 20 239 95

HSL 140.55, 0.87%, 0.51%

LAB 83.29, -75.76, 55.31

 

CMYK 0 / 93 / 35 / 6

HEX #F0109B

RGB 240 16 155

HSL 322.77, 0.88%, 0.5%

LAB 53.24, 82.52, -14.83

 

CMYK 0 / 87 / 32 / 0

HEX #FF22AE

RGB 255 34 174

HSL 321.99, 1%, 0.57%

LAB 57.52, 85.25, -19.23

 

CMYK 0 / 80 / 24 / 0

HEX #FF34C1

RGB 255 52 193

HSL 318.33, 1%, 0.6%

LAB 59.49, 83.78, -27.19

 

CMYK 0 / 73 / 17 / 0

HEX #FF46D4

RGB 255 70 212

HSL 313.95, 1%, 0.64%

LAB 61.99, 81.27, -34.14

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E7

RGB 255 88 231

HSL 308.62, 1%, 0.67%

LAB 64.97, 77.88, -40.15

 

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

CMYK 0 / 100 / 35 / 15

HEX #DA008D

RGB 218 0 141

HSL 321.19, 1%, 0.43%

LAB 48.04, 77.91, -14.72

 

CMYK 0 / 100 / 39 / 21

HEX #C9007A

RGB 201 0 122

HSL 323.58, 1%, 0.39%

LAB 43.98, 72.58, -9.57

 

CMYK 0 / 100 / 44 / 28

HEX #B80067

RGB 184 0 103

HSL 326.41, 1%, 0.36%

LAB 39.86, 67.2, -4.19

 

CMYK 0 / 100 / 50 / 35

HEX #A70054

RGB 167 0 84

HSL 329.82, 1%, 0.33%

LAB 35.7, 61.78, 1.47

 

CMYK 0 / 93 / 32 / 9

HEX #E9109F

RGB 233 16 159

HSL 320.46, 0.87%, 0.49%

LAB 52.06, 81.48, -19.12

 

CMYK 0 / 93 / 57 / 9

HEX #E91064

RGB 233 16 100

HSL 336.77, 0.87%, 0.49%

LAB 50.23, 76.58, 13.86

 

CMYK 0 / 93 / 82 / 9

HEX #E91029

RGB 233 16 41

HSL 353.09, 0.87%, 0.49%

LAB 49.32, 74.05, 47.59

 

CMYK 0 / 93 / 93 / 9

HEX #E91010

RGB 233 16 16

HSL 0, 0.87%, 0.49%

LAB 49.17, 73.63, 58.5

 

CMYK 0 / 93 / 32 / 9

HEX #E9109F

RGB 233 16 159

HSL 320.46, 0.87%, 0.49%

LAB 52.06, 81.48, -19.12

 

CMYK 0 / 93 / 7 / 9

HEX #E910D9

RGB 233 16 217

HSL 304.42, 0.87%, 0.49%

LAB 54.77, 88.43, -48.6

 

CMYK 18 / 93 / 0 / 9

HEX #BE10E9

RGB 190 16 233

HSL 288.11, 0.87%, 0.49%

LAB 48.51, 84.12, -68.11

 

CMYK 43 / 93 / 0 / 9

HEX #8410E9

RGB 132 16 233

HSL 272.07, 0.87%, 0.49%

LAB 39.85, 77.09, -82.63

 

CMYK 69 / 93 / 0 / 9

HEX #4910E9

RGB 73 16 233

HSL 255.76, 0.87%, 0.49%

LAB 33.29, 72.77, -93.7

 

CMYK 0 / 93 / 32 / 9

HEX #E9109F

RGB 233 16 159

HSL 320.46, 0.87%, 0.49%

LAB 52.06, 81.48, -19.12

 

CMYK 0 / 93 / 32 / 9

HEX #E9109F

RGB 233 16 159

HSL 320.46, 0.87%, 0.49%

LAB 52.06, 81.48, -19.12

 

CMYK 0 / 83 / 29 / 16

HEX #D52498

RGB 213 36 152

HSL 320.68, 0.71%, 0.49%

LAB 49.1, 73.42, -19.81

 

CMYK 0 / 71 / 24 / 24

HEX #C13892

RGB 193 56 146

HSL 320.58, 0.55%, 0.49%

LAB 47.29, 62.23, -19.3

 

CMYK 0 / 56 / 19 / 32

HEX #AD4C8C

RGB 173 76 140

HSL 320.41, 0.39%, 0.49%

LAB 46.9, 47.29, -16.56

 

CMYK 0 / 36 / 13 / 40

HEX #986185

RGB 152 97 133

HSL 320.73, 0.22%, 0.49%

LAB 48.16, 27.91, -10.74

 

CMYK 18 / 93 / 0 / 9

HEX #BE10E9

RGB 190 16 233

HSL 288.11, 0.87%, 0.49%

LAB 48.51, 84.12, -68.11

 

CMYK 0 / 93 / 6 / 9

HEX #E910DB

RGB 233 16 219

HSL 303.87, 0.87%, 0.49%

LAB 54.87, 88.7, -49.56

 

CMYK 0 / 93 / 31 / 9

HEX #E910A1

RGB 233 16 161

HSL 319.91, 0.87%, 0.49%

LAB 52.14, 81.69, -20.19

 

CMYK 0 / 93 / 56 / 9

HEX #E91067

RGB 233 16 103

HSL 335.94, 0.87%, 0.49%

LAB 50.3, 76.77, 12.12

 

CMYK 0 / 93 / 81 / 9

HEX #E9102D

RGB 233 16 45

HSL 351.98, 0.87%, 0.49%

LAB 49.35, 74.15, 45.49

 

CMYK 0 / 94 / 32 / 39

HEX #9C0A6A

RGB 156 10 106

HSL 320.55, 0.88%, 0.33%

LAB 34.65, 60.15, -14.51

 

CMYK 0 / 93 / 32 / 24

HEX #C30D84

RGB 195 13 132

HSL 320.77, 0.88%, 0.41%

LAB 43.59, 71.08, -16.43

 

CMYK 0 / 93 / 32 / 9

HEX #E9109F

RGB 233 16 159

HSL 320.46, 0.87%, 0.49%

LAB 52.06, 81.48, -19.12

 

CMYK 0 / 79 / 27 / 6

HEX #F032AF

RGB 240 50 175

HSL 320.53, 0.86%, 0.57%

LAB 55.99, 78.86, -22.4

 

CMYK 0 / 64 / 22 / 5

HEX #F358BE

RGB 243 88 190

HSL 320.52, 0.87%, 0.65%

LAB 61.44, 69.15, -22.65

 

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

CMYK 0 / 43 / 93 / 9

HEX #E98410

RGB 233 132 16

HSL 32.07, 0.87%, 0.49%

LAB 64.85, 32.17, 68.68

 

CMYK 93 / 0 / 6 / 9

HEX #10E9DB

RGB 16 233 219

HSL 176.13, 0.87%, 0.49%

LAB 83.71, -48.51, -6.32

 

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

CMYK 31 / 0 / 93 / 9

HEX #A1E910

RGB 161 233 16

HSL 79.91, 0.87%, 0.49%

LAB 84.94, -48.51, 81.19

 

CMYK 93 / 31 / 0 / 9

HEX #10A1E9

RGB 16 161 233

HSL 199.91, 0.87%, 0.49%

LAB 62.91, -8.78, -45.69

 

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

CMYK 0 / 43 / 93 / 9

HEX #E98410

RGB 233 132 16

HSL 32.07, 0.87%, 0.49%

LAB 64.85, 32.17, 68.68

 

CMYK 93 / 0 / 62 / 9

HEX #10E958

RGB 16 233 88

HSL 139.91, 0.87%, 0.49%

LAB 81.34, -74.98, 56.07

 

CMYK 93 / 50 / 0 / 9

HEX #1075E9

RGB 16 117 233

HSL 212.07, 0.87%, 0.49%

LAB 50.35, 17.62, -65.75

 

CMYK 0 / 93 / 32 / 8

HEX #EB10A0

RGB 235 16 160

HSL 320.55, 0.87%, 0.49%

LAB 52.48, 81.99, -19.04

 

CMYK 0 / 15 / 93 / 9

HEX #E9C510

RGB 233 197 16

HSL 50.05, 0.87%, 0.49%

LAB 80.34, -2.02, 79.9

 

CMYK 93 / 0 / 62 / 9

HEX #10E958

RGB 16 233 88

HSL 139.91, 0.87%, 0.49%

LAB 81.34, -74.98, 56.07

 

CMYK 93 / 78 / 0 / 9

HEX #1034E9

RGB 16 52 233

HSL 230.05, 0.87%, 0.49%

LAB 34.9, 57.53, -91.09

 

Description

Color code: HEX #EB10A0 | qconv.com Color code: HEX #EB10A0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 16 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 16 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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