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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3C23 it is the complementary color #14C3DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3C23 shade: #F03C1E, #FF4E31, #FF6044, #FF7257 and #FF846A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3C23 shade: #EB3C23, #DA2A10, #C91800, #B80600 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3C23 shade: #EA3C23 and #EA2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3C23 shade: #EA3C23, #EA7223, #EAA723, #EADD23 and #C2EA23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3C23 shade matches the following richer shades: #EA3C23 and #FE2D10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3C23 shade: #EA3C23, #D74B37, #C3594A, #B0685D and #9D7671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3C23 shade: #EA2376, #EA2341, #EA3A23, #EA6F23 and #EAA423

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3C23 shade: #AB230F, #D12B13, #EA3C23, #EE5E49 and #F17F6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3C23 shade: #EB3C23, #ABEA23 and #235CEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3C23 shade: #EB3C23, #23EA3A and #3A23EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3C23 shade: #EB3C23, #ABEA23, #23D3EA and #6223EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3C23 shade: #EB3C23, #6FEA23, #23D3EA and #9E23EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

Complementary color

CMYK 91 / 11 / 0 / 14

HEX #14C3DC

RGB 20 195 220

HSL 187.5, 0.83%, 0.47%

LAB 72.46, -30.86, -23.76

 

CMYK 0 / 75 / 88 / 6

HEX #F03C1E

RGB 240 60 30

HSL 8.57, 0.88%, 0.53%

LAB 53.87, 66.49, 57.15

 

CMYK 0 / 69 / 81 / 0

HEX #FF4E31

RGB 255 78 49

HSL 8.45, 1%, 0.6%

LAB 58.91, 65.42, 54.09

 

CMYK 0 / 62 / 73 / 0

HEX #FF6044

RGB 255 96 68

HSL 8.98, 1%, 0.63%

LAB 61.69, 59.01, 47.42

 

CMYK 0 / 55 / 66 / 0

HEX #FF7257

RGB 255 114 87

HSL 9.64, 1%, 0.67%

LAB 64.95, 51.94, 41.1

 

CMYK 0 / 48 / 58 / 0

HEX #FF846A

RGB 255 132 106

HSL 10.47, 1%, 0.71%

LAB 68.61, 44.49, 35.34

 

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

CMYK 0 / 81 / 93 / 15

HEX #DA2A10

RGB 218 42 16

HSL 7.72, 0.86%, 0.46%

LAB 47.75, 65.02, 56.1

 

CMYK 0 / 88 / 100 / 21

HEX #C91800

RGB 201 24 0

HSL 7.16, 1%, 0.39%

LAB 42.87, 64.09, 56.55

 

CMYK 0 / 97 / 100 / 28

HEX #B80600

RGB 184 6 0

HSL 1.96, 1%, 0.36%

LAB 38.41, 62.03, 52.68

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 74 / 85 / 8

HEX #EA3C23

RGB 234 60 35

HSL 7.54, 0.83%, 0.53%

LAB 52.78, 64.8, 53.67

 

CMYK 0 / 85 / 85 / 8

HEX #EA2323

RGB 234 35 35

HSL 0, 0.83%, 0.53%

LAB 50.47, 71.31, 51.71

 

CMYK 0 / 74 / 85 / 8

HEX #EA3C23

RGB 234 60 35

HSL 7.54, 0.83%, 0.53%

LAB 52.78, 64.8, 53.67

 

CMYK 0 / 51 / 85 / 8

HEX #EA7223

RGB 234 114 35

HSL 23.82, 0.83%, 0.53%

LAB 61.35, 42.08, 60.84

 

CMYK 0 / 29 / 85 / 8

HEX #EAA723

RGB 234 167 35

HSL 39.8, 0.83%, 0.53%

LAB 73.06, 14.45, 70.51

 

CMYK 0 / 6 / 85 / 8

HEX #EADD23

RGB 234 221 35

HSL 56.08, 0.83%, 0.53%

LAB 86.67, -13.39, 81.64

 

CMYK 17 / 0 / 85 / 8

HEX #C2EA23

RGB 194 234 35

HSL 72.06, 0.83%, 0.53%

LAB 87.21, -36, 80.89

 

CMYK 0 / 74 / 85 / 8

HEX #EA3C23

RGB 234 60 35

HSL 7.54, 0.83%, 0.53%

LAB 52.78, 64.8, 53.67

 

CMYK 0 / 82 / 94 / 0

HEX #FE2D10

RGB 254 45 16

HSL 7.31, 0.99%, 0.53%

LAB 55.06, 74.27, 64.06

 

CMYK 0 / 74 / 85 / 8

HEX #EA3C23

RGB 234 60 35

HSL 7.54, 0.83%, 0.53%

LAB 52.78, 64.8, 53.67

 

CMYK 0 / 65 / 74 / 16

HEX #D74B37

RGB 215 75 55

HSL 7.5, 0.67%, 0.53%

LAB 51.56, 53.82, 41.31

 

CMYK 0 / 54 / 62 / 24

HEX #C3594A

RGB 195 89 74

HSL 7.44, 0.5%, 0.53%

LAB 50.97, 41.3, 29.15

 

CMYK 0 / 41 / 47 / 31

HEX #B0685D

RGB 176 104 93

HSL 7.95, 0.34%, 0.53%

LAB 51.75, 27.62, 18.6

 

CMYK 0 / 25 / 28 / 38

HEX #9D7671

RGB 157 118 113

HSL 6.82, 0.18%, 0.53%

LAB 53.29, 14.53, 8.69

 

CMYK 0 / 85 / 50 / 8

HEX #EA2376

RGB 234 35 118

HSL 334.97, 0.83%, 0.53%

LAB 51.84, 75.29, 5.19

 

CMYK 0 / 85 / 72 / 8

HEX #EA2341

RGB 234 35 65

HSL 350.95, 0.83%, 0.53%

LAB 50.78, 72.21, 35.73

 

CMYK 0 / 75 / 85 / 8

HEX #EA3A23

RGB 234 58 35

HSL 6.93, 0.83%, 0.53%

LAB 52.55, 65.43, 53.47

 

CMYK 0 / 53 / 85 / 8

HEX #EA6F23

RGB 234 111 35

HSL 22.91, 0.83%, 0.53%

LAB 60.77, 43.55, 60.35

 

CMYK 0 / 30 / 85 / 8

HEX #EAA423

RGB 234 164 35

HSL 38.89, 0.83%, 0.53%

LAB 72.34, 16.04, 69.92

 

CMYK 0 / 80 / 91 / 33

HEX #AB230F

RGB 171 35 15

HSL 7.69, 0.84%, 0.36%

LAB 37.65, 53.09, 45.2

 

CMYK 0 / 79 / 91 / 18

HEX #D12B13

RGB 209 43 19

HSL 7.58, 0.83%, 0.45%

LAB 46.08, 62.2, 53.09

 

CMYK 0 / 74 / 85 / 8

HEX #EA3C23

RGB 234 60 35

HSL 7.54, 0.83%, 0.53%

LAB 52.78, 64.8, 53.67

 

CMYK 0 / 61 / 69 / 7

HEX #EE5E49

RGB 238 94 73

HSL 7.64, 0.83%, 0.61%

LAB 58.66, 54.32, 40.59

 

CMYK 0 / 47 / 54 / 5

HEX #F17F6F

RGB 241 127 111

HSL 7.38, 0.82%, 0.69%

LAB 65.77, 42.18, 28.56

 

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

CMYK 27 / 0 / 85 / 8

HEX #ABEA23

RGB 171 234 35

HSL 78.99, 0.83%, 0.53%

LAB 85.82, -44.83, 79.15

 

CMYK 85 / 61 / 0 / 8

HEX #235CEA

RGB 35 92 234

HSL 222.81, 0.83%, 0.53%

LAB 44.16, 34.92, -76.37

 

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

CMYK 85 / 0 / 75 / 8

HEX #23EA3A

RGB 35 234 58

HSL 126.93, 0.83%, 0.53%

LAB 81.57, -76.83, 67.61

 

CMYK 75 / 85 / 0 / 8

HEX #3A23EA

RGB 58 35 234

HSL 246.93, 0.83%, 0.53%

LAB 34.07, 66.98, -93

 

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

CMYK 27 / 0 / 85 / 8

HEX #ABEA23

RGB 171 234 35

HSL 78.99, 0.83%, 0.53%

LAB 85.82, -44.83, 79.15

 

CMYK 85 / 10 / 0 / 8

HEX #23D3EA

RGB 35 211 234

HSL 186.93, 0.83%, 0.53%

LAB 77.81, -33.31, -23.14

 

CMYK 58 / 85 / 0 / 8

HEX #6223EA

RGB 98 35 234

HSL 258.99, 0.83%, 0.53%

LAB 37.37, 69.76, -87.43

 

CMYK 0 / 74 / 85 / 8

HEX #EB3C23

RGB 235 60 35

HSL 7.5, 0.83%, 0.53%

LAB 52.97, 65.1, 53.9

 

CMYK 53 / 0 / 85 / 8

HEX #6FEA23

RGB 111 234 35

HSL 97.09, 0.83%, 0.53%

LAB 83.1, -64.44, 75.74

 

CMYK 85 / 10 / 0 / 8

HEX #23D3EA

RGB 35 211 234

HSL 186.93, 0.83%, 0.53%

LAB 77.81, -33.31, -23.14

 

CMYK 32 / 85 / 0 / 8

HEX #9E23EA

RGB 158 35 234

HSL 277.09, 0.83%, 0.53%

LAB 44.82, 76.59, -74.91

 

Description

Color code: HEX #EB3C23 | qconv.com Color code: HEX #EB3C23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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