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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3CCB it is the complementary color #14C334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3CCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3CCB shade: #F03CC6, #FF4ED9, #FF60EC, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3CCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3CCB shade: #EB3CCB, #DA2AB8, #C918A5, #B80692 and #A7007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3CCB shade: #EA3DCA, #EA3D9C, #EA3D6D, #EA3D3E and #EA3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3CCB shade: #EA3DCA, #DB3DEA, #AC3DEA, #7E3DEA and #4F3DEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3CCB shade matches the following richer shades: #EA3DCA and #FB2BD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3CCB shade: #EA3DCA, #D94EBF, #C75FB4, #B671A9 and #A5829E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3CCB shade: #AB3DEA, #D93DEA, #EA3DCD, #EA3D9F and #EA3D71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3CCB shade: #C114A1, #E618C0, #EA3DCA, #EE62D4 and #F287DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3CCB shade: #EB3CCB, #EA7C3D and #3DEAC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3CCB shade: #EB3CCB, #CDEA3D and #3DCDEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3CCB shade: #EB3CCB, #EA7C3D, #3DEA5A and #3DABEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3CCB shade: #EB3CCB, #EAB03D, #3DEA5A and #3D76EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

Complementary color

CMYK 90 / 0 / 73 / 24

HEX #14C334

RGB 20 195 52

HSL 130.97, 0.81%, 0.42%

LAB 69.06, -67.16, 57.08

 

CMYK 0 / 75 / 18 / 6

HEX #F03CC6

RGB 240 60 198

HSL 314, 0.86%, 0.59%

LAB 57.88, 79.02, -32.76

 

CMYK 0 / 69 / 15 / 0

HEX #FF4ED9

RGB 255 78 217

HSL 312.88, 1%, 0.65%

LAB 63.11, 79.39, -35.22

 

CMYK 0 / 62 / 7 / 0

HEX #FF60EC

RGB 255 96 236

HSL 307.17, 1%, 0.69%

LAB 66.28, 75.62, -40.88

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 0 / 81 / 16 / 15

HEX #DA2AB8

RGB 218 42 184

HSL 311.59, 0.7%, 0.51%

LAB 51.86, 77.1, -34.35

 

CMYK 0 / 88 / 18 / 21

HEX #C918A5

RGB 201 24 165

HSL 312.2, 0.79%, 0.44%

LAB 46.69, 74.7, -31.47

 

CMYK 0 / 97 / 21 / 28

HEX #B80692

RGB 184 6 146

HSL 312.81, 0.94%, 0.37%

LAB 41.84, 71.14, -27.87

 

CMYK 0 / 100 / 24 / 35

HEX #A7007F

RGB 167 0 127

HSL 314.37, 1%, 0.33%

LAB 37.39, 66.12, -23.36

 

CMYK 0 / 74 / 14 / 8

HEX #EA3DCA

RGB 234 61 202

HSL 311.1, 0.8%, 0.58%

LAB 57.17, 77.93, -36.24

 

CMYK 0 / 74 / 33 / 8

HEX #EA3D9C

RGB 234 61 156

HSL 327.05, 0.8%, 0.58%

LAB 55.31, 72.26, -12.4

 

CMYK 0 / 74 / 53 / 8

HEX #EA3D6D

RGB 234 61 109

HSL 343.35, 0.8%, 0.58%

LAB 53.96, 67.97, 13.6

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3E

RGB 234 61 62

HSL 359.65, 0.8%, 0.58%

LAB 53.14, 65.3, 40.16

 

CMYK 0 / 74 / 74 / 8

HEX #EA3D3D

RGB 234 61 61

HSL 0, 0.8%, 0.58%

LAB 53.13, 65.26, 40.71

 

CMYK 0 / 74 / 14 / 8

HEX #EA3DCA

RGB 234 61 202

HSL 311.1, 0.8%, 0.58%

LAB 57.17, 77.93, -36.24

 

CMYK 6 / 74 / 0 / 8

HEX #DB3DEA

RGB 219 61 234

HSL 294.8, 0.8%, 0.58%

LAB 56.42, 79.63, -55.7

 

CMYK 26 / 74 / 0 / 8

HEX #AC3DEA

RGB 172 61 234

HSL 278.5, 0.8%, 0.58%

LAB 49.56, 70.74, -67.11

 

CMYK 46 / 74 / 0 / 8

HEX #7E3DEA

RGB 126 61 234

HSL 262.54, 0.8%, 0.58%

LAB 43.82, 63.05, -76.7

 

CMYK 66 / 74 / 0 / 8

HEX #4F3DEA

RGB 79 61 234

HSL 246.24, 0.8%, 0.58%

LAB 39.48, 56.99, -83.99

 

CMYK 0 / 74 / 14 / 8

HEX #EA3DCA

RGB 234 61 202

HSL 311.1, 0.8%, 0.58%

LAB 57.17, 77.93, -36.24

 

CMYK 0 / 83 / 15 / 2

HEX #FB2BD5

RGB 251 43 213

HSL 310.96, 0.96%, 0.58%

LAB 59.01, 87.33, -39.41

 

CMYK 0 / 74 / 14 / 8

HEX #EA3DCA

RGB 234 61 202

HSL 311.1, 0.8%, 0.58%

LAB 57.17, 77.93, -36.24

 

CMYK 0 / 64 / 12 / 15

HEX #D94EBF

RGB 217 78 191

HSL 311.22, 0.65%, 0.58%

LAB 56.05, 66.44, -31.87

 

CMYK 0 / 52 / 10 / 22

HEX #C75FB4

RGB 199 95 180

HSL 310.96, 0.48%, 0.58%

LAB 55.71, 52.29, -26.27

 

CMYK 0 / 38 / 7 / 29

HEX #B671A9

RGB 182 113 169

HSL 311.3, 0.32%, 0.58%

LAB 56.7, 35.75, -18.58

 

CMYK 0 / 21 / 4 / 35

HEX #A5829E

RGB 165 130 158

HSL 312, 0.16%, 0.58%

LAB 58.45, 18.3, -9.8

 

CMYK 27 / 74 / 0 / 8

HEX #AB3DEA

RGB 171 61 234

HSL 278.15, 0.8%, 0.58%

LAB 49.42, 70.56, -67.34

 

CMYK 7 / 74 / 0 / 8

HEX #D93DEA

RGB 217 61 234

HSL 294.1, 0.8%, 0.58%

LAB 56.12, 79.24, -56.21

 

CMYK 0 / 74 / 12 / 8

HEX #EA3DCD

RGB 234 61 205

HSL 310.06, 0.8%, 0.58%

LAB 57.31, 78.34, -37.73

 

CMYK 0 / 74 / 32 / 8

HEX #EA3D9F

RGB 234 61 159

HSL 326.01, 0.8%, 0.58%

LAB 55.41, 72.59, -14

 

CMYK 0 / 74 / 52 / 8

HEX #EA3D71

RGB 234 61 113

HSL 341.97, 0.8%, 0.58%

LAB 54.05, 68.27, 11.34

 

CMYK 0 / 90 / 17 / 24

HEX #C114A1

RGB 193 20 161

HSL 311.1, 0.81%, 0.42%

LAB 44.82, 73.21, -32.13

 

CMYK 0 / 90 / 17 / 10

HEX #E618C0

RGB 230 24 192

HSL 311.07, 0.81%, 0.5%

LAB 53.26, 83.75, -36.66

 

CMYK 0 / 74 / 14 / 8

HEX #EA3DCA

RGB 234 61 202

HSL 311.1, 0.8%, 0.58%

LAB 57.17, 77.93, -36.24

 

CMYK 0 / 59 / 11 / 7

HEX #EE62D4

RGB 238 98 212

HSL 311.14, 0.8%, 0.66%

LAB 63.07, 66.85, -32.67

 

CMYK 0 / 44 / 8 / 5

HEX #F287DE

RGB 242 135 222

HSL 311.21, 0.8%, 0.74%

LAB 70.51, 52.34, -26.71

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 0 / 47 / 74 / 8

HEX #EA7C3D

RGB 234 124 61

HSL 21.85, 0.8%, 0.58%

LAB 63.54, 37.92, 51.92

 

CMYK 74 / 0 / 17 / 8

HEX #3DEAC2

RGB 61 234 194

HSL 166.13, 0.8%, 0.58%

LAB 83.83, -52.23, 7.08

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 12 / 0 / 74 / 8

HEX #CDEA3D

RGB 205 234 61

HSL 70.06, 0.8%, 0.58%

LAB 88.05, -30.71, 75.14

 

CMYK 74 / 12 / 0 / 8

HEX #3DCDEA

RGB 61 205 234

HSL 190.06, 0.8%, 0.58%

LAB 76.43, -28.13, -25.2

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 0 / 47 / 74 / 8

HEX #EA7C3D

RGB 234 124 61

HSL 21.85, 0.8%, 0.58%

LAB 63.54, 37.92, 51.92

 

CMYK 74 / 0 / 62 / 8

HEX #3DEA5A

RGB 61 234 90

HSL 130.06, 0.8%, 0.58%

LAB 82.15, -70.96, 56.27

 

CMYK 74 / 27 / 0 / 8

HEX #3DABEA

RGB 61 171 234

HSL 201.85, 0.8%, 0.58%

LAB 66.56, -10.46, -40.46

 

CMYK 0 / 74 / 14 / 8

HEX #EB3CCB

RGB 235 60 203

HSL 310.97, 0.81%, 0.58%

LAB 57.28, 78.58, -36.63

 

CMYK 0 / 25 / 74 / 8

HEX #EAB03D

RGB 234 176 61

HSL 39.88, 0.8%, 0.58%

LAB 75.38, 10.57, 63.84

 

CMYK 74 / 0 / 62 / 8

HEX #3DEA5A

RGB 61 234 90

HSL 130.06, 0.8%, 0.58%

LAB 82.15, -70.96, 56.27

 

CMYK 74 / 50 / 0 / 8

HEX #3D76EA

RGB 61 118 234

HSL 220.23, 0.8%, 0.58%

LAB 51.71, 20.86, -64.07

 

Description

Color code: HEX #EB3CCB | qconv.com Color code: HEX #EB3CCB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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