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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3EEC it is the complementary color #14C113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3EEC shade: #F03EE7, #FF50FA, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3EEC shade: #EB3EEC, #DA2CD9, #C91AC6, #B808B3 and #A700A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3EEC shade: #EA3CEB, #EB3CBD, #EB3C8D, #EB3C5E and #EB3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3EEC shade: #EA3CEB, #BB3CEB, #8B3CEB, #5C3CEB and #3C3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3EEC shade matches the following richer shades: #EA3CEB and #FB2AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3EEC shade: #EA3CEB, #D94DDA, #C85EC9, #B770B7 and #A681A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3EEC shade: #8B3CEB, #B93CEB, #E83CEB, #EB3CBF and #EB3C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3EEC shade: #C113C2, #E616E7, #EA3CEB, #EE61EF and #F287F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3EEC shade: #EB3EEC, #EB5C3C and #3CEBA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3EEC shade: #EB3EEC, #EBE83C and #3CEBE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3EEC shade: #EB3EEC, #EB5C3C, #3FEB3C and #3CCBEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3EEC shade: #EB3EEC, #EB903C, #3FEB3C and #3C96EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

Complementary color

CMYK 90 / 0 / 90 / 24

HEX #14C113

RGB 20 193 19

HSL 119.66, 0.82%, 0.42%

LAB 68.27, -68.45, 65.21

 

CMYK 0 / 74 / 4 / 6

HEX #F03EE7

RGB 240 62 231

HSL 303.03, 0.86%, 0.59%

LAB 59.65, 83.06, -48.68

 

CMYK 0 / 69 / 2 / 0

HEX #FF50FA

RGB 255 80 250

HSL 301.71, 1%, 0.66%

LAB 64.88, 83.51, -50.82

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 80 / 0 / 15

HEX #DA2CD9

RGB 218 44 217

HSL 300.34, 0.7%, 0.51%

LAB 53.72, 81.32, -50.41

 

CMYK 0 / 87 / 1 / 21

HEX #C91AC6

RGB 201 26 198

HSL 301.03, 0.77%, 0.45%

LAB 48.55, 78.94, -47.91

 

CMYK 0 / 96 / 3 / 28

HEX #B808B3

RGB 184 8 179

HSL 301.7, 0.92%, 0.38%

LAB 43.68, 75.41, -44.74

 

CMYK 0 / 100 / 4 / 35

HEX #A700A0

RGB 167 0 160

HSL 302.51, 1%, 0.33%

LAB 39.16, 70.53, -40.79

 

CMYK 0 / 74 / 0 / 8

HEX #EA3CEB

RGB 234 60 235

HSL 299.66, 0.81%, 0.58%

LAB 58.72, 83.03, -52.47

 

CMYK 0 / 74 / 20 / 8

HEX #EB3CBD

RGB 235 60 189

HSL 315.77, 0.81%, 0.58%

LAB 56.65, 76.72, -29.56

 

CMYK 0 / 74 / 40 / 8

HEX #EB3C8D

RGB 235 60 141

HSL 332.23, 0.81%, 0.58%

LAB 54.88, 71.29, -4.15

 

CMYK 0 / 74 / 60 / 8

HEX #EB3C5E

RGB 235 60 94

HSL 348.34, 0.81%, 0.58%

LAB 53.71, 67.54, 22.26

 

CMYK 0 / 74 / 74 / 8

HEX #EB3C3C

RGB 235 60 60

HSL 0, 0.81%, 0.58%

LAB 53.19, 65.84, 41.38

 

CMYK 0 / 74 / 0 / 8

HEX #EA3CEB

RGB 234 60 235

HSL 299.66, 0.81%, 0.58%

LAB 58.72, 83.03, -52.47

 

CMYK 20 / 74 / 0 / 8

HEX #BB3CEB

RGB 187 60 235

HSL 283.54, 0.81%, 0.58%

LAB 51.6, 74.03, -64.26

 

CMYK 41 / 74 / 0 / 8

HEX #8B3CEB

RGB 139 60 235

HSL 267.09, 0.81%, 0.58%

LAB 45.25, 65.74, -74.87

 

CMYK 61 / 74 / 0 / 8

HEX #5C3CEB

RGB 92 60 235

HSL 250.97, 0.81%, 0.58%

LAB 40.42, 59.21, -82.98

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 0 / 74 / 0 / 8

HEX #EA3CEB

RGB 234 60 235

HSL 299.66, 0.81%, 0.58%

LAB 58.72, 83.03, -52.47

 

CMYK 1 / 83 / 0 / 1

HEX #FB2AFD

RGB 251 42 253

HSL 299.43, 0.98%, 0.58%

LAB 61.01, 93, -58.67

 

CMYK 0 / 74 / 0 / 8

HEX #EA3CEB

RGB 234 60 235

HSL 299.66, 0.81%, 0.58%

LAB 58.72, 83.03, -52.47

 

CMYK 0 / 65 / 0 / 15

HEX #D94DDA

RGB 217 77 218

HSL 299.57, 0.66%, 0.58%

LAB 57.19, 71.08, -45.48

 

CMYK 0 / 53 / 0 / 21

HEX #C85EC9

RGB 200 94 201

HSL 299.44, 0.5%, 0.58%

LAB 56.59, 56.64, -36.94

 

CMYK 0 / 39 / 0 / 28

HEX #B770B7

RGB 183 112 183

HSL 300, 0.33%, 0.58%

LAB 57.15, 39.19, -25.94

 

CMYK 0 / 22 / 0 / 35

HEX #A681A6

RGB 166 129 166

HSL 300, 0.17%, 0.58%

LAB 58.57, 20.76, -14.2

 

CMYK 41 / 74 / 0 / 8

HEX #8B3CEB

RGB 139 60 235

HSL 267.09, 0.81%, 0.58%

LAB 45.25, 65.74, -74.87

 

CMYK 21 / 74 / 0 / 8

HEX #B93CEB

RGB 185 60 235

HSL 282.86, 0.81%, 0.58%

LAB 51.32, 73.66, -64.74

 

CMYK 1 / 74 / 0 / 8

HEX #E83CEB

RGB 232 60 235

HSL 298.97, 0.81%, 0.58%

LAB 58.4, 82.64, -52.99

 

CMYK 0 / 74 / 19 / 8

HEX #EB3CBF

RGB 235 60 191

HSL 315.09, 0.81%, 0.58%

LAB 56.74, 76.98, -30.58

 

CMYK 0 / 74 / 39 / 8

HEX #EB3C90

RGB 235 60 144

HSL 331.2, 0.81%, 0.58%

LAB 54.98, 71.58, -5.79

 

CMYK 1 / 90 / 0 / 24

HEX #C113C2

RGB 193 19 194

HSL 299.66, 0.82%, 0.42%

LAB 46.58, 77.98, -48.83

 

CMYK 0 / 90 / 0 / 9

HEX #E616E7

RGB 230 22 231

HSL 299.71, 0.83%, 0.5%

LAB 55.24, 89.27, -55.8

 

CMYK 0 / 74 / 0 / 8

HEX #EA3CEB

RGB 234 60 235

HSL 299.66, 0.81%, 0.58%

LAB 58.72, 83.03, -52.47

 

CMYK 0 / 59 / 0 / 6

HEX #EE61EF

RGB 238 97 239

HSL 299.58, 0.82%, 0.66%

LAB 64.13, 71.57, -46.09

 

CMYK 0 / 44 / 0 / 5

HEX #F287F3

RGB 242 135 243

HSL 299.44, 0.82%, 0.74%

LAB 71.33, 55.93, -36.98

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 61 / 74 / 8

HEX #EB5C3C

RGB 235 92 60

HSL 10.97, 0.81%, 0.58%

LAB 57.7, 53.58, 46.28

 

CMYK 74 / 0 / 31 / 8

HEX #3CEBA2

RGB 60 235 162

HSL 154.97, 0.81%, 0.58%

LAB 83.43, -59.96, 23.2

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 1 / 74 / 8

HEX #EBE83C

RGB 235 232 60

HSL 58.97, 0.81%, 0.58%

LAB 89.72, -17.6, 77.81

 

CMYK 74 / 0 / 1 / 8

HEX #3CEBE8

RGB 60 235 232

HSL 178.97, 0.81%, 0.58%

LAB 85.1, -42.82, -11.06

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 61 / 74 / 8

HEX #EB5C3C

RGB 235 92 60

HSL 10.97, 0.81%, 0.58%

LAB 57.7, 53.58, 46.28

 

CMYK 73 / 0 / 74 / 8

HEX #3FEB3C

RGB 63 235 60

HSL 118.97, 0.81%, 0.58%

LAB 82.27, -73.68, 67.79

 

CMYK 74 / 14 / 0 / 8

HEX #3CCBEB

RGB 60 203 235

HSL 190.97, 0.81%, 0.58%

LAB 75.87, -26.94, -26.61

 

CMYK 0 / 74 / 0 / 7

HEX #EB3EEC

RGB 235 62 236

HSL 299.66, 0.82%, 0.58%

LAB 59.13, 82.81, -52.37

 

CMYK 0 / 39 / 74 / 8

HEX #EB903C

RGB 235 144 60

HSL 28.8, 0.81%, 0.58%

LAB 67.97, 27.89, 56.95

 

CMYK 73 / 0 / 74 / 8

HEX #3FEB3C

RGB 63 235 60

HSL 118.97, 0.81%, 0.58%

LAB 82.27, -73.68, 67.79

 

CMYK 74 / 36 / 0 / 8

HEX #3C96EB

RGB 60 150 235

HSL 209.14, 0.81%, 0.58%

LAB 60.58, 1.68, -50.44

 

Description

Color code: HEX #EB3EEC | qconv.com Color code: HEX #EB3EEC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 62 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 62 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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