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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3EF3 it is the complementary color #14C10C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3EF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3EF3 shade: #F03EEE, #FF50FF, #FF62FF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3EF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3EF3 shade: #EB3EF3, #DA2CE0, #C91ACD, #B808BA and #A700A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3EF3 shade: #EA3FF2, #F23FCA, #F23F99, #F23F69 and #F23F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3EF3 shade: #EA3FF2, #BA3FF2, #8A3FF2, #593FF2 and #3F3FF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3EF3 shade matches the following richer shades: #EA3FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3EF3 shade: #EA3FF2, #DB4FE2, #CC60D1, #BD70C1 and #AE81B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3EF3 shade: #8A3FF2, #B93FF2, #E93FF2, #F23FCB and #F23F9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3EF3 shade: #C90DD2, #E618F0, #EA3FF2, #EE66F5 and #F28CF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3EF3 shade: #EB3EF3, #F25A3F and #3FF2A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3EF3 shade: #EB3EF3, #F2E93F and #3FF2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3EF3 shade: #EB3EF3, #F25A3F, #48F23F and #3FD7F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3EF3 shade: #EB3EF3, #F2903F, #48F23F and #3FA1F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

Complementary color

CMYK 90 / 0 / 94 / 24

HEX #14C10C

RGB 20 193 12

HSL 117.35, 0.88%, 0.4%

LAB 68.25, -68.64, 66.23

 

CMYK 0 / 74 / 1 / 6

HEX #F03EEE

RGB 240 62 238

HSL 300.67, 0.86%, 0.59%

LAB 60.02, 84.11, -52.02

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

CMYK 3 / 80 / 0 / 12

HEX #DA2CE0

RGB 218 44 224

HSL 298, 0.74%, 0.53%

LAB 54.12, 82.39, -53.75

 

CMYK 2 / 87 / 0 / 20

HEX #C91ACD

RGB 201 26 205

HSL 298.66, 0.77%, 0.45%

LAB 48.96, 79.99, -51.3

 

CMYK 1 / 96 / 0 / 27

HEX #B808BA

RGB 184 8 186

HSL 299.33, 0.92%, 0.38%

LAB 44.1, 76.45, -48.19

 

CMYK 0 / 100 / 0 / 35

HEX #A700A7

RGB 167 0 167

HSL 300, 1%, 0.33%

LAB 39.59, 71.57, -44.32

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF2

RGB 234 63 242

HSL 297.32, 0.87%, 0.6%

LAB 59.4, 83.26, -55.29

 

CMYK 0 / 74 / 17 / 5

HEX #F23FCA

RGB 242 63 202

HSL 313.41, 0.87%, 0.6%

LAB 58.69, 79.12, -33.76

 

CMYK 0 / 74 / 37 / 5

HEX #F23F99

RGB 242 63 153

HSL 329.83, 0.87%, 0.6%

LAB 56.81, 73.36, -8.24

 

CMYK 0 / 74 / 57 / 5

HEX #F23F69

RGB 242 63 105

HSL 345.92, 0.87%, 0.6%

LAB 55.54, 69.28, 18.39

 

CMYK 0 / 74 / 74 / 5

HEX #F23F3F

RGB 242 63 63

HSL 0, 0.87%, 0.6%

LAB 54.86, 67.06, 41.93

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF2

RGB 234 63 242

HSL 297.32, 0.87%, 0.6%

LAB 59.4, 83.26, -55.29

 

CMYK 23 / 74 / 0 / 5

HEX #BA3FF2

RGB 186 63 242

HSL 281.23, 0.87%, 0.6%

LAB 52.29, 74.16, -67.08

 

CMYK 43 / 74 / 0 / 5

HEX #8A3FF2

RGB 138 63 242

HSL 265.14, 0.87%, 0.6%

LAB 46.14, 65.99, -77.37

 

CMYK 63 / 74 / 0 / 5

HEX #593FF2

RGB 89 63 242

HSL 248.72, 0.87%, 0.6%

LAB 41.36, 59.41, -85.39

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF2

RGB 234 63 242

HSL 297.32, 0.87%, 0.6%

LAB 59.4, 83.26, -55.29

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF2

RGB 234 63 242

HSL 297.32, 0.87%, 0.6%

LAB 59.4, 83.26, -55.29

 

CMYK 3 / 65 / 0 / 11

HEX #DB4FE2

RGB 219 79 226

HSL 297.14, 0.72%, 0.6%

LAB 58.17, 72.1, -48.42

 

CMYK 2 / 54 / 0 / 18

HEX #CC60D1

RGB 204 96 209

HSL 297.35, 0.55%, 0.6%

LAB 57.85, 58.21, -39.47

 

CMYK 2 / 42 / 0 / 24

HEX #BD70C1

RGB 189 112 193

HSL 297.04, 0.4%, 0.6%

LAB 58.28, 42.94, -29.85

 

CMYK 1 / 27 / 0 / 31

HEX #AE81B0

RGB 174 129 176

HSL 297.45, 0.23%, 0.6%

LAB 59.74, 25.47, -18.06

 

CMYK 43 / 74 / 0 / 5

HEX #8A3FF2

RGB 138 63 242

HSL 265.14, 0.87%, 0.6%

LAB 46.14, 65.99, -77.37

 

CMYK 24 / 74 / 0 / 5

HEX #B93FF2

RGB 185 63 242

HSL 280.89, 0.87%, 0.6%

LAB 52.15, 73.97, -67.32

 

CMYK 4 / 74 / 0 / 5

HEX #E93FF2

RGB 233 63 242

HSL 296.98, 0.87%, 0.6%

LAB 59.24, 83.07, -55.55

 

CMYK 0 / 74 / 16 / 5

HEX #F23FCB

RGB 242 63 203

HSL 313.07, 0.87%, 0.6%

LAB 58.74, 79.25, -34.26

 

CMYK 0 / 74 / 36 / 5

HEX #F23F9B

RGB 242 63 155

HSL 329.16, 0.87%, 0.6%

LAB 56.88, 73.57, -9.31

 

CMYK 4 / 94 / 0 / 18

HEX #C90DD2

RGB 201 13 210

HSL 297.26, 0.88%, 0.44%

LAB 48.71, 82.39, -54.59

 

CMYK 4 / 90 / 0 / 6

HEX #E618F0

RGB 230 24 240

HSL 297.22, 0.88%, 0.52%

LAB 55.85, 90.35, -59.88

 

CMYK 3 / 74 / 0 / 5

HEX #EA3FF2

RGB 234 63 242

HSL 297.32, 0.87%, 0.6%

LAB 59.4, 83.26, -55.29

 

CMYK 3 / 58 / 0 / 4

HEX #EE66F5

RGB 238 102 245

HSL 297.06, 0.88%, 0.68%

LAB 65.18, 70.49, -47.75

 

CMYK 2 / 43 / 0 / 3

HEX #F28CF7

RGB 242 140 247

HSL 297.2, 0.87%, 0.76%

LAB 72.46, 54.16, -37.41

 

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

CMYK 0 / 63 / 74 / 5

HEX #F25A3F

RGB 242 90 63

HSL 9.05, 0.87%, 0.6%

LAB 58.55, 56.96, 45.99

 

CMYK 74 / 0 / 33 / 5

HEX #3FF2A1

RGB 63 242 161

HSL 152.85, 0.87%, 0.6%

LAB 85.57, -62.38, 26.64

 

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

CMYK 0 / 4 / 74 / 5

HEX #F2E93F

RGB 242 233 63

HSL 56.98, 0.87%, 0.6%

LAB 90.56, -15.08, 77.85

 

CMYK 74 / 0 / 4 / 5

HEX #3FF2E9

RGB 63 242 233

HSL 176.98, 0.87%, 0.6%

LAB 87.21, -45.31, -8.43

 

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

CMYK 0 / 63 / 74 / 5

HEX #F25A3F

RGB 242 90 63

HSL 9.05, 0.87%, 0.6%

LAB 58.55, 56.96, 45.99

 

CMYK 70 / 0 / 74 / 5

HEX #48F23F

RGB 72 242 63

HSL 116.98, 0.87%, 0.6%

LAB 84.61, -74.18, 69.18

 

CMYK 74 / 11 / 0 / 5

HEX #3FD7F2

RGB 63 215 242

HSL 189.05, 0.87%, 0.6%

LAB 79.65, -30.32, -24.56

 

CMYK 3 / 74 / 0 / 5

HEX #EB3EF3

RGB 235 62 243

HSL 297.35, 0.88%, 0.6%

LAB 59.51, 83.9, -55.67

 

CMYK 0 / 40 / 74 / 5

HEX #F2903F

RGB 242 144 63

HSL 27.15, 0.87%, 0.6%

LAB 68.88, 30.88, 56.83

 

CMYK 70 / 0 / 74 / 5

HEX #48F23F

RGB 72 242 63

HSL 116.98, 0.87%, 0.6%

LAB 84.61, -74.18, 69.18

 

CMYK 74 / 33 / 0 / 5

HEX #3FA1F2

RGB 63 161 242

HSL 207.15, 0.87%, 0.6%

LAB 64.13, -1.86, -48.67

 

Description

Color code: HEX #EB3EF3 | qconv.com Color code: HEX #EB3EF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 62 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 62 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 74 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 74% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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