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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB4BCD it is the complementary color #14B432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB4BCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB4BCD shade: #F04BC8, #FF5DDB, #FF6FEE, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB4BCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB4BCD shade: #EB4BCD, #DA39BA, #C927A7, #B81594 and #A70381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB4BCD shade: #EB4BCD, #EB4BA2, #EB4B77, #EB4B4C and #EB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB4BCD shade: #EB4BCD, #DE4BEB, #B34BEB, #884BEB and #5D4BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB4BCD shade matches the following richer shades: #EB4BCD and #FB3BD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB4BCD shade: #EB4BCD, #DB5CC3, #CA6CB9, #BA7CAF and #AA8CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB4BCD shade: #B34BEB, #DD4BEB, #EB4BCD, #EB4BA3 and #EB4B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB4BCD shade: #CD16AB, #E626C2, #EB4BCD, #EF71D7 and #F396E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB4BCD shade: #EB4BCD, #EB884B and #4BEBC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB4BCD shade: #EB4BCD, #CDEB4B and #4BCDEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB4BCD shade: #EB4BCD, #EB884B, #4BEB69 and #4BAEEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB4BCD shade: #EB4BCD, #EBB84B, #4BEB69 and #4B7EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

Complementary color

CMYK 89 / 0 / 72 / 29

HEX #14B432

RGB 20 180 50

HSL 131.25, 0.8%, 0.39%

LAB 64.18, -62.86, 52.81

 

CMYK 0 / 69 / 17 / 6

HEX #F04BC8

RGB 240 75 200

HSL 314.55, 0.85%, 0.62%

LAB 59.64, 74.54, -31.17

 

CMYK 0 / 64 / 14 / 0

HEX #FF5DDB

RGB 255 93 219

HSL 313.33, 1%, 0.68%

LAB 65.12, 74.28, -33.21

 

CMYK 0 / 56 / 7 / 0

HEX #FF6FEE

RGB 255 111 238

HSL 307.08, 1%, 0.72%

LAB 68.61, 69.77, -38.35

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 74 / 15 / 15

HEX #DA39BA

RGB 218 57 186

HSL 311.93, 0.69%, 0.54%

LAB 53.36, 73.34, -33.17

 

CMYK 0 / 81 / 17 / 21

HEX #C927A7

RGB 201 39 167

HSL 312.59, 0.68%, 0.47%

LAB 47.83, 71.95, -30.89

 

CMYK 0 / 89 / 20 / 28

HEX #B81594

RGB 184 21 148

HSL 313.25, 0.8%, 0.4%

LAB 42.56, 69.57, -27.96

 

CMYK 0 / 98 / 23 / 35

HEX #A70381

RGB 167 3 129

HSL 313.9, 0.96%, 0.33%

LAB 37.6, 66.02, -24.27

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 68 / 31 / 8

HEX #EB4BA2

RGB 235 75 162

HSL 327.38, 0.8%, 0.61%

LAB 57.37, 68.48, -12.79

 

CMYK 0 / 68 / 49 / 8

HEX #EB4B77

RGB 235 75 119

HSL 343.5, 0.8%, 0.61%

LAB 56.11, 64.19, 10.69

 

CMYK 0 / 68 / 68 / 8

HEX #EB4B4C

RGB 235 75 76

HSL 359.63, 0.8%, 0.61%

LAB 55.29, 61.3, 34.81

 

CMYK 0 / 68 / 68 / 8

HEX #EB4B4B

RGB 235 75 75

HSL 0, 0.8%, 0.61%

LAB 55.28, 61.25, 35.36

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 6 / 68 / 0 / 8

HEX #DE4BEB

RGB 222 75 235

HSL 295.13, 0.8%, 0.61%

LAB 58.56, 75.76, -52.82

 

CMYK 24 / 68 / 0 / 8

HEX #B34BEB

RGB 179 75 235

HSL 279, 0.8%, 0.61%

LAB 52.52, 66.74, -62.83

 

CMYK 42 / 68 / 0 / 8

HEX #884BEB

RGB 136 75 235

HSL 262.88, 0.8%, 0.61%

LAB 47.32, 58.43, -71.51

 

CMYK 60 / 68 / 0 / 8

HEX #5D4BEB

RGB 93 75 235

HSL 246.75, 0.8%, 0.61%

LAB 43.3, 51.52, -78.25

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 76 / 14 / 2

HEX #FB3BD7

RGB 251 59 215

HSL 311.25, 0.96%, 0.61%

LAB 60.38, 83.92, -38.41

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 58 / 11 / 14

HEX #DB5CC3

RGB 219 92 195

HSL 311.34, 0.64%, 0.61%

LAB 58.65, 61.73, -30.1

 

CMYK 0 / 47 / 8 / 21

HEX #CA6CB9

RGB 202 108 185

HSL 310.85, 0.47%, 0.61%

LAB 58.77, 47.57, -24.39

 

CMYK 0 / 33 / 6 / 27

HEX #BA7CAF

RGB 186 124 175

HSL 310.65, 0.31%, 0.61%

LAB 59.84, 32.14, -17.21

 

CMYK 0 / 18 / 3 / 33

HEX #AA8CA5

RGB 170 140 165

HSL 310, 0.15%, 0.61%

LAB 61.67, 15.74, -8.92

 

CMYK 24 / 68 / 0 / 8

HEX #B34BEB

RGB 179 75 235

HSL 279, 0.8%, 0.61%

LAB 52.52, 66.74, -62.83

 

CMYK 6 / 68 / 0 / 8

HEX #DD4BEB

RGB 221 75 235

HSL 294.75, 0.8%, 0.61%

LAB 58.42, 75.55, -53.06

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 68 / 31 / 8

HEX #EB4BA3

RGB 235 75 163

HSL 327, 0.8%, 0.61%

LAB 57.4, 68.59, -13.33

 

CMYK 0 / 68 / 49 / 8

HEX #EB4B79

RGB 235 75 121

HSL 342.75, 0.8%, 0.61%

LAB 56.16, 64.36, 9.57

 

CMYK 0 / 89 / 17 / 20

HEX #CD16AB

RGB 205 22 171

HSL 311.15, 0.81%, 0.45%

LAB 47.62, 76.56, -33.54

 

CMYK 0 / 83 / 16 / 10

HEX #E626C2

RGB 230 38 194

HSL 311.25, 0.79%, 0.53%

LAB 54.14, 81.71, -36.44

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 53 / 10 / 6

HEX #EF71D7

RGB 239 113 215

HSL 311.43, 0.8%, 0.69%

LAB 65.8, 60.93, -30.11

 

CMYK 0 / 38 / 7 / 5

HEX #F396E1

RGB 243 150 225

HSL 311.61, 0.79%, 0.77%

LAB 73.74, 45.55, -23.41

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 42 / 68 / 8

HEX #EB884B

RGB 235 136 75

HSL 22.88, 0.8%, 0.61%

LAB 66.35, 32.81, 48.2

 

CMYK 68 / 0 / 15 / 8

HEX #4BEBC8

RGB 75 235 200

HSL 166.88, 0.8%, 0.61%

LAB 84.53, -49.36, 4.97

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 13 / 0 / 68 / 8

HEX #CDEB4B

RGB 205 235 75

HSL 71.25, 0.8%, 0.61%

LAB 88.4, -30.45, 70.71

 

CMYK 68 / 13 / 0 / 8

HEX #4BCDEB

RGB 75 205 235

HSL 191.25, 0.8%, 0.61%

LAB 76.77, -26.04, -25.19

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 42 / 68 / 8

HEX #EB884B

RGB 235 136 75

HSL 22.88, 0.8%, 0.61%

LAB 66.35, 32.81, 48.2

 

CMYK 68 / 0 / 55 / 8

HEX #4BEB69

RGB 75 235 105

HSL 131.25, 0.8%, 0.61%

LAB 82.88, -67.27, 50.57

 

CMYK 68 / 26 / 0 / 8

HEX #4BAEEB

RGB 75 174 235

HSL 202.88, 0.8%, 0.61%

LAB 67.85, -9.87, -38.97

 

CMYK 0 / 68 / 13 / 8

HEX #EB4BCD

RGB 235 75 205

HSL 311.25, 0.8%, 0.61%

LAB 59.07, 74.04, -34.97

 

CMYK 0 / 22 / 68 / 8

HEX #EBB84B

RGB 235 184 75

HSL 40.88, 0.8%, 0.61%

LAB 77.55, 7.46, 60.34

 

CMYK 68 / 0 / 55 / 8

HEX #4BEB69

RGB 75 235 105

HSL 131.25, 0.8%, 0.61%

LAB 82.88, -67.27, 50.57

 

CMYK 68 / 46 / 0 / 8

HEX #4B7EEB

RGB 75 126 235

HSL 220.88, 0.8%, 0.61%

LAB 54.47, 18.15, -60.16

 

Description

Color code: HEX #EB4BCD | qconv.com Color code: HEX #EB4BCD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 75 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 75 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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