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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB58F3 it is the complementary color #14A70C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB58F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB58F3 shade: #F058EE, #FF6AFF, #FF7CFF, #FF8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB58F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB58F3 shade: #EB58F3, #DA46E0, #C934CD, #B822BA and #A710A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB58F3 shade: #EB58F3, #F358D1, #F358A7, #F3587D and #F35858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB58F3 shade: #EB58F3, #C158F3, #9758F3, #6D58F3 and #5858F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB58F3 shade matches the following richer shades: #EB58F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB58F3 shade: #EB58F3, #DE66E4, #D174D6, #C483C8 and #B791B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB58F3 shade: #9658F3, #BF58F3, #E958F3, #F358D4 and #F358AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB58F3 shade: #DD10E8, #E631F0, #EB58F3, #EF7EF6 and #F4A5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB58F3 shade: #EB58F3, #F36C58 and #58F3AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB58F3 shade: #EB58F3, #F3E958 and #58F3E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB58F3 shade: #EB58F3, #F36C58, #62F358 and #58DEF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB58F3 shade: #EB58F3, #F39B58, #62F358 and #58B0F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

Complementary color

CMYK 88 / 0 / 93 / 35

HEX #14A70C

RGB 20 167 12

HSL 116.9, 0.87%, 0.35%

LAB 59.72, -61.23, 59.08

 

CMYK 0 / 63 / 1 / 6

HEX #F058EE

RGB 240 88 238

HSL 300.79, 0.84%, 0.64%

LAB 63.08, 75.45, -47.17

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 3 / 69 / 0 / 12

HEX #DA46E0

RGB 218 70 224

HSL 297.66, 0.71%, 0.58%

LAB 56.75, 74.84, -49.56

 

CMYK 2 / 75 / 0 / 20

HEX #C934CD

RGB 201 52 205

HSL 298.43, 0.6%, 0.5%

LAB 51.01, 74.03, -48.03

 

CMYK 1 / 82 / 0 / 27

HEX #B822BA

RGB 184 34 186

HSL 299.21, 0.69%, 0.43%

LAB 45.47, 72.44, -46.01

 

CMYK 0 / 90 / 0 / 35

HEX #A710A7

RGB 167 16 167

HSL 300, 0.83%, 0.36%

LAB 40.21, 69.74, -43.33

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 0 / 64 / 14 / 5

HEX #F358D1

RGB 243 88 209

HSL 313.16, 0.87%, 0.65%

LAB 62.2, 71.76, -32.27

 

CMYK 0 / 64 / 31 / 5

HEX #F358A7

RGB 243 88 167

HSL 329.42, 0.87%, 0.65%

LAB 60.63, 66.3, -10.67

 

CMYK 0 / 64 / 49 / 5

HEX #F3587D

RGB 243 88 125

HSL 345.68, 0.87%, 0.65%

LAB 59.45, 62.03, 12.04

 

CMYK 0 / 64 / 64 / 5

HEX #F35858

RGB 243 88 88

HSL 0, 0.87%, 0.65%

LAB 58.73, 59.36, 32.51

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 21 / 64 / 0 / 5

HEX #C158F3

RGB 193 88 243

HSL 280.65, 0.87%, 0.65%

LAB 56.87, 65.72, -60.22

 

CMYK 38 / 64 / 0 / 5

HEX #9758F3

RGB 151 88 243

HSL 264.39, 0.87%, 0.65%

LAB 51.87, 56.84, -68.53

 

CMYK 55 / 64 / 0 / 5

HEX #6D58F3

RGB 109 88 243

HSL 248.13, 0.87%, 0.65%

LAB 47.88, 49.11, -75.2

 

CMYK 64 / 64 / 0 / 5

HEX #5858F3

RGB 88 88 243

HSL 240, 0.87%, 0.65%

LAB 46.35, 45.94, -77.77

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 3 / 55 / 0 / 11

HEX #DE66E4

RGB 222 102 228

HSL 297.14, 0.7%, 0.65%

LAB 62.2, 63.53, -43.16

 

CMYK 2 / 46 / 0 / 16

HEX #D174D6

RGB 209 116 214

HSL 296.94, 0.54%, 0.65%

LAB 62.42, 50.73, -35.09

 

CMYK 2 / 35 / 0 / 22

HEX #C483C8

RGB 196 131 200

HSL 296.52, 0.39%, 0.65%

LAB 63.46, 36.24, -25.75

 

CMYK 1 / 22 / 0 / 27

HEX #B791B9

RGB 183 145 185

HSL 297, 0.22%, 0.65%

LAB 64.82, 21.3, -15.37

 

CMYK 38 / 64 / 0 / 5

HEX #9658F3

RGB 150 88 243

HSL 264, 0.87%, 0.65%

LAB 51.76, 56.64, -68.71

 

CMYK 21 / 64 / 0 / 5

HEX #BF58F3

RGB 191 88 243

HSL 279.87, 0.87%, 0.65%

LAB 56.61, 65.28, -60.65

 

CMYK 4 / 64 / 0 / 5

HEX #E958F3

RGB 233 88 243

HSL 296.13, 0.87%, 0.65%

LAB 62.32, 74.67, -51.22

 

CMYK 0 / 64 / 13 / 5

HEX #F358D4

RGB 243 88 212

HSL 312, 0.87%, 0.65%

LAB 62.33, 72.2, -33.76

 

CMYK 0 / 64 / 30 / 5

HEX #F358AA

RGB 243 88 170

HSL 328.26, 0.87%, 0.65%

LAB 60.73, 66.65, -12.26

 

CMYK 5 / 93 / 0 / 9

HEX #DD10E8

RGB 221 16 232

HSL 296.94, 0.87%, 0.49%

LAB 53.57, 88.6, -59.13

 

CMYK 4 / 80 / 0 / 6

HEX #E631F0

RGB 230 49 240

HSL 296.86, 0.86%, 0.57%

LAB 57.38, 85.89, -57.44

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 3 / 49 / 0 / 4

HEX #EF7EF6

RGB 239 126 246

HSL 296.5, 0.87%, 0.73%

LAB 69.42, 60.01, -41.63

 

CMYK 2 / 33 / 0 / 3

HEX #F4A5F8

RGB 244 165 248

HSL 297.11, 0.86%, 0.81%

LAB 77.83, 42.12, -29.64

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 0 / 56 / 64 / 5

HEX #F36C58

RGB 243 108 88

HSL 7.74, 0.87%, 0.65%

LAB 62.07, 50.53, 36.65

 

CMYK 64 / 0 / 30 / 5

HEX #58F3AA

RGB 88 243 170

HSL 151.74, 0.87%, 0.65%

LAB 86.54, -57.18, 23.45

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 0 / 4 / 64 / 5

HEX #F3E958

RGB 243 233 88

HSL 56.13, 0.87%, 0.65%

LAB 90.8, -13.44, 69.1

 

CMYK 64 / 0 / 4 / 5

HEX #58F3E9

RGB 88 243 233

HSL 176.13, 0.87%, 0.65%

LAB 88, -42.54, -7.22

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 0 / 56 / 64 / 5

HEX #F36C58

RGB 243 108 88

HSL 7.74, 0.87%, 0.65%

LAB 62.07, 50.53, 36.65

 

CMYK 60 / 0 / 64 / 5

HEX #62F358

RGB 98 243 88

HSL 116.13, 0.87%, 0.65%

LAB 85.71, -67.33, 61.3

 

CMYK 64 / 9 / 0 / 5

HEX #58DEF3

RGB 88 222 243

HSL 188.13, 0.87%, 0.65%

LAB 82.26, -30.07, -21.07

 

CMYK 3 / 64 / 0 / 5

HEX #EB58F3

RGB 235 88 243

HSL 296.9, 0.87%, 0.65%

LAB 62.6, 75.13, -50.74

 

CMYK 0 / 36 / 64 / 5

HEX #F39B58

RGB 243 155 88

HSL 25.94, 0.87%, 0.65%

LAB 71.69, 26.84, 48.1

 

CMYK 60 / 0 / 64 / 5

HEX #62F358

RGB 98 243 88

HSL 116.13, 0.87%, 0.65%

LAB 85.71, -67.33, 61.3

 

CMYK 64 / 28 / 0 / 5

HEX #58B0F3

RGB 88 176 243

HSL 205.94, 0.87%, 0.65%

LAB 69.18, -6.31, -41.22

 

Description

Color code: HEX #EB58F3 | qconv.com Color code: HEX #EB58F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 88 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 88 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 64 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 64% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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