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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5B00 it is the complementary color #14A4FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5B00 shade: #F05B00, #FF6D0E, #FF7F21, #FF9134 and #FFA347

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5B00 shade: #EB5B00, #DA4900, #C93700, #B82500 and #A71300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5B00 shade: #EA5A00, #EA1B00 and #EA0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5B00 shade: #EA5A00, #EA9A00, #EAD900, #BCEA00 and #7DEA00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5B00 shade matches the following richer shades: #EA5A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5B00 shade: #EA5A00, #D75F12, #C46325, #B16738 and #9E6B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5B00 shade: #EA0023, #EA1B00, #EA5900, #EA9800 and #EAD700

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5B00 shade: #983A00, #C14A00, #EA5A00, #FF6F14 and #FF883E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5B00 shade: #EB5B00, #61EA00 and #0003EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5B00 shade: #EB5B00, #00EA59 and #5900EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5B00 shade: #EB5B00, #61EA00, #0090EA and #8800EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5B00 shade: #EB5B00, #1BEA00, #0090EA and #CF00EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

Complementary color

CMYK 92 / 36 / 0 / 0

HEX #14A4FF

RGB 20 164 255

HSL 203.23, 1%, 0.54%

LAB 64.9, -2.27, -54.59

 

CMYK 0 / 62 / 100 / 6

HEX #F05B00

RGB 240 91 0

HSL 22.75, 1%, 0.47%

LAB 58.04, 54.53, 67.74

 

CMYK 0 / 57 / 95 / 0

HEX #FF6D0E

RGB 255 109 14

HSL 23.65, 1%, 0.53%

LAB 63.53, 51.98, 69.71

 

CMYK 0 / 50 / 87 / 0

HEX #FF7F21

RGB 255 127 33

HSL 25.41, 1%, 0.56%

LAB 66.94, 43.71, 67.29

 

CMYK 0 / 43 / 80 / 0

HEX #FF9134

RGB 255 145 52

HSL 27.49, 1%, 0.6%

LAB 70.7, 35.17, 63.78

 

CMYK 0 / 36 / 72 / 0

HEX #FFA347

RGB 255 163 71

HSL 30, 1%, 0.64%

LAB 74.77, 26.61, 59.85

 

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

CMYK 0 / 67 / 100 / 15

HEX #DA4900

RGB 218 73 0

HSL 20.09, 1%, 0.43%

LAB 51.46, 54.48, 62.28

 

CMYK 0 / 73 / 100 / 21

HEX #C93700

RGB 201 55 0

HSL 16.42, 1%, 0.39%

LAB 45.84, 55.74, 57.81

 

CMYK 0 / 80 / 100 / 28

HEX #B82500

RGB 184 37 0

HSL 12.07, 1%, 0.36%

LAB 40.43, 56.26, 53.47

 

CMYK 0 / 89 / 100 / 35

HEX #A71300

RGB 167 19 0

HSL 6.83, 1%, 0.33%

LAB 35.36, 55.65, 49.19

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A00

RGB 234 90 0

HSL 23.08, 1%, 0.46%

LAB 56.88, 52.85, 66.58

 

CMYK 0 / 88 / 100 / 8

HEX #EA1B00

RGB 234 27 0

HSL 6.92, 1%, 0.46%

LAB 49.83, 72.31, 63.33

 

CMYK 0 / 100 / 100 / 8

HEX #EA0000

RGB 234 0 0

HSL 0, 1%, 0.46%

LAB 48.87, 75.07, 62.99

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A00

RGB 234 90 0

HSL 23.08, 1%, 0.46%

LAB 56.88, 52.85, 66.58

 

CMYK 0 / 34 / 100 / 8

HEX #EA9A00

RGB 234 154 0

HSL 39.49, 1%, 0.46%

LAB 69.9, 20.85, 74.44

 

CMYK 0 / 7 / 100 / 8

HEX #EAD900

RGB 234 217 0

HSL 55.64, 1%, 0.46%

LAB 85.56, -11.87, 85.3

 

CMYK 20 / 0 / 100 / 8

HEX #BCEA00

RGB 188 234 0

HSL 71.79, 1%, 0.46%

LAB 86.77, -38.91, 84.67

 

CMYK 47 / 0 / 100 / 8

HEX #7DEA00

RGB 125 234 0

HSL 87.95, 1%, 0.46%

LAB 83.55, -61.14, 80.8

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A00

RGB 234 90 0

HSL 23.08, 1%, 0.46%

LAB 56.88, 52.85, 66.58

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A00

RGB 234 90 0

HSL 23.08, 1%, 0.46%

LAB 56.88, 52.85, 66.58

 

CMYK 0 / 56 / 92 / 16

HEX #D75F12

RGB 215 95 18

HSL 23.45, 0.85%, 0.46%

LAB 54.74, 43.75, 59.92

 

CMYK 0 / 49 / 81 / 23

HEX #C46325

RGB 196 99 37

HSL 23.4, 0.68%, 0.46%

LAB 52.72, 34.73, 50.32

 

CMYK 0 / 42 / 68 / 31

HEX #B16738

RGB 177 103 56

HSL 23.31, 0.52%, 0.46%

LAB 51.07, 25.57, 38.6

 

CMYK 0 / 32 / 53 / 38

HEX #9E6B4B

RGB 158 107 75

HSL 23.13, 0.36%, 0.46%

LAB 49.85, 16.65, 26.09

 

CMYK 0 / 100 / 85 / 8

HEX #EA0023

RGB 234 0 35

HSL 351.03, 1%, 0.46%

LAB 49.02, 75.48, 50.48

 

CMYK 0 / 88 / 100 / 8

HEX #EA1B00

RGB 234 27 0

HSL 6.92, 1%, 0.46%

LAB 49.83, 72.31, 63.33

 

CMYK 0 / 62 / 100 / 8

HEX #EA5900

RGB 234 89 0

HSL 22.82, 1%, 0.46%

LAB 56.72, 53.28, 66.5

 

CMYK 0 / 35 / 100 / 8

HEX #EA9800

RGB 234 152 0

HSL 38.97, 1%, 0.46%

LAB 69.43, 21.91, 74.13

 

CMYK 0 / 8 / 100 / 8

HEX #EAD700

RGB 234 215 0

HSL 55.13, 1%, 0.46%

LAB 85.04, -10.87, 84.93

 

CMYK 0 / 62 / 100 / 40

HEX #983A00

RGB 152 58 0

HSL 22.89, 1%, 0.3%

LAB 37.3, 37.18, 48.53

 

CMYK 0 / 62 / 100 / 24

HEX #C14A00

RGB 193 74 0

HSL 23.01, 1%, 0.38%

LAB 47.28, 45.19, 57.73

 

CMYK 0 / 62 / 100 / 8

HEX #EA5A00

RGB 234 90 0

HSL 23.08, 1%, 0.46%

LAB 56.88, 52.85, 66.58

 

CMYK 0 / 56 / 92 / 0

HEX #FF6F14

RGB 255 111 20

HSL 23.23, 1%, 0.54%

LAB 63.9, 51.13, 68.66

 

CMYK 0 / 47 / 76 / 0

HEX #FF883E

RGB 255 136 62

HSL 23.01, 1%, 0.62%

LAB 68.91, 40.09, 57.86

 

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

CMYK 59 / 0 / 100 / 8

HEX #61EA00

RGB 97 234 0

HSL 95.13, 1%, 0.46%

LAB 82.59, -68.78, 79.63

 

CMYK 100 / 99 / 0 / 8

HEX #0003EA

RGB 0 3 234

HSL 239.23, 1%, 0.46%

LAB 29.43, 73.7, -100.8

 

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

CMYK 100 / 0 / 62 / 8

HEX #00EA59

RGB 0 234 89

HSL 142.82, 1%, 0.46%

LAB 81.6, -75.69, 55.93

 

CMYK 62 / 100 / 0 / 8

HEX #5900EA

RGB 89 0 234

HSL 262.82, 1%, 0.46%

LAB 34.12, 76.19, -92.85

 

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

CMYK 59 / 0 / 100 / 8

HEX #61EA00

RGB 97 234 0

HSL 95.13, 1%, 0.46%

LAB 82.59, -68.78, 79.63

 

CMYK 100 / 38 / 0 / 8

HEX #0090EA

RGB 0 144 234

HSL 203.08, 1%, 0.46%

LAB 57.93, 0.95, -54.15

 

CMYK 42 / 100 / 0 / 8

HEX #8800EA

RGB 136 0 234

HSL 274.87, 1%, 0.46%

LAB 39.87, 79.55, -83.14

 

CMYK 0 / 61 / 100 / 8

HEX #EB5B00

RGB 235 91 0

HSL 23.23, 1%, 0.46%

LAB 57.22, 52.76, 66.85

 

CMYK 88 / 0 / 100 / 8

HEX #1BEA00

RGB 27 234 0

HSL 113.08, 1%, 0.46%

LAB 81.33, -79.59, 78.1

 

CMYK 100 / 38 / 0 / 8

HEX #0090EA

RGB 0 144 234

HSL 203.08, 1%, 0.46%

LAB 57.93, 0.95, -54.15

 

CMYK 12 / 100 / 0 / 8

HEX #CF00EA

RGB 207 0 234

HSL 293.08, 1%, 0.46%

LAB 50.93, 88.03, -64.63

 

Description

Color code: HEX #EB5B00 | qconv.com Color code: HEX #EB5B00 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 91 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 91 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 100 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 100% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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