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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7656 it is the complementary color #1489A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7656 shade: #F07651, #FF8864, #FF9A77, #FFAC8A and #FFBE9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7656 shade: #EB7656, #DA6443, #C95230, #B8401D and #A72E0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7656 shade: #EB7656 and #EB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7656 shade: #EB7656, #EB9E56, #EBC656, #E7EB56 and #BFEB56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7656 shade matches the following richer shades: #EB7656 and #FA6D46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7656 shade: #EB7656, #DB7E65, #CC8774, #BD9083 and #AE9893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7656 shade: #EB5687, #EB5660, #EB7356, #EB9B56 and #EBC356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7656 shade: #D54119, #E65831, #EB7656, #EF947B and #F3B19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7656 shade: #EB7656, #AFEB56 and #5673EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7656 shade: #EB7656, #56EB73 and #7356EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7656 shade: #EB7656, #AFEB56, #56CDEB and #9156EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7656 shade: #EB7656, #82EB56, #56CDEB and #BE56EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

Complementary color

CMYK 88 / 19 / 0 / 34

HEX #1489A9

RGB 20 137 169

HSL 192.89, 0.79%, 0.37%

LAB 52.84, -18.41, -25.38

 

CMYK 0 / 51 / 66 / 6

HEX #F07651

RGB 240 118 81

HSL 13.96, 0.84%, 0.63%

LAB 63.41, 44.23, 41.93

 

CMYK 0 / 47 / 61 / 0

HEX #FF8864

RGB 255 136 100

HSL 13.94, 1%, 0.7%

LAB 69.32, 42.09, 39.45

 

CMYK 0 / 40 / 53 / 0

HEX #FF9A77

RGB 255 154 119

HSL 15.44, 1%, 0.73%

LAB 73.35, 34.34, 34.4

 

CMYK 0 / 33 / 46 / 0

HEX #FFAC8A

RGB 255 172 138

HSL 17.44, 1%, 0.77%

LAB 77.64, 26.68, 29.87

 

CMYK 0 / 25 / 38 / 0

HEX #FFBE9D

RGB 255 190 157

HSL 20.2, 1%, 0.81%

LAB 82.12, 19.25, 25.8

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 54 / 69 / 15

HEX #DA6443

RGB 218 100 67

HSL 13.11, 0.67%, 0.56%

LAB 56.51, 44.06, 40.53

 

CMYK 0 / 59 / 76 / 21

HEX #C95230

RGB 201 82 48

HSL 13.33, 0.61%, 0.49%

LAB 50.29, 45.51, 42.96

 

CMYK 0 / 65 / 84 / 28

HEX #B8401D

RGB 184 64 29

HSL 13.55, 0.73%, 0.42%

LAB 44.16, 46.88, 45.36

 

CMYK 0 / 72 / 94 / 35

HEX #A72E0A

RGB 167 46 10

HSL 13.76, 0.89%, 0.35%

LAB 38.18, 47.99, 47.02

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 33 / 63 / 8

HEX #EB9E56

RGB 235 158 86

HSL 28.99, 0.79%, 0.63%

LAB 71.41, 21.86, 48.52

 

CMYK 0 / 16 / 63 / 8

HEX #EBC656

RGB 235 198 86

HSL 45.1, 0.79%, 0.63%

LAB 81.14, 0.8, 59.41

 

CMYK 2 / 0 / 63 / 8

HEX #E7EB56

RGB 231 235 86

HSL 61.61, 0.79%, 0.63%

LAB 90.36, -19.41, 69.14

 

CMYK 19 / 0 / 63 / 8

HEX #BFEB56

RGB 191 235 86

HSL 77.72, 0.79%, 0.63%

LAB 87.57, -35.18, 65.34

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 56 / 72 / 2

HEX #FA6D46

RGB 250 109 70

HSL 13, 0.95%, 0.63%

LAB 63.1, 51.62, 47.7

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 42 / 54 / 14

HEX #DB7E65

RGB 219 126 101

HSL 12.71, 0.62%, 0.63%

LAB 62.44, 33.51, 29.21

 

CMYK 0 / 34 / 43 / 20

HEX #CC8774

RGB 204 135 116

HSL 12.95, 0.46%, 0.63%

LAB 62.87, 24.21, 21.06

 

CMYK 0 / 24 / 31 / 26

HEX #BD9083

RGB 189 144 131

HSL 13.45, 0.31%, 0.63%

LAB 63.68, 15.15, 13.48

 

CMYK 0 / 13 / 16 / 32

HEX #AE9893

RGB 174 152 147

HSL 11.11, 0.14%, 0.63%

LAB 64.61, 7.29, 5.61

 

CMYK 0 / 63 / 43 / 8

HEX #EB5687

RGB 235 86 135

HSL 340.27, 0.79%, 0.63%

LAB 58.1, 61.32, 4.09

 

CMYK 0 / 63 / 59 / 8

HEX #EB5660

RGB 235 86 96

HSL 355.97, 0.79%, 0.63%

LAB 57.23, 58.1, 25.73

 

CMYK 0 / 51 / 63 / 8

HEX #EB7356

RGB 235 115 86

HSL 11.68, 0.79%, 0.63%

LAB 62.16, 44.14, 37.58

 

CMYK 0 / 34 / 63 / 8

HEX #EB9B56

RGB 235 155 86

HSL 27.79, 0.79%, 0.63%

LAB 70.72, 23.46, 47.72

 

CMYK 0 / 17 / 63 / 8

HEX #EBC356

RGB 235 195 86

HSL 43.89, 0.79%, 0.63%

LAB 80.38, 2.36, 58.58

 

CMYK 0 / 69 / 88 / 16

HEX #D54119

RGB 213 65 25

HSL 12.77, 0.79%, 0.47%

LAB 49.49, 56.26, 53.62

 

CMYK 0 / 62 / 79 / 10

HEX #E65831

RGB 230 88 49

HSL 12.93, 0.78%, 0.55%

LAB 56.11, 53.19, 49.91

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 0 / 38 / 49 / 6

HEX #EF947B

RGB 239 148 123

HSL 12.93, 0.78%, 0.71%

LAB 70.15, 31.66, 27.68

 

CMYK 0 / 27 / 35 / 5

HEX #F3B19F

RGB 243 177 159

HSL 12.86, 0.78%, 0.79%

LAB 77.88, 21.74, 18.71

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 26 / 0 / 63 / 8

HEX #AFEB56

RGB 175 235 86

HSL 84.16, 0.79%, 0.63%

LAB 86.6, -41.16, 64.02

 

CMYK 63 / 51 / 0 / 8

HEX #5673EB

RGB 86 115 235

HSL 228.32, 0.79%, 0.63%

LAB 52.11, 26.65, -63.94

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 63 / 0 / 51 / 8

HEX #56EB73

RGB 86 235 115

HSL 131.68, 0.79%, 0.63%

LAB 83.25, -63.9, 46.44

 

CMYK 51 / 63 / 0 / 8

HEX #7356EB

RGB 115 86 235

HSL 251.68, 0.79%, 0.63%

LAB 47.36, 48.91, -71.53

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 26 / 0 / 63 / 8

HEX #AFEB56

RGB 175 235 86

HSL 84.16, 0.79%, 0.63%

LAB 86.6, -41.16, 64.02

 

CMYK 63 / 13 / 0 / 8

HEX #56CDEB

RGB 86 205 235

HSL 192.08, 0.79%, 0.63%

LAB 77.06, -24.38, -24.72

 

CMYK 38 / 63 / 0 / 8

HEX #9156EB

RGB 145 86 235

HSL 263.76, 0.79%, 0.63%

LAB 50.3, 54.64, -66.62

 

CMYK 0 / 50 / 63 / 8

HEX #EB7656

RGB 235 118 86

HSL 12.89, 0.79%, 0.63%

LAB 62.75, 42.65, 38.3

 

CMYK 45 / 0 / 63 / 8

HEX #82EB56

RGB 130 235 86

HSL 102.28, 0.79%, 0.63%

LAB 84.4, -56.21, 60.99

 

CMYK 63 / 13 / 0 / 8

HEX #56CDEB

RGB 86 205 235

HSL 192.08, 0.79%, 0.63%

LAB 77.06, -24.38, -24.72

 

CMYK 19 / 63 / 0 / 8

HEX #BE56EB

RGB 190 86 235

HSL 281.88, 0.79%, 0.63%

LAB 55.69, 64.32, -57.67

 

Description

Color code: HEX #EB7656 | qconv.com Color code: HEX #EB7656 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 118 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 118 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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