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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7A1E it is the complementary color #1485E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7A1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7A1E shade: #F07A19, #FF8C2C, #FF9E3F, #FFB052 and #FFC265

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7A1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7A1E shade: #EB7A1E, #DA680B, #C95600, #B84400 and #A73200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7A1E shade: #EB7A1D, #EB421D and #EB1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7A1E shade: #EB7A1D, #EBB11D, #EBE81D, #B6EB1D and #7EEB1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7A1E shade matches the following richer shades: #EB7A1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7A1E shade: #EB7A1D, #D77C31, #C37E45, #B08059 and #9C826D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7A1E shade: #EB1D32, #EB401D, #EB761D, #EBAD1D and #EBE41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7A1E shade: #A8530E, #CE6611, #EB7A1D, #EE9043 and #F2A669

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7A1E shade: #EB7A1E, #69EB1D and #241DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7A1E shade: #EB7A1E, #1DEB76 and #761DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7A1E shade: #EB7A1E, #69EB1D, #1D92EB and #A01DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7A1E shade: #EB7A1E, #2BEB1D, #1D92EB and #DD1DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

Complementary color

CMYK 91 / 41 / 0 / 12

HEX #1485E1

RGB 20 133 225

HSL 206.93, 0.84%, 0.48%

LAB 54.41, 4.75, -54.75

 

CMYK 0 / 49 / 90 / 6

HEX #F07A19

RGB 240 122 25

HSL 27.07, 0.88%, 0.52%

LAB 63.77, 40.23, 66.26

 

CMYK 0 / 45 / 83 / 0

HEX #FF8C2C

RGB 255 140 44

HSL 27.3, 1%, 0.59%

LAB 69.61, 37.48, 65.8

 

CMYK 0 / 38 / 75 / 0

HEX #FF9E3F

RGB 255 158 63

HSL 29.69, 1%, 0.62%

LAB 73.59, 28.87, 62.09

 

CMYK 0 / 31 / 68 / 0

HEX #FFB052

RGB 255 176 82

HSL 32.6, 1%, 0.66%

LAB 77.83, 20.37, 58.19

 

CMYK 0 / 24 / 60 / 0

HEX #FFC265

RGB 255 194 101

HSL 36.23, 1%, 0.7%

LAB 82.26, 12.13, 54.36

 

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

CMYK 0 / 52 / 95 / 15

HEX #DA680B

RGB 218 104 11

HSL 26.96, 0.9%, 0.45%

LAB 56.91, 40.41, 63.22

 

CMYK 0 / 57 / 100 / 21

HEX #C95600

RGB 201 86 0

HSL 25.67, 1%, 0.39%

LAB 50.77, 42.55, 60.35

 

CMYK 0 / 63 / 100 / 28

HEX #B84400

RGB 184 68 0

HSL 22.17, 1%, 0.36%

LAB 44.69, 44.61, 55.52

 

CMYK 0 / 70 / 100 / 35

HEX #A73200

RGB 167 50 0

HSL 17.96, 1%, 0.33%

LAB 38.72, 46.28, 50.77

 

CMYK 0 / 48 / 88 / 8

HEX #EB7A1D

RGB 235 122 29

HSL 27.09, 0.84%, 0.52%

LAB 63.07, 38.33, 64.27

 

CMYK 0 / 72 / 88 / 8

HEX #EB421D

RGB 235 66 29

HSL 10.78, 0.84%, 0.52%

LAB 53.65, 62.98, 56.98

 

CMYK 0 / 88 / 88 / 8

HEX #EB1D1D

RGB 235 29 29

HSL 0, 0.84%, 0.52%

LAB 50.25, 72.55, 54.38

 

CMYK 0 / 48 / 88 / 8

HEX #EB7A1D

RGB 235 122 29

HSL 27.09, 0.84%, 0.52%

LAB 63.07, 38.33, 64.27

 

CMYK 0 / 25 / 88 / 8

HEX #EBB11D

RGB 235 177 29

HSL 43.11, 0.84%, 0.52%

LAB 75.57, 9.47, 74.08

 

CMYK 0 / 1 / 88 / 8

HEX #EBE81D

RGB 235 232 29

HSL 59.13, 0.84%, 0.52%

LAB 89.61, -18.48, 85.17

 

CMYK 23 / 0 / 88 / 8

HEX #B6EB1D

RGB 182 235 29

HSL 75.44, 0.84%, 0.52%

LAB 86.73, -41.27, 81.3

 

CMYK 46 / 0 / 88 / 8

HEX #7EEB1D

RGB 126 235 29

HSL 91.75, 0.84%, 0.52%

LAB 83.94, -60.69, 77.84

 

CMYK 0 / 48 / 88 / 8

HEX #EB7A1D

RGB 235 122 29

HSL 27.09, 0.84%, 0.52%

LAB 63.07, 38.33, 64.27

 

CMYK 0 / 48 / 88 / 8

HEX #EB7A1D

RGB 235 122 29

HSL 27.09, 0.84%, 0.52%

LAB 63.07, 38.33, 64.27

 

CMYK 0 / 42 / 77 / 16

HEX #D77C31

RGB 215 124 49

HSL 27.11, 0.67%, 0.52%

LAB 60.86, 29.77, 53.81

 

CMYK 0 / 35 / 65 / 24

HEX #C37E45

RGB 195 126 69

HSL 27.14, 0.51%, 0.52%

LAB 58.93, 21.34, 41.44

 

CMYK 0 / 27 / 49 / 31

HEX #B08059

RGB 176 128 89

HSL 26.9, 0.36%, 0.52%

LAB 57.45, 13.8, 28.4

 

CMYK 0 / 17 / 30 / 39

HEX #9C826D

RGB 156 130 109

HSL 26.81, 0.19%, 0.52%

LAB 56.23, 6.69, 15.09

 

CMYK 0 / 88 / 79 / 8

HEX #EB1D32

RGB 235 29 50

HSL 353.88, 0.84%, 0.52%

LAB 50.42, 73.04, 43.95

 

CMYK 0 / 73 / 88 / 8

HEX #EB401D

RGB 235 64 29

HSL 10.19, 0.84%, 0.52%

LAB 53.4, 63.67, 56.79

 

CMYK 0 / 50 / 88 / 8

HEX #EB761D

RGB 235 118 29

HSL 25.92, 0.84%, 0.52%

LAB 62.26, 40.34, 63.64

 

CMYK 0 / 26 / 88 / 8

HEX #EBAD1D

RGB 235 173 29

HSL 41.94, 0.84%, 0.52%

LAB 74.6, 11.58, 73.31

 

CMYK 0 / 3 / 88 / 8

HEX #EBE41D

RGB 235 228 29

HSL 57.96, 0.84%, 0.52%

LAB 88.56, -16.54, 84.34

 

CMYK 0 / 51 / 92 / 34

HEX #A8530E

RGB 168 83 14

HSL 26.88, 0.85%, 0.36%

LAB 45, 31.05, 50.67

 

CMYK 0 / 50 / 92 / 19

HEX #CE6611

RGB 206 102 17

HSL 26.98, 0.85%, 0.44%

LAB 54.73, 36.73, 59.54

 

CMYK 0 / 48 / 88 / 8

HEX #EB7A1D

RGB 235 122 29

HSL 27.09, 0.84%, 0.52%

LAB 63.07, 38.33, 64.27

 

CMYK 0 / 39 / 72 / 7

HEX #EE9043

RGB 238 144 67

HSL 27.02, 0.83%, 0.6%

LAB 68.41, 29.43, 54.38

 

CMYK 0 / 31 / 57 / 5

HEX #F2A669

RGB 242 166 105

HSL 26.72, 0.84%, 0.68%

LAB 74.3, 21.82, 42.59

 

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

CMYK 55 / 0 / 88 / 8

HEX #69EB1D

RGB 105 235 29

HSL 97.86, 0.84%, 0.52%

LAB 83.18, -66.57, 76.9

 

CMYK 85 / 88 / 0 / 8

HEX #241DEB

RGB 36 29 235

HSL 242.04, 0.84%, 0.52%

LAB 32.37, 68.5, -96.42

 

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

CMYK 88 / 0 / 50 / 8

HEX #1DEB76

RGB 29 235 118

HSL 145.92, 0.84%, 0.52%

LAB 82.37, -70.88, 43.73

 

CMYK 50 / 88 / 0 / 8

HEX #761DEB

RGB 118 29 235

HSL 265.92, 0.84%, 0.52%

LAB 39.12, 73.57, -85.03

 

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

CMYK 55 / 0 / 88 / 8

HEX #69EB1D

RGB 105 235 29

HSL 97.86, 0.84%, 0.52%

LAB 83.18, -66.57, 76.9

 

CMYK 88 / 38 / 0 / 8

HEX #1D92EB

RGB 29 146 235

HSL 205.92, 0.84%, 0.52%

LAB 58.8, 1.23, -53.29

 

CMYK 32 / 88 / 0 / 8

HEX #A01DEB

RGB 160 29 235

HSL 278.16, 0.84%, 0.52%

LAB 44.73, 78.4, -75.6

 

CMYK 0 / 48 / 87 / 8

HEX #EB7A1E

RGB 235 122 30

HSL 26.93, 0.84%, 0.52%

LAB 63.07, 38.35, 63.97

 

CMYK 82 / 0 / 88 / 8

HEX #2BEB1D

RGB 43 235 29

HSL 115.92, 0.84%, 0.52%

LAB 81.85, -77.86, 75.23

 

CMYK 88 / 38 / 0 / 8

HEX #1D92EB

RGB 29 146 235

HSL 205.92, 0.84%, 0.52%

LAB 58.8, 1.23, -53.29

 

CMYK 6 / 88 / 0 / 8

HEX #DD1DEB

RGB 221 29 235

HSL 295.92, 0.84%, 0.52%

LAB 54.29, 87.45, -59.66

 

Description

Color code: HEX #EB7A1E | qconv.com Color code: HEX #EB7A1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 122 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 122 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 87 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 87% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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