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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7ECE it is the complementary color #148131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7ECE shade: #F07EC9, #FF90DC, #FFA2EF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7ECE shade: #EB7ECE, #DA6CBB, #C95AA8, #B84895 and #A73682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7ECE shade: #EB7FCE, #EB7FB1, #EB7F94 and #EB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7ECE shade: #EB7FCE, #EA7FEB, #CD7FEB, #B07FEB and #937FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7ECE shade matches the following richer shades: #EB7FCE and #F673D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7ECE shade: #EB7FCE, #DF8BC8, #D396C3, #C7A2BD and #BBAEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7ECE shade: #CC7FEB, #E97FEB, #EB7FD0, #EB7FB3 and #EB7F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7ECE shade: #DF37B3, #E55BC0, #EB7FCE, #F0A2DB and #F6C6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7ECE shade: #EB7ECE, #EBAF7F and #7FEBDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7ECE shade: #EB7ECE, #D0EB7F and #7FD0EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7ECE shade: #EB7ECE, #EBAF7F, #7FEB9A and #7FBAEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7ECE shade: #EB7ECE, #EBD07F, #7FEB9A and #7F9AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

Complementary color

CMYK 84 / 0 / 62 / 49

HEX #148131

RGB 20 129 49

HSL 135.96, 0.73%, 0.29%

LAB 47.07, -46.57, 34.58

 

CMYK 0 / 48 / 16 / 6

HEX #F07EC9

RGB 240 126 201

HSL 320.53, 0.79%, 0.72%

LAB 67.77, 52.87, -19.25

 

CMYK 0 / 44 / 14 / 0

HEX #FF90DC

RGB 255 144 220

HSL 318.92, 1%, 0.78%

LAB 73.79, 51.53, -20.46

 

CMYK 0 / 36 / 6 / 0

HEX #FFA2EF

RGB 255 162 239

HSL 310.32, 1%, 0.82%

LAB 78.07, 45.5, -24.3

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

CMYK 0 / 50 / 14 / 15

HEX #DA6CBB

RGB 218 108 187

HSL 316.91, 0.6%, 0.64%

LAB 60.97, 52.78, -21.97

 

CMYK 0 / 55 / 16 / 21

HEX #C95AA8

RGB 201 90 168

HSL 317.84, 0.51%, 0.57%

LAB 54.61, 53.37, -20.97

 

CMYK 0 / 61 / 19 / 28

HEX #B84895

RGB 184 72 149

HSL 318.75, 0.44%, 0.5%

LAB 48.25, 53.78, -19.74

 

CMYK 0 / 68 / 22 / 35

HEX #A73682

RGB 167 54 130

HSL 319.65, 0.51%, 0.43%

LAB 41.95, 53.86, -18.16

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 0 / 46 / 25 / 8

HEX #EB7FB1

RGB 235 127 177

HSL 332.22, 0.73%, 0.71%

LAB 66.53, 47.31, -7.69

 

CMYK 0 / 46 / 37 / 8

HEX #EB7F94

RGB 235 127 148

HSL 348.33, 0.73%, 0.71%

LAB 65.73, 43.64, 7.56

 

CMYK 0 / 46 / 46 / 8

HEX #EB7F7F

RGB 235 127 127

HSL 0, 0.73%, 0.71%

LAB 65.26, 41.41, 18.78

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 0 / 46 / 0 / 8

HEX #EA7FEB

RGB 234 127 235

HSL 299.44, 0.73%, 0.71%

LAB 68.51, 56.18, -37.05

 

CMYK 13 / 46 / 0 / 8

HEX #CD7FEB

RGB 205 127 235

HSL 283.33, 0.73%, 0.71%

LAB 65.09, 48, -42.65

 

CMYK 25 / 46 / 0 / 8

HEX #B07FEB

RGB 176 127 235

HSL 267.22, 0.73%, 0.71%

LAB 62, 39.99, -47.72

 

CMYK 37 / 46 / 0 / 8

HEX #937FEB

RGB 147 127 235

HSL 251.11, 0.73%, 0.71%

LAB 59.32, 32.4, -52.14

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 0 / 53 / 14 / 4

HEX #F673D3

RGB 246 115 211

HSL 316.03, 0.88%, 0.71%

LAB 66.94, 61.39, -26.03

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 0 / 38 / 10 / 13

HEX #DF8BC8

RGB 223 139 200

HSL 316.43, 0.57%, 0.71%

LAB 68.26, 40.69, -18.15

 

CMYK 0 / 29 / 8 / 17

HEX #D396C3

RGB 211 150 195

HSL 315.74, 0.41%, 0.71%

LAB 69.18, 29.94, -14.1

 

CMYK 0 / 19 / 5 / 22

HEX #C7A2BD

RGB 199 162 189

HSL 316.22, 0.25%, 0.71%

LAB 70.63, 18.17, -8.72

 

CMYK 0 / 7 / 2 / 27

HEX #BBAEB7

RGB 187 174 183

HSL 318.46, 0.09%, 0.71%

LAB 72.4, 6.28, -2.92

 

CMYK 13 / 46 / 0 / 8

HEX #CC7FEB

RGB 204 127 235

HSL 282.78, 0.73%, 0.71%

LAB 64.97, 47.72, -42.84

 

CMYK 1 / 46 / 0 / 8

HEX #E97FEB

RGB 233 127 235

HSL 298.89, 0.73%, 0.71%

LAB 68.39, 55.9, -37.25

 

CMYK 0 / 46 / 11 / 8

HEX #EB7FD0

RGB 235 127 208

HSL 315, 0.73%, 0.71%

LAB 67.57, 51.93, -23.52

 

CMYK 0 / 46 / 24 / 8

HEX #EB7FB3

RGB 235 127 179

HSL 331.11, 0.73%, 0.71%

LAB 66.59, 47.59, -8.73

 

CMYK 0 / 46 / 36 / 8

HEX #EB7F96

RGB 235 127 150

HSL 347.22, 0.73%, 0.71%

LAB 65.78, 43.87, 6.5

 

CMYK 0 / 75 / 20 / 13

HEX #DF37B3

RGB 223 55 179

HSL 315.71, 0.72%, 0.55%

LAB 53.68, 74.14, -28.53

 

CMYK 0 / 60 / 16 / 10

HEX #E55BC0

RGB 229 91 192

HSL 316.09, 0.73%, 0.63%

LAB 59.84, 64.44, -26.43

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 0 / 33 / 9 / 6

HEX #F0A2DB

RGB 240 162 219

HSL 316.15, 0.72%, 0.79%

LAB 75.75, 37.32, -17.11

 

CMYK 0 / 20 / 5 / 4

HEX #F6C6E9

RGB 246 198 233

HSL 316.25, 0.73%, 0.87%

LAB 84.93, 22.67, -10.83

 

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

CMYK 0 / 26 / 46 / 8

HEX #EBAF7F

RGB 235 175 127

HSL 26.67, 0.73%, 0.71%

LAB 75.98, 16.17, 33.11

 

CMYK 46 / 0 / 7 / 8

HEX #7FEBDA

RGB 127 235 218

HSL 170.56, 0.73%, 0.71%

LAB 86.5, -35.2, -1.43

 

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

CMYK 11 / 0 / 46 / 8

HEX #D0EB7F

RGB 208 235 127

HSL 75, 0.73%, 0.71%

LAB 89.09, -25.14, 49.21

 

CMYK 46 / 11 / 0 / 8

HEX #7FD0EB

RGB 127 208 235

HSL 195, 0.73%, 0.71%

LAB 79.4, -17.77, -21.03

 

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

CMYK 0 / 26 / 46 / 8

HEX #EBAF7F

RGB 235 175 127

HSL 26.67, 0.73%, 0.71%

LAB 75.98, 16.17, 33.11

 

CMYK 46 / 0 / 34 / 8

HEX #7FEB9A

RGB 127 235 154

HSL 135, 0.73%, 0.71%

LAB 85.13, -48.26, 29.91

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEB

RGB 127 186 235

HSL 207.22, 0.73%, 0.71%

LAB 73.3, -6.2, -30.35

 

CMYK 0 / 46 / 12 / 8

HEX #EB7ECE

RGB 235 126 206

HSL 315.96, 0.73%, 0.71%

LAB 67.31, 52.1, -22.81

 

CMYK 0 / 11 / 46 / 8

HEX #EBD07F

RGB 235 208 127

HSL 45, 0.73%, 0.71%

LAB 84.12, -1.12, 43.52

 

CMYK 46 / 0 / 34 / 8

HEX #7FEB9A

RGB 127 235 154

HSL 135, 0.73%, 0.71%

LAB 85.13, -48.26, 29.91

 

CMYK 46 / 34 / 0 / 8

HEX #7F9AEB

RGB 127 154 235

HSL 225, 0.73%, 0.71%

LAB 64.66, 11.74, -43.79

 

Description

Color code: HEX #EB7ECE | qconv.com Color code: HEX #EB7ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 126 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 126 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 12 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 12% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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