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Color name
HEX #EB7F8A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7F8A it is the complementary color #148075. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7F8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7F8A shade: #F07F85, #FF9198, #FFA3AB, #FFB5BE and #FFC7D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7F8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7F8A shade: #EB7F8A, #DA6D77, #C95B64, #B84951 and #A7373E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7F8A shade: #EB7F8A and #EB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7F8A shade: #EB7F8A, #EB7FA7, #EB7FC4, #EB7FE1 and #D77FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7F8A shade matches the following richer shades: #EB7F8A and #F67380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7F8A shade: #EB7F8A, #DF8B93, #D3969D, #C7A2A6 and #BBAEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7F8A shade: #EB7FC5, #EB7FA8, #EB7F8B, #EB8F7F and #EBAC7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7F8A shade: #DF3748, #E55B69, #EB7F8A, #F0A2AA and #F6C6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7F8A shade: #EB7F8A, #E2EB7F and #7FB6EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7F8A shade: #EB7F8A, #8BEB7F and #7F8BEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7F8A shade: #EB7F8A, #E2EB7F, #7FEBDE and #887FEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7F8A shade: #EB7F8A, #C1EB7F, #7FEBDE and #A87FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

Complementary color

CMYK 84 / 0 / 9 / 50

HEX #148075

RGB 20 128 117

HSL 173.89, 0.73%, 0.29%

LAB 48.1, -31.02, -2.21

 

CMYK 0 / 47 / 45 / 6

HEX #F07F85

RGB 240 127 133

HSL 356.81, 0.79%, 0.72%

LAB 66.06, 43.81, 16.6

 

CMYK 0 / 43 / 40 / 0

HEX #FF9198

RGB 255 145 152

HSL 356.18, 1%, 0.78%

LAB 72.08, 42.07, 14.66

 

CMYK 0 / 36 / 33 / 0

HEX #FFA3AB

RGB 255 163 171

HSL 354.78, 1%, 0.82%

LAB 76.31, 35.01, 10.18

 

CMYK 0 / 29 / 25 / 0

HEX #FFB5BE

RGB 255 181 190

HSL 352.7, 1%, 0.85%

LAB 80.75, 28.08, 6.21

 

CMYK 0 / 22 / 18 / 0

HEX #FFC7D1

RGB 255 199 209

HSL 349.29, 1%, 0.89%

LAB 85.36, 21.37, 2.68

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 50 / 45 / 15

HEX #DA6D77

RGB 218 109 119

HSL 354.5, 0.6%, 0.64%

LAB 59.14, 43.55, 14.52

 

CMYK 0 / 55 / 50 / 21

HEX #C95B64

RGB 201 91 100

HSL 355.09, 0.5%, 0.57%

LAB 52.75, 44.58, 16.43

 

CMYK 0 / 60 / 56 / 28

HEX #B84951

RGB 184 73 81

HSL 355.68, 0.44%, 0.5%

LAB 46.38, 45.55, 18.72

 

CMYK 0 / 67 / 63 / 35

HEX #A7373E

RGB 167 55 62

HSL 356.25, 0.5%, 0.44%

LAB 40.07, 46.35, 21.51

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 46 / 46 / 8

HEX #EB7F7F

RGB 235 127 127

HSL 0, 0.73%, 0.71%

LAB 65.26, 41.41, 18.78

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 46 / 29 / 8

HEX #EB7FA7

RGB 235 127 167

HSL 337.78, 0.73%, 0.71%

LAB 66.24, 45.97, -2.47

 

CMYK 0 / 46 / 17 / 8

HEX #EB7FC4

RGB 235 127 196

HSL 321.67, 0.73%, 0.71%

LAB 67.15, 50.06, -17.46

 

CMYK 0 / 46 / 4 / 8

HEX #EB7FE1

RGB 235 127 225

HSL 305.56, 0.73%, 0.71%

LAB 68.22, 54.73, -31.96

 

CMYK 9 / 46 / 0 / 8

HEX #D77FEB

RGB 215 127 235

HSL 288.89, 0.73%, 0.71%

LAB 66.23, 50.81, -40.78

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 53 / 48 / 4

HEX #F67380

RGB 246 115 128

HSL 354.05, 0.88%, 0.71%

LAB 64.49, 51.31, 17.4

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 38 / 34 / 13

HEX #DF8B93

RGB 223 139 147

HSL 354.29, 0.57%, 0.71%

LAB 66.72, 32.95, 9.32

 

CMYK 0 / 29 / 26 / 17

HEX #D3969D

RGB 211 150 157

HSL 353.11, 0.41%, 0.71%

LAB 68.09, 23.91, 5.5

 

CMYK 0 / 19 / 17 / 22

HEX #C7A2A6

RGB 199 162 166

HSL 353.51, 0.25%, 0.71%

LAB 69.99, 14.25, 3.07

 

CMYK 0 / 7 / 6 / 27

HEX #BBAEB0

RGB 187 174 176

HSL 350.77, 0.09%, 0.71%

LAB 72.21, 5.01, 0.65

 

CMYK 0 / 46 / 16 / 8

HEX #EB7FC5

RGB 235 127 197

HSL 321.11, 0.73%, 0.71%

LAB 67.18, 50.21, -17.96

 

CMYK 0 / 46 / 29 / 8

HEX #EB7FA8

RGB 235 127 168

HSL 337.22, 0.73%, 0.71%

LAB 66.27, 46.1, -3

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8B

RGB 235 127 139

HSL 353.33, 0.73%, 0.71%

LAB 65.52, 42.64, 12.35

 

CMYK 0 / 39 / 46 / 8

HEX #EB8F7F

RGB 235 143 127

HSL 8.89, 0.73%, 0.71%

LAB 68.63, 33.13, 23.37

 

CMYK 0 / 27 / 46 / 8

HEX #EBAC7F

RGB 235 172 127

HSL 25, 0.73%, 0.71%

LAB 75.26, 17.76, 32.18

 

CMYK 0 / 75 / 68 / 13

HEX #DF3748

RGB 223 55 72

HSL 353.93, 0.72%, 0.55%

LAB 50.56, 64.43, 30.85

 

CMYK 0 / 60 / 54 / 10

HEX #E55B69

RGB 229 91 105

HSL 353.91, 0.73%, 0.63%

LAB 57.23, 54.63, 20.31

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 0 / 33 / 29 / 6

HEX #F0A2AA

RGB 240 162 170

HSL 353.85, 0.72%, 0.79%

LAB 74.36, 29.96, 7.71

 

CMYK 0 / 20 / 17 / 4

HEX #F6C6CB

RGB 246 198 203

HSL 353.75, 0.73%, 0.87%

LAB 84.12, 17.79, 3.98

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 4 / 0 / 46 / 8

HEX #E2EB7F

RGB 226 235 127

HSL 65, 0.73%, 0.71%

LAB 90.38, -18.22, 51.07

 

CMYK 46 / 23 / 0 / 8

HEX #7FB6EB

RGB 127 182 235

HSL 209.44, 0.73%, 0.71%

LAB 72.21, -4.02, -32.04

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 41 / 0 / 46 / 8

HEX #8BEB7F

RGB 139 235 127

HSL 113.33, 0.73%, 0.71%

LAB 85.22, -48.95, 43.55

 

CMYK 46 / 41 / 0 / 8

HEX #7F8BEB

RGB 127 139 235

HSL 233.33, 0.73%, 0.71%

LAB 60.76, 20.49, -49.95

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 4 / 0 / 46 / 8

HEX #E2EB7F

RGB 226 235 127

HSL 65, 0.73%, 0.71%

LAB 90.38, -18.22, 51.07

 

CMYK 46 / 0 / 6 / 8

HEX #7FEBDE

RGB 127 235 222

HSL 172.78, 0.73%, 0.71%

LAB 86.6, -34.25, -3.37

 

CMYK 42 / 46 / 0 / 8

HEX #887FEB

RGB 136 127 235

HSL 245, 0.73%, 0.71%

LAB 58.43, 29.69, -53.62

 

CMYK 0 / 46 / 41 / 8

HEX #EB7F8A

RGB 235 127 138

HSL 353.89, 0.73%, 0.71%

LAB 65.5, 42.53, 12.89

 

CMYK 18 / 0 / 46 / 8

HEX #C1EB7F

RGB 193 235 127

HSL 83.33, 0.73%, 0.71%

LAB 88.11, -30.74, 47.77

 

CMYK 46 / 0 / 6 / 8

HEX #7FEBDE

RGB 127 235 222

HSL 172.78, 0.73%, 0.71%

LAB 86.6, -34.25, -3.37

 

CMYK 29 / 46 / 0 / 8

HEX #A87FEB

RGB 168 127 235

HSL 262.78, 0.73%, 0.71%

LAB 61.22, 37.84, -49.01

 

Description

Color code: HEX #EB7F8A | qconv.com Color code: HEX #EB7F8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 127 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 127 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 41% 8% C M Y K

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