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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB7FBC it is the complementary color #148043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB7FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB7FBC shade: #F07FB7, #FF91CA, #FFA3DD, #FFB5F0 and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB7FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB7FBC shade: #EB7FBC, #DA6DA9, #C95B96, #B84983 and #A73770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB7FBC shade: #EB7FBC, #EB7F9E, #EB7F81 and #EB7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB7FBC shade: #EB7FBC, #EB7FD9, #DF7FEB, #C27FEB and #A57FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB7FBC shade matches the following richer shades: #EB7FBC and #F673BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB7FBC shade: #EB7FBC, #DF8BBA, #D396B8, #C7A2B7 and #BBAEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB7FBC shade: #E07FEB, #EB7FD9, #EB7FBC, #EB7F9F and #EB7F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB7FBC shade: #DF3796, #E55BA9, #EB7FBC, #F0A2CE and #F6C6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB7FBC shade: #EB7FBC, #EBC37F and #7FE7EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB7FBC shade: #EB7FBC, #BCEB7F and #7FBCEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB7FBC shade: #EB7FBC, #EBC37F, #7FEBAD and #7FA6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB7FBC shade: #EB7FBC, #EBE37F, #7FEBAD and #7F86EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

Complementary color

CMYK 84 / 0 / 48 / 50

HEX #148043

RGB 20 128 67

HSL 146.11, 0.73%, 0.29%

LAB 46.96, -43.33, 25.07

 

CMYK 0 / 47 / 24 / 6

HEX #F07FB7

RGB 240 127 183

HSL 330.27, 0.79%, 0.72%

LAB 67.37, 49.78, -9.75

 

CMYK 0 / 43 / 21 / 0

HEX #FF91CA

RGB 255 145 202

HSL 328.91, 1%, 0.78%

LAB 73.4, 48.35, -11.14

 

CMYK 0 / 36 / 13 / 0

HEX #FFA3DD

RGB 255 163 221

HSL 322.17, 1%, 0.82%

LAB 77.68, 42.04, -15.13

 

CMYK 0 / 29 / 6 / 0

HEX #FFB5F0

RGB 255 181 240

HSL 312.16, 1%, 0.85%

LAB 82.16, 35.81, -18.63

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 50 / 22 / 15

HEX #DA6DA9

RGB 218 109 169

HSL 326.97, 0.6%, 0.64%

LAB 60.52, 49.62, -12.36

 

CMYK 0 / 55 / 25 / 21

HEX #C95B96

RGB 201 91 150

HSL 327.82, 0.5%, 0.57%

LAB 54.13, 50.3, -11.16

 

CMYK 0 / 60 / 29 / 28

HEX #B84983

RGB 184 73 131

HSL 328.65, 0.44%, 0.5%

LAB 47.74, 50.84, -9.71

 

CMYK 0 / 67 / 33 / 35

HEX #A73770

RGB 167 55 112

HSL 329.46, 0.5%, 0.44%

LAB 41.4, 51.09, -7.88

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 46 / 33 / 8

HEX #EB7F9E

RGB 235 127 158

HSL 342.78, 0.73%, 0.71%

LAB 65.99, 44.83, 2.26

 

CMYK 0 / 46 / 45 / 8

HEX #EB7F81

RGB 235 127 129

HSL 358.89, 0.73%, 0.71%

LAB 65.3, 41.6, 17.7

 

CMYK 0 / 46 / 46 / 8

HEX #EB7F7F

RGB 235 127 127

HSL 0, 0.73%, 0.71%

LAB 65.26, 41.41, 18.78

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 46 / 8 / 8

HEX #EB7FD9

RGB 235 127 217

HSL 310, 0.73%, 0.71%

LAB 67.91, 53.39, -28.01

 

CMYK 5 / 46 / 0 / 8

HEX #DF7FEB

RGB 223 127 235

HSL 293.33, 0.73%, 0.71%

LAB 67.18, 53.07, -39.23

 

CMYK 17 / 46 / 0 / 8

HEX #C27FEB

RGB 194 127 235

HSL 277.22, 0.73%, 0.71%

LAB 63.87, 44.93, -44.64

 

CMYK 30 / 46 / 0 / 8

HEX #A57FEB

RGB 165 127 235

HSL 261.11, 0.73%, 0.71%

LAB 60.94, 37.05, -49.48

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 53 / 23 / 4

HEX #F673BD

RGB 246 115 189

HSL 326.11, 0.88%, 0.71%

LAB 66.16, 58.25, -14.87

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 38 / 17 / 13

HEX #DF8BBA

RGB 223 139 186

HSL 326.43, 0.57%, 0.71%

LAB 67.8, 38.43, -11.02

 

CMYK 0 / 29 / 13 / 17

HEX #D396B8

RGB 211 150 184

HSL 326.56, 0.41%, 0.71%

LAB 68.84, 28.07, -8.49

 

CMYK 0 / 19 / 8 / 22

HEX #C7A2B7

RGB 199 162 183

HSL 325.95, 0.25%, 0.71%

LAB 70.46, 17.1, -5.67

 

CMYK 0 / 7 / 3 / 27

HEX #BBAEB5

RGB 187 174 181

HSL 327.69, 0.09%, 0.71%

LAB 72.34, 5.91, -1.91

 

CMYK 5 / 46 / 0 / 8

HEX #E07FEB

RGB 224 127 235

HSL 293.89, 0.73%, 0.71%

LAB 67.3, 53.35, -39.04

 

CMYK 0 / 46 / 8 / 8

HEX #EB7FD9

RGB 235 127 217

HSL 310, 0.73%, 0.71%

LAB 67.91, 53.39, -28.01

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 46 / 32 / 8

HEX #EB7F9F

RGB 235 127 159

HSL 342.22, 0.73%, 0.71%

LAB 66.02, 44.96, 1.73

 

CMYK 0 / 46 / 45 / 8

HEX #EB7F82

RGB 235 127 130

HSL 358.33, 0.73%, 0.71%

LAB 65.32, 41.7, 17.17

 

CMYK 0 / 75 / 33 / 13

HEX #DF3796

RGB 223 55 150

HSL 326.07, 0.72%, 0.55%

LAB 52.53, 70.67, -13.22

 

CMYK 0 / 60 / 26 / 10

HEX #E55BA9

RGB 229 91 169

HSL 326.09, 0.73%, 0.63%

LAB 58.98, 61.29, -14.53

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 33 / 14 / 6

HEX #F0A2CE

RGB 240 162 206

HSL 326.15, 0.72%, 0.79%

LAB 75.34, 35.2, -10.62

 

CMYK 0 / 20 / 9 / 4

HEX #F6C6E1

RGB 246 198 225

HSL 326.25, 0.73%, 0.87%

LAB 84.7, 21.31, -6.91

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 17 / 46 / 8

HEX #EBC37F

RGB 235 195 127

HSL 37.78, 0.73%, 0.71%

LAB 80.86, 5.62, 39.4

 

CMYK 46 / 2 / 0 / 8

HEX #7FE7EB

RGB 127 231 235

HSL 182.22, 0.73%, 0.71%

LAB 85.84, -29.17, -11.35

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 20 / 0 / 46 / 8

HEX #BCEB7F

RGB 188 235 127

HSL 86.11, 0.73%, 0.71%

LAB 87.8, -32.57, 47.32

 

CMYK 46 / 20 / 0 / 8

HEX #7FBCEB

RGB 127 188 235

HSL 206.11, 0.73%, 0.71%

LAB 73.85, -7.28, -29.5

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 17 / 46 / 8

HEX #EBC37F

RGB 235 195 127

HSL 37.78, 0.73%, 0.71%

LAB 80.86, 5.62, 39.4

 

CMYK 46 / 0 / 26 / 8

HEX #7FEBAD

RGB 127 235 173

HSL 145.56, 0.73%, 0.71%

LAB 85.48, -44.83, 20.63

 

CMYK 46 / 29 / 0 / 8

HEX #7FA6EB

RGB 127 166 235

HSL 218.33, 0.73%, 0.71%

LAB 67.86, 4.88, -38.78

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 0 / 3 / 46 / 8

HEX #EBE37F

RGB 235 227 127

HSL 55.56, 0.73%, 0.71%

LAB 88.99, -10.74, 49.53

 

CMYK 46 / 0 / 26 / 8

HEX #7FEBAD

RGB 127 235 173

HSL 145.56, 0.73%, 0.71%

LAB 85.48, -44.83, 20.63

 

CMYK 46 / 43 / 0 / 8

HEX #7F86EB

RGB 127 134 235

HSL 236.11, 0.73%, 0.71%

LAB 59.49, 23.44, -51.97

 

Description

Color code: HEX #EB7FBC | qconv.com Color code: HEX #EB7FBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 127 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 127 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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