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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB83C8 it is the complementary color #147C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB83C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB83C8 shade: #F083C3, #FF95D6, #FFA7E9, #FFB9FC and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB83C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB83C8 shade: #EB83C8, #DA71B5, #C95FA2, #B84D8F and #A73B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB83C8 shade: #EB84C8, #EB84AC, #EB8490 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB83C8 shade: #EB84C8, #EB84E4, #D684EB, #BA84EB and #9E84EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB83C8 shade matches the following richer shades: #EB84C8 and #F678CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB83C8 shade: #EB84C8, #DF8FC4, #D39BC0, #C8A6BD and #BCB2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB83C8 shade: #D684EB, #EB84E4, #EB84C8, #EB84AD and #EB8491

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB83C8 shade: #DF3DA8, #E560B8, #EB84C8, #F0A7D8 and #F6CBE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB83C8 shade: #EB83C8, #EBBB84 and #84EBE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB83C8 shade: #EB83C8, #C8EB84 and #84C8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB83C8 shade: #EB83C8, #EBBB84, #84EBA6 and #84B4EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB83C8 shade: #EB83C8, #EBD984, #84EBA6 and #8495EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

Complementary color

CMYK 84 / 0 / 56 / 51

HEX #147C37

RGB 20 124 55

HSL 140.19, 0.72%, 0.28%

LAB 45.41, -43.91, 29.58

 

CMYK 0 / 45 / 19 / 6

HEX #F083C3

RGB 240 131 195

HSL 324.77, 0.78%, 0.73%

LAB 68.53, 49.5, -14.74

 

CMYK 0 / 42 / 16 / 0

HEX #FF95D6

RGB 255 149 214

HSL 323.21, 1%, 0.79%

LAB 74.58, 48.11, -15.97

 

CMYK 0 / 35 / 9 / 0

HEX #FFA7E9

RGB 255 167 233

HSL 315, 1%, 0.83%

LAB 78.91, 41.92, -19.77

 

CMYK 0 / 27 / 1 / 0

HEX #FFB9FC

RGB 255 185 252

HSL 302.57, 1%, 0.86%

LAB 83.44, 35.81, -23.12

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

CMYK 0 / 48 / 17 / 15

HEX #DA71B5

RGB 218 113 181

HSL 321.14, 0.59%, 0.65%

LAB 61.7, 49.4, -17.45

 

CMYK 0 / 53 / 19 / 21

HEX #C95FA2

RGB 201 95 162

HSL 322.08, 0.5%, 0.58%

LAB 55.29, 50.08, -16.44

 

CMYK 0 / 58 / 22 / 28

HEX #B84D8F

RGB 184 77 143

HSL 322.99, 0.43%, 0.51%

LAB 48.86, 50.64, -15.23

 

CMYK 0 / 65 / 26 / 35

HEX #A73B7C

RGB 167 59 124

HSL 323.89, 0.48%, 0.44%

LAB 42.46, 50.96, -13.7

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 44 / 27 / 8

HEX #EB84AC

RGB 235 132 172

HSL 336.7, 0.72%, 0.72%

LAB 67.38, 44.1, -3.61

 

CMYK 0 / 44 / 39 / 8

HEX #EB8490

RGB 235 132 144

HSL 353.01, 0.72%, 0.72%

LAB 66.66, 40.64, 11.13

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 44 / 3 / 8

HEX #EB84E4

RGB 235 132 228

HSL 304.08, 0.72%, 0.72%

LAB 69.3, 52.77, -31.95

 

CMYK 9 / 44 / 0 / 8

HEX #D684EB

RGB 214 132 235

HSL 287.77, 0.72%, 0.72%

LAB 67.12, 47.95, -39.39

 

CMYK 21 / 44 / 0 / 8

HEX #BA84EB

RGB 186 132 235

HSL 271.46, 0.72%, 0.72%

LAB 64.11, 40, -44.33

 

CMYK 33 / 44 / 0 / 8

HEX #9E84EB

RGB 158 132 235

HSL 255.15, 0.72%, 0.72%

LAB 61.46, 32.36, -48.7

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 51 / 17 / 4

HEX #F678CC

RGB 246 120 204

HSL 320, 0.88%, 0.72%

LAB 67.57, 58.03, -21.17

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 36 / 12 / 13

HEX #DF8FC4

RGB 223 143 196

HSL 320.25, 0.56%, 0.72%

LAB 68.98, 37.91, -14.83

 

CMYK 0 / 27 / 9 / 17

HEX #D39BC0

RGB 211 155 192

HSL 320.36, 0.39%, 0.72%

LAB 70.24, 26.71, -10.84

 

CMYK 0 / 17 / 5 / 22

HEX #C8A6BD

RGB 200 166 189

HSL 319.41, 0.24%, 0.72%

LAB 71.71, 16.33, -7.12

 

CMYK 0 / 5 / 2 / 26

HEX #BCB2B9

RGB 188 178 185

HSL 318, 0.07%, 0.72%

LAB 73.57, 4.83, -2.29

 

CMYK 9 / 44 / 0 / 8

HEX #D684EB

RGB 214 132 235

HSL 287.77, 0.72%, 0.72%

LAB 67.12, 47.95, -39.39

 

CMYK 0 / 44 / 3 / 8

HEX #EB84E4

RGB 235 132 228

HSL 304.08, 0.72%, 0.72%

LAB 69.3, 52.77, -31.95

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 44 / 26 / 8

HEX #EB84AD

RGB 235 132 173

HSL 336.12, 0.72%, 0.72%

LAB 67.41, 44.24, -4.13

 

CMYK 0 / 44 / 38 / 8

HEX #EB8491

RGB 235 132 145

HSL 352.43, 0.72%, 0.72%

LAB 66.68, 40.75, 10.6

 

CMYK 0 / 73 / 25 / 13

HEX #DF3DA8

RGB 223 61 168

HSL 320.37, 0.72%, 0.56%

LAB 53.87, 70.91, -21.81

 

CMYK 0 / 58 / 20 / 10

HEX #E560B8

RGB 229 96 184

HSL 320.3, 0.72%, 0.64%

LAB 60.32, 61.14, -21.11

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 30 / 10 / 6

HEX #F0A7D8

RGB 240 167 216

HSL 319.73, 0.71%, 0.8%

LAB 76.75, 34.18, -13.97

 

CMYK 0 / 17 / 6 / 4

HEX #F6CBE7

RGB 246 203 231

HSL 320.93, 0.7%, 0.88%

LAB 86.04, 19.69, -8.11

 

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

CMYK 0 / 20 / 44 / 8

HEX #EBBB84

RGB 235 187 132

HSL 32.04, 0.72%, 0.72%

LAB 78.97, 10.32, 34.38

 

CMYK 44 / 0 / 3 / 8

HEX #84EBE4

RGB 132 235 228

HSL 175.92, 0.72%, 0.72%

LAB 86.96, -31.66, -5.98

 

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

CMYK 15 / 0 / 44 / 8

HEX #C8EB84

RGB 200 235 132

HSL 80.39, 0.72%, 0.72%

LAB 88.62, -27.6, 46.11

 

CMYK 44 / 15 / 0 / 8

HEX #84C8EB

RGB 132 200 235

HSL 200.39, 0.72%, 0.72%

LAB 77.41, -12.44, -24.04

 

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

CMYK 0 / 20 / 44 / 8

HEX #EBBB84

RGB 235 187 132

HSL 32.04, 0.72%, 0.72%

LAB 78.97, 10.32, 34.38

 

CMYK 44 / 0 / 29 / 8

HEX #84EBA6

RGB 132 235 166

HSL 139.81, 0.72%, 0.72%

LAB 85.54, -44.81, 24.36

 

CMYK 44 / 23 / 0 / 8

HEX #84B4EB

RGB 132 180 235

HSL 212.04, 0.72%, 0.72%

LAB 71.92, -1.71, -32.45

 

CMYK 0 / 44 / 15 / 8

HEX #EB83C8

RGB 235 131 200

HSL 320.19, 0.72%, 0.72%

LAB 68.07, 48.67, -18.3

 

CMYK 0 / 8 / 44 / 8

HEX #EBD984

RGB 235 217 132

HSL 49.51, 0.72%, 0.72%

LAB 86.48, -5.23, 43.99

 

CMYK 44 / 0 / 29 / 8

HEX #84EBA6

RGB 132 235 166

HSL 139.81, 0.72%, 0.72%

LAB 85.54, -44.81, 24.36

 

CMYK 44 / 37 / 0 / 8

HEX #8495EB

RGB 132 149 235

HSL 230.1, 0.72%, 0.72%

LAB 63.67, 15.85, -45.33

 

Description

Color code: HEX #EB83C8 | qconv.com Color code: HEX #EB83C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 131 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 131 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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