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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9037 it is the complementary color #146FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9037 shade: #F09032, #FFA245, #FFB458, #FFC66B and #FFD87E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9037 shade: #EB9037, #DA7E24, #C96C11, #B85A00 and #A74800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9037 shade: #EB9037, #EB5F37 and #EB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9037 shade: #EB9037, #EBC037, #E5EB37, #B4EB37 and #84EB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9037 shade matches the following richer shades: #EB9037 and #FD9025

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9037 shade: #EB9037, #D99049, #C7905A, #B6906C and #A4917E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9037 shade: #EB3740, #EB5E37, #EB8E37, #EBBE37 and #E8EB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9037 shade: #BD6712, #E27B16, #EB9037, #EEA55C and #F2B982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9037 shade: #EB9037, #70EB37 and #4637EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9037 shade: #EB9037, #37EB8E and #8E37EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9037 shade: #EB9037, #70EB37, #3794EB and #B237EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9037 shade: #EB9037, #3AEB37, #3794EB and #E837EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

Complementary color

CMYK 90 / 45 / 0 / 22

HEX #146FC8

RGB 20 111 200

HSL 209.67, 0.82%, 0.43%

LAB 46.56, 8.68, -53.14

 

CMYK 0 / 40 / 79 / 6

HEX #F09032

RGB 240 144 50

HSL 29.68, 0.86%, 0.57%

LAB 68.53, 29.56, 61.85

 

CMYK 0 / 36 / 73 / 0

HEX #FFA245

RGB 255 162 69

HSL 30, 1%, 0.64%

LAB 74.53, 27.04, 60.48

 

CMYK 0 / 29 / 65 / 0

HEX #FFB458

RGB 255 180 88

HSL 33.05, 1%, 0.67%

LAB 78.81, 18.62, 56.53

 

CMYK 0 / 22 / 58 / 0

HEX #FFC66B

RGB 255 198 107

HSL 36.89, 1%, 0.71%

LAB 83.29, 10.47, 52.71

 

CMYK 0 / 15 / 51 / 0

HEX #FFD87E

RGB 255 216 126

HSL 41.86, 1%, 0.75%

LAB 87.91, 2.7, 49.09

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 42 / 83 / 15

HEX #DA7E24

RGB 218 126 36

HSL 29.67, 0.72%, 0.5%

LAB 61.61, 29.52, 59.81

 

CMYK 0 / 46 / 92 / 21

HEX #C96C11

RGB 201 108 17

HSL 29.67, 0.84%, 0.43%

LAB 55.26, 31.57, 59.59

 

CMYK 0 / 51 / 100 / 28

HEX #B85A00

RGB 184 90 0

HSL 29.35, 1%, 0.36%

LAB 48.89, 33.79, 57.87

 

CMYK 0 / 57 / 100 / 35

HEX #A74800

RGB 167 72 0

HSL 25.87, 1%, 0.33%

LAB 42.54, 36.16, 52.79

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 60 / 77 / 8

HEX #EB5F37

RGB 235 95 55

HSL 13.33, 0.82%, 0.57%

LAB 58.15, 52.06, 49.29

 

CMYK 0 / 77 / 77 / 8

HEX #EB3737

RGB 235 55 55

HSL 0, 0.82%, 0.57%

LAB 52.59, 67.19, 43.48

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 18 / 77 / 8

HEX #EBC037

RGB 235 192 55

HSL 45.67, 0.82%, 0.57%

LAB 79.41, 2.37, 69.91

 

CMYK 3 / 0 / 77 / 8

HEX #E5EB37

RGB 229 235 55

HSL 62, 0.82%, 0.57%

LAB 90.02, -21.71, 79.4

 

CMYK 23 / 0 / 77 / 8

HEX #B4EB37

RGB 180 235 55

HSL 78.33, 0.82%, 0.57%

LAB 86.7, -41.15, 75.14

 

CMYK 44 / 0 / 77 / 8

HEX #84EB37

RGB 132 235 55

HSL 94.33, 0.82%, 0.57%

LAB 84.28, -57.8, 71.99

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 43 / 85 / 1

HEX #FD9025

RGB 253 144 37

HSL 29.72, 0.98%, 0.57%

LAB 70.15, 34.47, 68.5

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 34 / 66 / 15

HEX #D99049

RGB 217 144 73

HSL 29.58, 0.65%, 0.57%

LAB 65.89, 21.08, 48.05

 

CMYK 0 / 28 / 55 / 22

HEX #C7905A

RGB 199 144 90

HSL 29.72, 0.49%, 0.57%

LAB 64.02, 14.73, 36.67

 

CMYK 0 / 21 / 41 / 29

HEX #B6906C

RGB 182 144 108

HSL 29.19, 0.34%, 0.57%

LAB 62.49, 9.43, 24.59

 

CMYK 0 / 12 / 23 / 36

HEX #A4917E

RGB 164 145 126

HSL 30, 0.17%, 0.57%

LAB 61.35, 3.97, 12.68

 

CMYK 0 / 77 / 73 / 8

HEX #EB3740

RGB 235 55 64

HSL 357, 0.82%, 0.57%

LAB 52.69, 67.52, 38.57

 

CMYK 0 / 60 / 77 / 8

HEX #EB5E37

RGB 235 94 55

HSL 13, 0.82%, 0.57%

LAB 57.98, 52.5, 49.12

 

CMYK 0 / 40 / 77 / 8

HEX #EB8E37

RGB 235 142 55

HSL 29, 0.82%, 0.57%

LAB 67.49, 28.74, 58.61

 

CMYK 0 / 19 / 77 / 8

HEX #EBBE37

RGB 235 190 55

HSL 45, 0.82%, 0.57%

LAB 78.91, 3.41, 69.44

 

CMYK 1 / 0 / 77 / 8

HEX #E8EB37

RGB 232 235 55

HSL 61, 0.82%, 0.57%

LAB 90.25, -20.48, 79.69

 

CMYK 0 / 46 / 90 / 26

HEX #BD6712

RGB 189 103 18

HSL 29.82, 0.83%, 0.41%

LAB 52.47, 29.23, 56.5

 

CMYK 0 / 46 / 90 / 11

HEX #E27B16

RGB 226 123 22

HSL 29.71, 0.82%, 0.49%

LAB 61.99, 34.07, 64.85

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 0 / 31 / 61 / 7

HEX #EEA55C

RGB 238 165 92

HSL 30, 0.81%, 0.65%

LAB 73.45, 19.78, 48.02

 

CMYK 0 / 24 / 46 / 5

HEX #F2B982

RGB 242 185 130

HSL 29.46, 0.81%, 0.73%

LAB 79.15, 13.96, 35.79

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 52 / 0 / 77 / 8

HEX #70EB37

RGB 112 235 55

HSL 101, 0.82%, 0.57%

LAB 83.51, -63.6, 71

 

CMYK 70 / 77 / 0 / 8

HEX #4637EB

RGB 70 55 235

HSL 245, 0.82%, 0.57%

LAB 37.9, 59.44, -87.19

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 77 / 0 / 40 / 8

HEX #37EB8E

RGB 55 235 142

HSL 149, 0.82%, 0.57%

LAB 83.01, -64.45, 32.81

 

CMYK 40 / 77 / 0 / 8

HEX #8E37EB

RGB 142 55 235

HSL 269, 0.82%, 0.57%

LAB 44.92, 68.2, -75.4

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 52 / 0 / 77 / 8

HEX #70EB37

RGB 112 235 55

HSL 101, 0.82%, 0.57%

LAB 83.51, -63.6, 71

 

CMYK 77 / 37 / 0 / 8

HEX #3794EB

RGB 55 148 235

HSL 209, 0.82%, 0.57%

LAB 59.88, 2.27, -51.55

 

CMYK 24 / 77 / 0 / 8

HEX #B237EB

RGB 178 55 235

HSL 281, 0.82%, 0.57%

LAB 49.73, 74.1, -67.35

 

CMYK 0 / 39 / 77 / 8

HEX #EB9037

RGB 235 144 55

HSL 29.67, 0.82%, 0.57%

LAB 67.94, 27.69, 59.04

 

CMYK 75 / 0 / 77 / 8

HEX #3AEB37

RGB 58 235 55

HSL 119, 0.82%, 0.57%

LAB 82.16, -74.75, 69.23

 

CMYK 77 / 37 / 0 / 8

HEX #3794EB

RGB 55 148 235

HSL 209, 0.82%, 0.57%

LAB 59.88, 2.27, -51.55

 

CMYK 1 / 77 / 0 / 8

HEX #E837EB

RGB 232 55 235

HSL 299, 0.82%, 0.57%

LAB 57.93, 84, -53.74

 

Description

Color code: HEX #EB9037 | qconv.com Color code: HEX #EB9037 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 144 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 144 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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