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Color name
HEX #EB925F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB925F it is the complementary color #146DA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB925F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB925F shade: #F0925A, #FFA46D, #FFB680, #FFC893 and #FFDAA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB925F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB925F shade: #EB925F, #DA804C, #C96E39, #B85C26 and #A74A13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB925F shade: #EB9260, #EB6D60 and #EB6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB925F shade: #EB9260, #EBB860, #EBDD60, #D3EB60 and #ADEB60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB925F shade matches the following richer shades: #EB9260 and #F98E51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB925F shade: #EB9260, #DC966E, #CE9A7D, #C09E8B and #B1A299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB925F shade: #EB6079, #EB6B60, #EB9060, #EBB560 and #EBDB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB925F shade: #DD621B, #E6793B, #EB9260, #EFAB84 and #F4C4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB925F shade: #EB925F, #9EEB60 and #6067EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB925F shade: #EB925F, #60EB90 and #9060EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB925F shade: #EB925F, #9EEB60, #60BAEB and #AC60EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB925F shade: #EB925F, #75EB60, #60BAEB and #D660EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

Complementary color

CMYK 88 / 32 / 0 / 37

HEX #146DA0

RGB 20 109 160

HSL 201.86, 0.78%, 0.35%

LAB 43.69, -5.74, -34.42

 

CMYK 0 / 39 / 63 / 6

HEX #F0925A

RGB 240 146 90

HSL 22.4, 0.83%, 0.65%

LAB 69.34, 30.48, 44.25

 

CMYK 0 / 36 / 57 / 0

HEX #FFA46D

RGB 255 164 109

HSL 22.6, 1%, 0.71%

LAB 75.4, 28.37, 42.23

 

CMYK 0 / 29 / 50 / 0

HEX #FFB680

RGB 255 182 128

HSL 25.51, 1%, 0.75%

LAB 79.77, 20.51, 37.9

 

CMYK 0 / 22 / 42 / 0

HEX #FFC893

RGB 255 200 147

HSL 29.44, 1%, 0.79%

LAB 84.32, 12.95, 33.96

 

CMYK 0 / 15 / 35 / 0

HEX #FFDAA6

RGB 255 218 166

HSL 35.06, 1%, 0.83%

LAB 89, 5.73, 30.38

 

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

CMYK 0 / 41 / 65 / 15

HEX #DA804C

RGB 218 128 76

HSL 21.97, 0.66%, 0.58%

LAB 62.39, 30.23, 42.59

 

CMYK 0 / 45 / 72 / 21

HEX #C96E39

RGB 201 110 57

HSL 22.08, 0.57%, 0.51%

LAB 55.95, 31.81, 44.42

 

CMYK 0 / 50 / 79 / 28

HEX #B85C26

RGB 184 92 38

HSL 22.19, 0.66%, 0.44%

LAB 49.48, 33.55, 46.17

 

CMYK 0 / 56 / 89 / 35

HEX #A74A13

RGB 167 74 19

HSL 22.3, 0.8%, 0.36%

LAB 43, 35.46, 47.41

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 54 / 59 / 8

HEX #EB6D60

RGB 235 109 96

HSL 5.61, 0.78%, 0.65%

LAB 61.17, 47.72, 30.82

 

CMYK 0 / 59 / 59 / 8

HEX #EB6060

RGB 235 96 96

HSL 0, 0.78%, 0.65%

LAB 58.86, 53.76, 27.84

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 22 / 59 / 8

HEX #EBB860

RGB 235 184 96

HSL 37.99, 0.78%, 0.65%

LAB 77.75, 8.77, 50.99

 

CMYK 0 / 6 / 59 / 8

HEX #EBDD60

RGB 235 221 96

HSL 53.96, 0.78%, 0.65%

LAB 87.1, -10.25, 61.59

 

CMYK 10 / 0 / 59 / 8

HEX #D3EB60

RGB 211 235 96

HSL 70.36, 0.78%, 0.65%

LAB 88.97, -26.72, 63.14

 

CMYK 26 / 0 / 59 / 8

HEX #ADEB60

RGB 173 235 96

HSL 86.76, 0.78%, 0.65%

LAB 86.58, -41.07, 59.8

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 43 / 67 / 2

HEX #F98E51

RGB 249 142 81

HSL 21.79, 0.93%, 0.65%

LAB 69.53, 35.58, 49.3

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 32 / 50 / 14

HEX #DC966E

RGB 220 150 110

HSL 21.82, 0.61%, 0.65%

LAB 68.13, 21.89, 31.68

 

CMYK 0 / 25 / 39 / 19

HEX #CE9A7D

RGB 206 154 125

HSL 21.48, 0.45%, 0.65%

LAB 67.81, 15.66, 22.79

 

CMYK 0 / 18 / 28 / 25

HEX #C09E8B

RGB 192 158 139

HSL 21.51, 0.3%, 0.65%

LAB 67.67, 9.71, 14.65

 

CMYK 0 / 8 / 14 / 31

HEX #B1A299

RGB 177 162 153

HSL 22.5, 0.13%, 0.65%

LAB 67.64, 3.91, 6.64

 

CMYK 0 / 59 / 49 / 8

HEX #EB6079

RGB 235 96 121

HSL 349.21, 0.78%, 0.65%

LAB 59.35, 55.73, 14.05

 

CMYK 0 / 54 / 59 / 8

HEX #EB6B60

RGB 235 107 96

HSL 4.75, 0.78%, 0.65%

LAB 60.8, 48.68, 30.34

 

CMYK 0 / 39 / 59 / 8

HEX #EB9060

RGB 235 144 96

HSL 20.72, 0.78%, 0.65%

LAB 68.35, 29.95, 39.8

 

CMYK 0 / 23 / 59 / 8

HEX #EBB560

RGB 235 181 96

HSL 36.69, 0.78%, 0.65%

LAB 77.01, 10.35, 50.14

 

CMYK 0 / 7 / 59 / 8

HEX #EBDB60

RGB 235 219 96

HSL 53.09, 0.78%, 0.65%

LAB 86.59, -9.25, 61.02

 

CMYK 0 / 56 / 88 / 13

HEX #DD621B

RGB 221 98 27

HSL 21.96, 0.78%, 0.49%

LAB 56.27, 44.74, 58.72

 

CMYK 0 / 47 / 74 / 10

HEX #E6793B

RGB 230 121 59

HSL 21.75, 0.77%, 0.57%

LAB 62.35, 37.79, 51.45

 

CMYK 0 / 38 / 59 / 8

HEX #EB9260

RGB 235 146 96

HSL 21.58, 0.78%, 0.65%

LAB 68.8, 28.9, 40.34

 

CMYK 0 / 28 / 45 / 6

HEX #EFAB84

RGB 239 171 132

HSL 21.87, 0.77%, 0.73%

LAB 75.54, 20.37, 29.96

 

CMYK 0 / 20 / 31 / 4

HEX #F4C4A9

RGB 244 196 169

HSL 21.6, 0.77%, 0.81%

LAB 82.69, 13.34, 20.04

HEX #F4C4A9

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

CMYK 33 / 0 / 59 / 8

HEX #9EEB60

RGB 158 235 96

HSL 93.24, 0.78%, 0.65%

LAB 85.77, -46.33, 58.68

 

CMYK 59 / 56 / 0 / 8

HEX #6067EB

RGB 96 103 235

HSL 236.98, 0.78%, 0.65%

LAB 49.72, 35.66, -67.76

 

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

CMYK 59 / 0 / 39 / 8

HEX #60EB90

RGB 96 235 144

HSL 140.72, 0.78%, 0.65%

LAB 83.92, -57.37, 33.17

 

CMYK 39 / 59 / 0 / 8

HEX #9060EB

RGB 144 96 235

HSL 260.72, 0.78%, 0.65%

LAB 52.17, 49.16, -63.61

 

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

CMYK 33 / 0 / 59 / 8

HEX #9EEB60

RGB 158 235 96

HSL 93.24, 0.78%, 0.65%

LAB 85.77, -46.33, 58.68

 

CMYK 59 / 21 / 0 / 8

HEX #60BAEB

RGB 96 186 235

HSL 201.15, 0.78%, 0.65%

LAB 71.96, -12.83, -32.53

 

CMYK 27 / 59 / 0 / 8

HEX #AC60EB

RGB 172 96 235

HSL 272.81, 0.78%, 0.65%

LAB 55.21, 55.46, -58.56

 

CMYK 0 / 38 / 60 / 8

HEX #EB925F

RGB 235 146 95

HSL 21.86, 0.78%, 0.65%

LAB 68.78, 28.83, 40.85

 

CMYK 50 / 0 / 59 / 8

HEX #75EB60

RGB 117 235 96

HSL 110.94, 0.78%, 0.65%

LAB 83.99, -58.94, 56.18

 

CMYK 59 / 21 / 0 / 8

HEX #60BAEB

RGB 96 186 235

HSL 201.15, 0.78%, 0.65%

LAB 71.96, -12.83, -32.53

 

CMYK 9 / 59 / 0 / 8

HEX #D660EB

RGB 214 96 235

HSL 290.94, 0.78%, 0.65%

LAB 60.48, 65.48, -49.85

 

Description

Color code: HEX #EB925F | qconv.com Color code: HEX #EB925F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 146 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 146 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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