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Color name
HEX #EB9328

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9328 it is the complementary color #146CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9328 shade: #F09323, #FFA536, #FFB749, #FFC95C and #FFDB6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9328 shade: #EB9328, #DA8115, #C96F02, #B85D00 and #A74B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9328 shade: #EB9328, #EB5E28, #EB2A28 and #EB2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9328 shade: #EB9328, #EBC728, #D9EB28, #A5EB28 and #70EB28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9328 shade matches the following richer shades: #EB9328 and #FE9515

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9328 shade: #EB9328, #D8913B, #C58F4E, #B28D61 and #9F8B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9328 shade: #EB2828, #EB5C28, #EB9028, #EBC428 and #DEEB28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9328 shade: #B06810, #D67E13, #EB9328, #EEA64E and #F2B973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9328 shade: #EB9328, #5CEB28 and #4228EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9328 shade: #EB9328, #28EB90 and #9028EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9328 shade: #EB9328, #5CEB28, #2883EB and #B728EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9328 shade: #EB9328, #28EB2E, #2883EB and #EB28E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

Complementary color

CMYK 91 / 50 / 0 / 16

HEX #146CD7

RGB 20 108 215

HSL 212.92, 0.83%, 0.46%

LAB 46.68, 16.5, -61.52

 

CMYK 0 / 39 / 85 / 6

HEX #F09323

RGB 240 147 35

HSL 32.78, 0.87%, 0.54%

LAB 69.12, 27.56, 67.58

 

CMYK 0 / 35 / 79 / 0

HEX #FFA536

RGB 255 165 54

HSL 33.13, 1%, 0.61%

LAB 75.1, 24.9, 67.07

 

CMYK 0 / 28 / 71 / 0

HEX #FFB749

RGB 255 183 73

HSL 36.26, 1%, 0.64%

LAB 79.39, 16.26, 63.74

 

CMYK 0 / 21 / 64 / 0

HEX #FFC95C

RGB 255 201 92

HSL 40.12, 1%, 0.68%

LAB 83.86, 7.93, 60.29

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB6F

RGB 255 219 111

HSL 45, 1%, 0.72%

LAB 88.48, -0.02, 56.89

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 41 / 90 / 15

HEX #DA8115

RGB 218 129 21

HSL 32.89, 0.82%, 0.47%

LAB 62.22, 27.6, 64.79

 

CMYK 0 / 45 / 99 / 21

HEX #C96F02

RGB 201 111 2

HSL 32.86, 0.98%, 0.4%

LAB 55.88, 29.79, 62.99

 

CMYK 0 / 49 / 100 / 28

HEX #B85D00

RGB 184 93 0

HSL 30.33, 1%, 0.36%

LAB 49.52, 32.21, 58.25

 

CMYK 0 / 55 / 100 / 35

HEX #A74B00

RGB 167 75 0

HSL 26.95, 1%, 0.33%

LAB 43.13, 34.63, 53.13

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 60 / 83 / 8

HEX #EB5E28

RGB 235 94 40

HSL 16.62, 0.83%, 0.54%

LAB 57.87, 52.03, 55.95

 

CMYK 0 / 82 / 83 / 8

HEX #EB2A28

RGB 235 42 40

HSL 0.62, 0.83%, 0.54%

LAB 51.23, 70.18, 50.01

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 15 / 83 / 8

HEX #EBC728

RGB 235 199 40

HSL 48.92, 0.83%, 0.54%

LAB 81.11, -1.73, 75.92

 

CMYK 8 / 0 / 83 / 8

HEX #D9EB28

RGB 217 235 40

HSL 65.54, 0.83%, 0.54%

LAB 89.07, -27.09, 82.03

 

CMYK 30 / 0 / 83 / 8

HEX #A5EB28

RGB 165 235 40

HSL 81.54, 0.83%, 0.54%

LAB 85.79, -47.31, 77.92

 

CMYK 52 / 0 / 83 / 8

HEX #70EB28

RGB 112 235 40

HSL 97.85, 0.83%, 0.54%

LAB 83.45, -64.33, 74.96

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 41 / 92 / 0

HEX #FE9515

RGB 254 149 21

HSL 32.96, 0.99%, 0.54%

LAB 71.3, 32.02, 73.53

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 33 / 73 / 15

HEX #D8913B

RGB 216 145 59

HSL 32.87, 0.67%, 0.54%

LAB 65.88, 19.37, 54.51

 

CMYK 0 / 27 / 60 / 23

HEX #C58F4E

RGB 197 143 78

HSL 32.77, 0.51%, 0.54%

LAB 63.4, 13.48, 42.1

 

CMYK 0 / 21 / 46 / 30

HEX #B28D61

RGB 178 141 97

HSL 32.59, 0.34%, 0.54%

LAB 61.11, 8.21, 28.76

 

CMYK 0 / 13 / 27 / 38

HEX #9F8B74

RGB 159 139 116

HSL 32.09, 0.18%, 0.54%

LAB 59.06, 3.84, 15.08

 

CMYK 0 / 83 / 83 / 8

HEX #EB2828

RGB 235 40 40

HSL 0, 0.83%, 0.54%

LAB 51.07, 70.64, 49.87

 

CMYK 0 / 61 / 83 / 8

HEX #EB5C28

RGB 235 92 40

HSL 16, 0.83%, 0.54%

LAB 57.53, 52.92, 55.66

 

CMYK 0 / 39 / 83 / 8

HEX #EB9028

RGB 235 144 40

HSL 32, 0.83%, 0.54%

LAB 67.84, 27.19, 64.65

 

CMYK 0 / 17 / 83 / 8

HEX #EBC428

RGB 235 196 40

HSL 48, 0.83%, 0.54%

LAB 80.35, -0.19, 75.28

 

CMYK 6 / 0 / 83 / 8

HEX #DEEB28

RGB 222 235 40

HSL 64, 0.83%, 0.54%

LAB 89.44, -25.05, 82.49

 

CMYK 0 / 41 / 91 / 31

HEX #B06810

RGB 176 104 16

HSL 33, 0.83%, 0.38%

LAB 50.88, 23.05, 55.04

 

CMYK 0 / 41 / 91 / 16

HEX #D67E13

RGB 214 126 19

HSL 32.92, 0.84%, 0.46%

LAB 61.01, 27.48, 64.13

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 0 / 30 / 67 / 7

HEX #EEA64E

RGB 238 166 78

HSL 33, 0.82%, 0.62%

LAB 73.55, 18.38, 54.81

 

CMYK 0 / 24 / 52 / 5

HEX #F2B973

RGB 242 185 115

HSL 33.07, 0.83%, 0.7%

LAB 78.93, 12.6, 43.22

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 61 / 0 / 83 / 8

HEX #5CEB28

RGB 92 235 40

HSL 104, 0.83%, 0.54%

LAB 82.83, -69.31, 74.17

 

CMYK 72 / 83 / 0 / 8

HEX #4228EB

RGB 66 40 235

HSL 248, 0.83%, 0.54%

LAB 35.35, 65.81, -91.43

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 83 / 0 / 39 / 8

HEX #28EB90

RGB 40 235 144

HSL 152, 0.83%, 0.54%

LAB 82.85, -65.6, 31.56

 

CMYK 39 / 83 / 0 / 8

HEX #9028EB

RGB 144 40 235

HSL 272, 0.83%, 0.54%

LAB 43.43, 73.57, -77.83

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 61 / 0 / 83 / 8

HEX #5CEB28

RGB 92 235 40

HSL 104, 0.83%, 0.54%

LAB 82.83, -69.31, 74.17

 

CMYK 83 / 44 / 0 / 8

HEX #2883EB

RGB 40 131 235

HSL 212, 0.83%, 0.54%

LAB 54.74, 11.04, -59.78

 

CMYK 22 / 83 / 0 / 8

HEX #B728EB

RGB 183 40 235

HSL 284, 0.83%, 0.54%

LAB 48.99, 79.23, -68.52

 

CMYK 0 / 37 / 83 / 8

HEX #EB9328

RGB 235 147 40

HSL 32.92, 0.83%, 0.54%

LAB 68.52, 25.61, 65.23

 

CMYK 83 / 0 / 80 / 8

HEX #28EB2E

RGB 40 235 46

HSL 121.85, 0.83%, 0.54%

LAB 81.87, -77.41, 71.44

 

CMYK 83 / 44 / 0 / 8

HEX #2883EB

RGB 40 131 235

HSL 212, 0.83%, 0.54%

LAB 54.74, 11.04, -59.78

 

CMYK 0 / 83 / 3 / 8

HEX #EB28E4

RGB 235 40 228

HSL 302.15, 0.83%, 0.54%

LAB 56.86, 86.92, -51.47

 

Description

Color code: HEX #EB9328 | qconv.com Color code: HEX #EB9328 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 147 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 147 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 83 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 83% 8% C M Y K

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